[first lines]
Railroad Engineer: [the railroad engineer speaks over the PA System in the train] Huxley station.
Sarah Manning: [Sarah is startled to wake up] Shit!

  --  Natural Selection [1.01]
%
[Katja tells Sarah the shared riddle between her and Beth]
Katja Obinger: Just one. I'm a few. No family, too. Who am I?

  --  Natural Selection [1.01]
%
[the bartender Bobby whips a dishcloth at Felix who's sitting at the table phone]
Bobby: Ugh! Felix!
Felix Dawkins: Ow!
Bobby: Use it or hang it up, okay?
Felix Dawkins: Do not snap towels at me, Bobby! I had a very traumatic childhood.

  --  Natural Selection [1.01]
%
Felix Dawkins: Oh. You're going to disappear again?
Sarah Manning: Yeah, I have to, Fe. There's dangerous shit in this life. Somebody keeps texting her.
Felix Dawkins: Oh, texting. My God, how terrifying.

  --  Natural Selection [1.01]
%
Sarah: Something really weird just happened at the train station.
Felix: What?
Sarah: I saw a girl kill herself.
Felix:  Eeww. A jumper?
Sarah: Yeah, and she looked exactly like me, Felix.
Felix: What you mean? [Sarah takes out Elizabeth's wallet] Oh! You robbed her body.
Sarah: No, she left a bag on the platform.
Felix: Isn't that essentially robbing her body? [Sarah shows him Elizabeth's driver's license] Okay, that's ... weird.
Sarah: Yeah, you think?
Felix: "Elizabeth Childs" - It's you with a nice haircut.
Sarah: That's a nice address. What the hell, Fee, did I have a twin sister?
Felix: Well, now, when you're a poor little orphan foster wretch, anything's possible. Or so we tell ourselves.

  --  Natural Selection [1.01]
%
[Sarah watches a home video of Paul and Beth Childs together]
Paul Dierden: Are you ready to put your body through months of hell for the full?
Beth Childs: You're damn right.

  --  Natural Selection [1.01]
%
Felix Dawkins: Sarah, who is Elizabeth Childs?
Sarah Manning: I don't know. Just a girl who looks like me. A girl with a pretty nice life.
Felix Dawkins: If it was so nice, why'd she kill herself?

  --  Natural Selection [1.01]
%
[Sarah sees Paul for the first time while wearing a shirt of The Clash]
Paul Dierden: The Clash?
Sarah Manning: Oh, yeah, uh... 'London Calling.' The Clash rock.
Paul Dierden: Yeah, but you don't.

  --  Natural Selection [1.01]
%
Felix Dawkins: Coke?
Sarah Manning: It's Vic's. Think you can flip it to one of your Bay Street blow boys?
Felix Dawkins: You have no idea what that costs me.
Sarah Manning: I'll give you 20 per cent.
Felix Dawkins: I wasn't talking about my cut, Sarah. I was talking about my pride.

  --  Natural Selection [1.01]
%
Sarah Manning: [Sarah points to Paul's photo] If that was my boyfriend, I'd jump in front of a train, too.
Felix Dawkins: Don't say that. Paul's hot and you know it.

  --  Natural Selection [1.01]
%
[Felix and Sarah go over the suicide of Beth Childs]
Felix Dawkins: So, your twin, all hopped up on cop tranquilizers, guns down an innocent Chinese lady holding a cell phone in her hand. Is that true?
Sarah Manning: [Sarah scoffs] I don't know. I'm not even sure her partner knows. Feels like she's lying about something.
Felix Dawkins: With 75 grand in a new account? She's well dodgy.
Sarah Manning: Yeah, whatever she was into, it drove her bloody nuts, yeah?
Felix Dawkins: Yeah, suicide's thrilling, agreed.

  --  Natural Selection [1.01]
%
Felix Dawkins: How's Vic the dick?
Sarah Manning: Yeah, I hit him first, this time. With an ashtray, so... He's a little blue.

  --  Natural Selection [1.01]
%
[Sarah shows Felix the ID card of Beth Childs]
Felix Dawkins: Okay, that's weird.
Sarah Manning: Yeah, you think?
Felix Dawkins: 'Elizabeth Childs.' It's you, with a nice haircut.
Sarah Manning: And a nice address. What the hell, Fe? Did I have a twin sister?
Felix Dawkins: Well, now, when you're a poor little orphan foster wretch, anything's possible. Or so we tell ourselves.

  --  Natural Selection [1.01]
%
Vic: I'm just going to ask you once. Where. Is. The. Coke?
Felix Dawkins: Cocaine?

  --  Natural Selection [1.01]
%
[Felix identifies the body at the morgue]
Felix Dawkins: Oh, my God! I... Oh! That's... That's... That's so...
Felix Dawkins: [Felix gets silent and looks closer at the body] All right, I can't, I can't do it. You got... I need to... That's too messed up, I can't.

  --  Natural Selection [1.01]
%
[Art asks Sarah where her wit has gone]
Detective Art Bell: Where's your wit gone? You haven't called me 'dipshit' all day.
Sarah Manning: You don't have to babysit me, dipshit.
Detective Art Bell: I know, but who else would?

  --  Natural Selection [1.01]
%
Felix Dawkins: [Felix points to Beth Childs' photo] Well, look at her.
Sarah Manning: What?
Felix Dawkins: You're related. This could be your story.
Sarah Manning: It's not.
Felix Dawkins: Every foster kid dreams of their lost family.
Sarah Manning: Oh, my God.
Felix Dawkins: Deep down, we all hope we're special.
Sarah Manning: [Sarah looks for an alcohol bottle] Yeah, the last thing I am is special.

  --  Natural Selection [1.01]
%
Felix Dawkins: You left Kira with Mrs. S. overnight and you didn't come back for 10 months!
Sarah Manning: [Sarah in a low voice] I'm trying to fix this.
Felix Dawkins: Tell it to the angels, Sarah. You're already dead.

  --  Natural Selection [1.01]
%
Paul Dierden: What'd you do to your hair?
Sarah Manning: Uh... Nothing. I got it cut.
Paul Dierden: It's longer.
Sarah Manning: It's just wet.
Paul Dierden: Something's different.

  --  Natural Selection [1.01]
%
[Sarah with binoculars watches Felix at her fake wake]
Sarah Manning: Sherry's upset, though, isn't she?
Felix Dawkins: [Felix chuckles] Oh, yeah, she thinks Vic pushed you in front of the train. It's priceless, really.

  --  Natural Selection [1.01]
%
[last lines]
Sarah Manning: [Sarah drives off from someone trying to shoot her] Shit. Shit!
Sarah Manning: [as her and Katja's phones start to ring] Shit. Shit.
Sarah Manning: [Sarah answers] Hello?

  --  Natural Selection [1.01]
%
[first lines]
Cosima Niehaus: [Sarah pretends to be Beth on the phone and talks to the woman on the other end] Beth, where have you been?
Sarah Manning: Uh, where have I been? Um... Uh, long story.

  --  Instinct [1.02]
%
[Felix sees Sarah standing in his apartment for the first time since her fake wake]
Felix Dawkins: Aren't you supposed to wait, like, three days before rising?

  --  Instinct [1.02]
%
Paul Dierden: I'm worried you're losing the plot again. We've been here before.
Sarah Manning: [still pretending to be Beth] No, Paul, we definitely haven't been here before.

  --  Instinct [1.02]
%
[the desk clerk and hotel security tell Sarah about the trashed hotel room of Katja]
Desk Clerk: We had a noise complaint, which led to a security check.
Hotel Security: Ma'am, your room was trashed.
Sarah Manning: [Sarah in a German accent] Rock-and-roll.
Hotel Security: 'Rock-and-roll'? The sink is broken. What the heck is wrong with you?

  --  Instinct [1.02]
%
Desk Clerk: Are you enjoying the city?
Sarah Manning: [Sarah in a German accent] It's killing me.

  --  Instinct [1.02]
%
Detective Art Bell: [on the phone] Where are you?
Sarah Manning: I'm at home in the tub with a Bourbon.
Detective Art Bell: [Sarah hears Art bang on Beth's front door] Can you hear me knocking? No? Because you're not home.
Sarah Manning: Okay, I'm in Scarborough.
Detective Art Bell: What? Why?
Sarah Manning: I had to go to Bed Bath & Beyond, okay? Nobody wants to admit that.

  --  Instinct [1.02]
%
Sarah Manning: I just need you to be my backup, okay?
Felix Dawkins: I don't do backup! I don't even know what backup is!
Sarah Manning: Give me half an hour.
Felix Dawkins: What am I supposed to do 'til then?
Sarah Manning: Nothing. I just need somebody to know where I am.
Felix Dawkins: Wait, that is not comforting! Sarah!

  --  Instinct [1.02]
%
Detective Art Bell: Meet me at Fung's at noon.
Sarah Manning: [when Art hangs up the phone] Fung's? What the hell's Fung's?

  --  Instinct [1.02]
%
[Sarah sees Alison Hendrix for the first time at the soccer field]
Sarah Manning: Holy shite. A soccer mom.

  --  Instinct [1.02]
%
[Sarah takes Felix with her to Alison's home in the suburbs]
Felix Dawkins: [Sarah pulls the car over] Oh, my God! Ugh! You know I never would've got in if you said we were going to suburbia. Oi, what are you doing? Don't stop. Someone might speak to us. God! Christ. You know, my skin just breaks out every time I leave the downtown.
Felix Dawkins: [Felix looks at himself in the passenger mirror] Yeah, yeah. Right there. Look... acne.
Sarah Manning: No, I don't see acne.
Felix Dawkins: Am I blushing? There's redness! Right there! Tiny, little suburban stress zits, emerging in direct proximity to bad architecture.

  --  Instinct [1.02]
%
Vic: I want to get to know Sarah's daughter.
Felix Dawkins: Out, Vic!
Vic: Why not?
Felix Dawkins: There's a reason you never met her.
Vic: What is it?
Felix Dawkins: Well, let's see. For starters, you're a drug dealer.
Vic: I could help her financially.

  --  Instinct [1.02]
%
Felix Dawkins: Vic, Kira is not Sarah. Sarah's dead and she's not coming back. You need to man up and accept that.
Vic: Felix? Hug me.
[Felix scoffs and slides his front door shut on Vic]

  --  Instinct [1.02]
%
Felix Dawkins: Is this evil twin's money?
Sarah Manning: Yeah, $75,000 in cash. That's enough to lose Vic, lose the twin-sister weirdness, just somewhere safe with my daughter. Is that so much to ask?

  --  Instinct [1.02]
%
[Felix arrives at the house of Mrs. S when he sees Kira outside]
Felix Dawkins: Oh. Hi, monkey.

  --  Instinct [1.02]
%
Kira: When is mummy coming?
Mrs. S: You know when, love.
Kira: When she's ready?
Mrs. S: And?
Kira: When you say she's ready?
Mrs. S: Sounds fair to me.

  --  Instinct [1.02]
%
[Sarah finds out the truth about the cover up of the Maggie Chen shooting]
Sarah Manning: It wasn't her.
Detective Art Bell: Then what?
Sarah Manning: Then I saw the phone in her hand and I called it in. And then you showed up.
Detective Art Bell: If they find out you called me before you called it in, Beth, they're going to start to dig. And if they dig, they find the pills and, if they find the pills, you may crack under questioning and tell them that I put the phone in the vic's hand to cover your tweeker ass.
Sarah Manning: [Sarah sighs] I wouldn't do that, Art.

  --  Instinct [1.02]
%
Mrs. S: Kira is a gift.
Felix: Sarah knows that.
Mrs. S: No. She hasn't a clue.
Felix: She is trying, badly - granted, but in her own way, she really is - she's really trying. [Kira steps out] O-oh-ho. Caught ya. Come here. Come here, monkey.
Kira: When is mommy coming?
Mrs. S: You know when love.
Kira: When she's ready?
Mrs. S: And?
Kira: When you say she's ready?
Mrs. S: Sounds fair to me.

  --  Instinct [1.02]
%
Sarah: I just want some answers.
Alison: Are you out of your mind? How dare you show your face in front of my children. How did you find me?
Sarah: The German had your address. I've got what you wanted, I have her briefcase.
Alison: Idiot! Do you even know who you're talking to? Hmm? Where is Beth?
Sarah: Uh, she's dead.
Alison: What?
Sarah: I'm sorry, she killed herself.
Alison: No. No, she wouldn't do that. That's impossible
Sarah: I'm sorry, I saw her do it.
Alison: No, that can't be.
Sarah: I can explain. My name's Sarah.
Alison: I don't care who you are. Why Lord? Why me? I never wanted any part of this. Do I wear a huge "Kick me" sign on my back?
Sarah: Please, just tell me, who are we to each other.
Alison: Are you kidding me? I'm not doing that, Nope, that is not my responsibility. You need to get out of here. Go, and wait for a call.
Sarah: Hey, tell me what the hell -
Alison: Let go! Don't touch me - this is my neighborhood. You wait for a call. Oh, and hide your ugly face, on the way out of here!
Sarah:   Bitch.

  --  Instinct [1.02]
%
Alison Hendrix: Well, Sarah, this will be quick.
Sarah Manning: Good.
Alison Hendrix: Since you apparently already know where I live and I can't find a sitter, come by after 9:00 tonight.
Sarah Manning: How about right now?
Alison Hendrix: Tonight!

  --  Instinct [1.02]
%
[Sarah talks to Art after she finishes her case hearing]
Sarah Manning: I nailed it, man, every detail.
Detective Art Bell: Yeah. They haven't ruled yet.
Sarah Manning: Please contain your excitement.
Detective Art Bell: [Art remains stern looking] This is me, excited.
Sarah Manning: Come on, Art, give me a little love, here, yeah? Why do you have to be such a hard-ass?
Detective Art Bell: Because it's your favorite thing about me.

  --  Instinct [1.02]
%
Alison [brandishing a gun]: Be quiet, my kid's are sleeping.
Sarah: You're going to shoot me while your kids are sleeping?
Alison: You wake them or show your face, yes, I will shoot you.

  --  Instinct [1.02]
%
[last lines]
Sarah Manning: [Sarah tells Alison that being twin sisters certainly sucks] I've never known a blood relation, but being your twin certainly sucks.
Alison Hendrix: You really have no idea, do you?
Cosima Niehaus: [Sarah meets Cosima Niehaus for the first time as Cosima enters the room] Hey. I'm Cosima.
Sarah Manning: Bloody hell.
Cosima Niehaus: We talked on the phone.
Sarah Manning: How many of us are there?

  --  Instinct [1.02]
%
[first lines]
Cosima Niehaus: [Cosima asks Sarah a little bit about herself] Okay, define 'Orphan', Sarah.
Sarah Manning: Orphan, orphanage.
Cosima Niehaus: So, you don't know your birth parents?
Sarah Manning: No, I was fostered out, then legally adopted and I came here.
Cosima Niehaus: When?
Sarah Manning: Adopted? Like 8. Came here around 12.
Alison Hendrix: [Alison comments] Heartbreaking.

  --  Variation Under Nature [1.03]
%
[Sarah and Felix hear somebody come up to Beth's front door]
Sarah Manning: [Sarah whispers] Hide!
Felix Dawkins: [Felix whispers back] You cannot hide in minimalist furniture!

  --  Variation Under Nature [1.03]
%
Cosima Niehaus: You just broke the first rule of clone club.
Sarah Manning: What, 'Never tell anyone about clone club'?

  --  Variation Under Nature [1.03]
%
Felix Dawkins: You've got to be kidding me. Clones? Clones?
Sarah Manning: They're not me. They're not. They're completely different people.
Felix Dawkins: Soccer-mum Sarah, dreadlock science-geek Sarah? Arguably more attractive than the real Sarah.
Sarah Manning: Yeah, I was there, thank you.

  --  Variation Under Nature [1.03]
%
[Helena reveals herself to Sarah for the first time]
Helena: [with a knife in her hand] Good riddance, Elizabeth Childs.
Sarah Manning: [Sarah screams to not get stabbed] I'm not Beth!
Helena: [Sarah gasps to see the female suspect is another clone] Dirty little copy cop. Who are you?

  --  Variation Under Nature [1.03]
%
Sarah Manning: I can't talk, or meet. Just answer the question.
Cosima Niehaus: Oh, okay, okay. Um... Our fingerprints are close enough to flag a match, yeah. Why?
Sarah Manning: Beth's partner found the German... or at least part of her.
Cosima Niehaus: Part of her?
Sarah Manning: Yeah, I messed up when I buried her. They have a fingerprint, Cosima.
Cosima Niehaus: Oh, wait, are you being Beth right now?
Sarah Manning: Yes! Yes. I'm at the bloody crime scene, pretending to be a bloody cop, so I need to know if the bloody fingerprints will flag a bloody match!

  --  Variation Under Nature [1.03]
%
[Felix tells Alison's kids that he has to leave]
Felix Dawkins: My work here is done, I'm afraid.
Oscar Hendrix: No!
Gemma Hendrix: Stay, Felix.
Felix Dawkins: [Felix waves goodbye behind him] Adios, dragsters.

  --  Variation Under Nature [1.03]
%
Sarah Manning: Just answer me one thing...
Cosima Niehaus: Anything, yes.
Sarah Manning: If we're genetically identical, do you get that little patch of dry skin between your eyebrows?
Cosima Niehaus: [Cosima laughs] That's good. Try to keep your sense of humor. Beth couldn't.

  --  Variation Under Nature [1.03]
%
Sarah Manning: Bloody Mrs S. She's right.
Felix Dawkins: Really?
Sarah Manning: What kind of mother am I if I snatch my own daughter?
Felix Dawkins: A crap one, I agree.
Sarah Manning: And if I rob Alison, run now and never tell my...
Felix Dawkins: Clones?
Sarah Manning: Oh, God, we do have to find another word for that.

  --  Variation Under Nature [1.03]
%
Sarah Manning: Heading for the 10-45. Roger.
Female Police Dispatcher: Responder, please identify.
Sarah Manning: Uh...
Detective Art Bell: [Art shakes his head] Fifty-five.
Sarah Manning: Fifty-five heading for the 10-45, Roger. Out.

  --  Variation Under Nature [1.03]
%
[Art sees Sarah do perfect at the shooting range]
Detective Art Bell: Maybe it's your lady-grip walther.
Sarah Manning: [Sarah smiles] You like your big Glock, don't ya?

  --  Variation Under Nature [1.03]
%
[Sarah finds out from Alison that they're all clones]
Sarah Manning: How are we all related?
Alison Hendrix: We're not!
Cosima Niehaus: Well, we are, by nature. She's referring to nurture.
Alison Hendrix: Just give us the briefcase that you got from the German.
Sarah Manning: I'm not giving you shit 'til you give me some answers.
Alison Hendrix: You don't rate answers.
Cosima Niehaus: Alison!
Alison Hendrix: [Alison responds agitated sounding] Fine! She wants in? We're clones. We're someone's experiment and they're killing us off! Is that helpful? Hmm?

  --  Variation Under Nature [1.03]
%
Mrs. S: I've seen your elaborate ruses and guises before, but how do you do this, how do you fake your own demise beneath a train?
Sarah Manning: Wouldn't you rather know why?
Mrs. S: I don't care to know why.
Sarah Manning: Because I saw a way to dump Vic and get out of that life and get away with Kira.
Mrs. S: Ha! Take her on the run with you? Brilliant. New clothes and a Jaguar do not a mother make.

  --  Variation Under Nature [1.03]
%
Alison Hendrix: I need to protect my family, so Beth taught me how to shoot. For that, I am grateful to her.
Sarah Manning: I'm sorry you lost her, but anything you can tell me about her will help.
Alison Hendrix: [Alison scoffs] I fail to see how someone like you can fill Beth's shoes. Truth is, I barely knew Beth. She was all business, but I admired her. She didn't pry. She was discreet. She didn't bring her foster brother to my house.
Sarah Manning: I didn't know the rules of clone club, did I?
Alison Hendrix: Can you not use the C-word? Please.

  --  Variation Under Nature [1.03]
%
[Felix the babysitter asks Alison's kids if they want to dress up]
Felix Dawkins: You. You want to dress up like a little girl?
Oscar Hendrix: No!
Felix Dawkins: Well, I don't have anything for you, then.
Gemma Hendrix: I'll dress up like a boy.
Felix Dawkins: [Felix smiles] We can work with that.

  --  Variation Under Nature [1.03]
%
Aynsley Norris: You're not supposed to be parked here at night.
Felix Dawkins: I'm waiting for someone.
Aynsley Norris: Well, this is a neighborhood watch block, so...
Felix Dawkins: [the neighborhood watch girl points to her head and walks off, as Felix rolls up his window] Bitch that guards hell.

  --  Variation Under Nature [1.03]
%
Cosima Niehaus: They'd need to use Interpol to find the German, which is unlikely, um, but if one of us had a criminal record here...
Cosima Niehaus: [Sarah remains silent] Do you have a criminal record?
Sarah Manning: Just petty fraud, assault, whatever. Wasted youth, all right? If the body matches me, the cops will see a mugshot of somebody who looks like Beth, only it's yours truly, and I'm already supposed to be dead.
Cosima Niehaus: Wow. Wow, welcome to the trip, man.
Sarah Manning: [Sarah takes a deep breath] That is not helpful.

  --  Variation Under Nature [1.03]
%
Cosima Niehaus: So Beth used facial-recognition software to find driver's licenses in North America. Two matches.
Sarah Manning: You and soccer bitch.
Cosima Niehaus: Yeah, right. But who is the original? Who's created us? Who's killing us? We need to know, but, we lost our cop, so, however you manage to get into her shoes, we really need you to stay there.
Sarah Manning: Stay a cop to help you?
Cosima Niehaus: To help us. Help us find out who's killing us.

  --  Variation Under Nature [1.03]
%
[Felix the babysitter]
Felix Dawkins: So, what now? Does your daddy have a drinks trolley?
Gemma Hendrix: What's that?
Felix Dawkins: [Felix looks around the room] Don't worry. I'll find it.

  --  Variation Under Nature [1.03]
%
Alison Hendrix: So my bottom line is my children can't know their mother is a freak. Things have to stay on a need-to-know basis.
Sarah Manning: Yeah, I'm fine with that.
Alison Hendrix: Good. So, we've made a decision to trust you.
Sarah Manning: [Sarah smiles] Really?
Alison Hendrix: Sarah, this is my life now and I'm doing the best I can.

  --  Variation Under Nature [1.03]
%
[Alison arrives home to find that Felix dressed her kids up]
Alison Hendrix: Oh, Gemma!
Gemma Hendrix: Look, mom, we're cross-dressers!

  --  Variation Under Nature [1.03]
%
[last lines]
Sarah Manning: [Sarah sits in the car with Felix, wanting to make peace with Mrs. S and her sister clones] Mrs. S gave me one visit. I need to get it right.
Felix Dawkins: Okay, well, this has taken years off my life. Now can you please tell me what in the hell happened to your face.
[as the two laugh]

  --  Variation Under Nature [1.03]
%
[first lines]
Helena: [Helena does some self surgery on herself while in a family's bathroom, mumbling to herself the last words Sarah told her] 'I'm not Beth.' 'I'm not Beth.' 'I'm not Beth.'

  --  Effects of External Conditions [1.04]
%
[Alison practices her British accent in front of Felix]
Alison Hendrix: [Alison closes her eyes] The rain in Spain falls mainly on the plain.
Felix: Okay, Eliza. Holy shit. We need to pull a full reverse Pygmalion here.

  --  Effects of External Conditions [1.04]
%
Cosima Niehaus: So, the woman Beth shot and Helena are connected. Holy watershed. Okay, Beth probably shot Maggie Chen on purpose. She never told us anything about this.
Sarah Manning: Yeah, she never told her partner, either. I can't keep doing this, Cosima. Helena was here. She was Beth. She's going to get us both busted, unless I meet her, alone.
Cosima Niehaus: Oh, my God. Bad idea.
Sarah Manning: Yeah, she thinks we have a connection.
Cosima Niehaus: Do you?
Sarah Manning: Yeah, we're clones.

  --  Effects of External Conditions [1.04]
%
Alison Hendrix: Why would one of us be killing us? What is wrong with her?
Sarah Manning: Bad breath. Batshit crazy.

  --  Effects of External Conditions [1.04]
%
Alison Hendrix: I just need some time to myself. You have your usual Thursday-night drinks with clients, right?
Donnie Hendrix: Yes.
Alison Hendrix: So I'll see you when you come crashing in at 3:00 am, normal time.
Donnie Hendrix: I don't crash in.
Donnie Hendrix: [Donnie mumbles on the way out of the room] One time.

  --  Effects of External Conditions [1.04]
%
Sarah Manning: I do have one really idiotic idea.
Felix Dawkins: [Felix gasps] Oh, good.
Sarah Manning: I need to be in two places at once, yeah?
Felix Dawkins: Yeah...
Sarah Manning: Well, if anybody can do that, we can.
Felix Dawkins: Are you effing serious?
Sarah Manning: Yeah, suddenly, I am.

  --  Effects of External Conditions [1.04]
%
Alison Hendrix: Well, I did just play Annelle in 'Steel Magnolias'.
Felix Dawkins: Seriously?
Alison Hendrix: Mm-hmm. Glendale community theatre.
Felix Dawkins: Annelle, Annelle... oh, my God! The Daryl Hannah part?
Alison Hendrix: Yeah.
Felix Dawkins: Terrible casting.
Alison Hendrix: It was actually very good acting, Felix. Trust me, Sarah's no stretch. I got great reviews.
Felix Dawkins: From the whole neighborhood, I'm sure.

  --  Effects of External Conditions [1.04]
%
[Alison learns of Sarah's plan to see Kira]
Alison Hendrix: [Alison laughs in distress] I'm sorry, but she wants me to impersonate her, in front of her own daughter, who she hasn't seen in almost a year?
Felix: 10 months.
Alison Hendrix: This is terrible parenting, Felix.

  --  Effects of External Conditions [1.04]
%
[Kira questions the impersonating Alison]
Kira: What do you call me?
Alison Hendrix: Monkey.
Kira: What else?
Alison Hendrix: Monkey... bum? Face?
Kira: Where's my mum?

  --  Effects of External Conditions [1.04]
%
Sarah Manning: You wanted to talk? Let's talk.
Helena: I think I'm dying.
Sarah Manning: [Sarah kicks out a chair] Yeah, I think I'll watch.

  --  Effects of External Conditions [1.04]
%
Cosima Niehaus: So, the fish reads Christian and, and crafted onto a weapon? A personal crusade.
Sarah Manning: Great. Is that it?
Cosima Niehaus: You know, when I'm seeing this branded onto Maggie Chen, I'm thinking that she's not a lone warrior. To extreme creationist types, we would be abominations. Like, not God's children, but, but, Satan's.
Sarah Manning: So they hate us and she's killing us, even though she's identical to us?
Cosima Niehaus: Well, but if you were a messed-up, abused loner whose faith compelled you to belong and somebody that you trusted told you that this was the way to redeem yourself in the eyes of God, I mean...
Sarah Manning: Yeah, I might become an angry angel, too.

  --  Effects of External Conditions [1.04]
%
Donnie Hendrix: You're sending the kids to your parents on a school morning.
Alison Hendrix: Well, they're staying the night.
Donnie Hendrix: That's not an answer.
Alison Hendrix: Well, you didn't pose it as a question, did you, Donnie?

  --  Effects of External Conditions [1.04]
%
Sarah Manning: How's your head?
Detective Art Bell: Probably about the same as yours. It's a good day to be alive, Beth. My kids thank you. Hell, even my ex thanks you.
Sarah Manning: Yeah, don't mention it.
Detective Art Bell: I didn't. They did it.

  --  Effects of External Conditions [1.04]
%
Detective Art Bell: Look, the bottom line is we are chasing a calculated female killer who loves playing games. Like these fortune tellers. Angie.
Detective Angela DeAngelis: Certain choices give certain answers. Every choice is a different death. Could be threats, could be existing kills. They might mean something, when combined with the numbers.

  --  Effects of External Conditions [1.04]
%
Sarah Manning: There's no way I can make dinner with Kira tonight.
Felix Dawkins: Well, you've got to.
Sarah Manning: I can't. I'm stuck with Art and this bitch is right on top of me.

  --  Effects of External Conditions [1.04]
%
Felix Dawkins: Over-slouching. You're over-slouching.
Alison Hendrix: Shut up.
Felix Dawkins: Now you got it.

  --  Effects of External Conditions [1.04]
%
Detective Art Bell: You ever fight a woman?
Detective Angela DeAngelis: [DeAngelis laughs] Depends. Business or pleasure? Look, they do say crazy makes you strong.
Detective Art Bell: But women, they look different, fight different, smell different.
Detective Angela DeAngelis: This woman is a trained sniper.

  --  Effects of External Conditions [1.04]
%
Sarah Manning: [Sarah in her British accent] Art, if you're hearing this, you found the body. It's not Beth. It's me. My name is Sarah Manning and... you're about the only person I trust to figure the whole thing out.

  --  Effects of External Conditions [1.04]
%
Helena: Where did you come from?
Sarah Manning: I came out of the woodwork. Where did you come from?
Helena: God sent me.
Sarah Manning: Right, so you don't know, either.
Helena: You don't know God.

  --  Effects of External Conditions [1.04]
%
Helena: I can save you.
Sarah Manning: Right, because we have a connection.
Helena: I can see a light in you.
Sarah Manning: There's a light in all of us.
Helena: No! N-No! The others, poor copies of God's image of human beings.

  --  Effects of External Conditions [1.04]
%
Kira: How can you be my auntie Alison? My mum doesn't have any sisters. My mum doesn't even have a mum.
Alison Hendrix: Well, it's very complicated. But, Kira, I'm sorry about this, but it's very important that you keep this a secret, right? Promise?
Mrs S: Get now for bedtime, Kira, love. Up and go. Get your PJ's.
Alison: Ah, pinkies?
Kira: Bye, mummy.

  --  Effects of External Conditions [1.04]
%
[last lines]
Detective Art Bell: [Sarah tells Art and Lt. Gavin that she quits the police force] What is it with you?
Lieutenant Gavin Hardcastle: Walking out's not the answer, Childs.
Sarah Manning: [Sarah puts her badge on the desk] So how does this go? Something like this?

  --  Effects of External Conditions [1.04]
%
[first lines]
Tomas: [Helena lays in a bed as a man cleans her wound] Easy now. Sleep, child. Sleep.

  --  Conditions of Existence [1.05]
%
Sarah Manning: I'm going to shoot Paul's balls off.
Cosima Niehaus: Wait, just, um, just squeeze them, ok? He's our way into this whole thing.

  --  Conditions of Existence [1.05]
%
Alison Hendrix: I was just assaulted by a disgusting thug who thought I was you.
Sarah Manning: Who? What'd he look like?
Alison Hendrix: I don't know he was... Urban.
Sarah Manning: What the hell does that mean?
Alison Hendrix: Not white, okay?
Sarah Manning: Oh, shit. Vic?

  --  Conditions of Existence [1.05]
%
[Sarah finds out that Felix is sleeping with the morgue attendant Colin]
Sarah Manning: The morgue attendant? Really?
Felix Dawkins: Can you knock?
Sarah Manning: Brilliant, Fe. Shagging the bloke that we conned into identifying my body.
Felix Dawkins: Colin is the first nice boy I've met in ages.
Sarah Manning: What, like six weeks?
Felix Dawkins: No. At least eight.

  --  Conditions of Existence [1.05]
%
Felix Dawkins: If, uh, fake Paul was observing Beth, what makes you so certain no one's observing Sarah Manning?
Sarah Manning: Who? Mrs. S hates me. I haven't seen her in a year. And I'm giving you the benefit of the doubt.
Felix Dawkins: A ringing vote of confidence.

  --  Conditions of Existence [1.05]
%
Sarah Manning: [Sarah sits with Kira] You're so independent, aren't you? Hmm, monkey? Little monkey?
Mrs. S: Remind you of anyone?
Sarah Manning: Yeah, but I was much angrier, wasn't I? Even small. You were the one who introduced me to punk rock, though.
Mrs. S: Yeah. You took all of the attitude, none of the politics.

  --  Conditions of Existence [1.05]
%
Scitech Clerk: Deterrence, or surveillance?
Alison Hendrix: Surveillance, please. Something small.
Scitech Clerk: You mean something like, uh, this? Wireless, discreet. They call it 'the nanny cam'. Sometimes the nanny's pinching your valuables. Sometimes your husband's pinching the nanny, you know?
Alison Hendrix: Just show me how it works, please.

  --  Conditions of Existence [1.05]
%
Vic: Pouchy took my finger. If I don't come up with 15k...
Vic: [Vic makes a chopping sound with his tongue] He's gonna lobster me. A finger every week until all I have left is a lobster claw.

  --  Conditions of Existence [1.05]
%
Sarah Manning: Oh, my God. You arsehole!
Paul Dierden: You'd stab me in the eye with a nail file?
Sarah Manning: Yeah, you sneak up on me in the shower, I am gonna stab you in the eye with a nail file!

  --  Conditions of Existence [1.05]
%
Sarah Manning: Hey, hey, where's the money?
Alison Hendrix: What's it for?
Sarah Manning: It's a self-defense fund, yeah? Last time I checked, I'm the only one defending us.
Alison Hendrix: Here's $20,000. Please use it wisely.
Sarah Manning: Yeah, I'll bring you the receipt.

  --  Conditions of Existence [1.05]
%
[Sarah plants the mic in Felix's work office]
Sarah Manning: Felix, I hope you can hear this.
Felix Dawkins: [Felix whispers in the ear piece] Yes! Yeah, I can. Now, you silly bitch, would you get your fanny out of there?

  --  Conditions of Existence [1.05]
%
[Paul asks Sarah what happened to the scar on the back of her neck]
Paul Dierden: [as Paul combs Sarah's hair back] What happened to your scar?
Sarah Manning: What?
Paul Dierden: The scar on your neck from the mountain bike crash. It's gone.
Sarah Manning: Oh. Really? I-I'm using a new lotion.

  --  Conditions of Existence [1.05]
%
Alison Hendrix: What's in the box, Donnie?
Donnie Hendrix: It's private.
Alison Hendrix: No, it isn't! What... What is in it? Donnie, what's in the box?
Donnie Hendrix: I am entitled to a little privacy, even in this house.
Alison Hendrix: Oh, that's rich coming from you.
Donnie Hendrix: What the hell is that supposed to mean?

  --  Conditions of Existence [1.05]
%
[Scott and Cosima go over the blood samples from Katja Obinger]
Cosima Niehaus: Yeah, blood looks fine. No infection.
Scott: What kind of symptoms are we talking about?
Cosima Niehaus: Um... Shortness of breath, coughing up blood, that sort of thing.
Scott: Who's the subject?
Cosima Niehaus: Uh, subjects. And, if I told you that, I'd have to kill you.

  --  Conditions of Existence [1.05]
%
Sarah Manning: Of all the things that scare me right now, Fe, this one's the heaviest.
Kira: You know she can't wait to see you, right?
Sarah Manning: Yeah, thanks. She's the only thing that really matters, you know?

  --  Conditions of Existence [1.05]
%
[Sarah sees Kira for the first time]
Sarah Manning: [Sarah tears up] Hey. It's me, this time.
Kira: I know.
Sarah Manning: [Kira hugs Sarah as Sarah cries] God, I missed you so much.
Kira: I missed you, too.
[Sarah laughs]

  --  Conditions of Existence [1.05]
%
Kira: Why are you wearing such fancy clothes?
Sarah Manning: Ah... You don't miss a thing, do you?
Kira: Are you okay, mummy?
Sarah Manning: Yeah, I am, now. God, you're so big!
Kira: I'm the smallest kid in my class.
Sarah Manning: Well, you're big to me.

  --  Conditions of Existence [1.05]
%
[Cosima meets Delphine Cormier for the first time]
Cosima Niehaus: You're in microbiology, too, right?
Delphine Cormier: Yes. Um, immunology. I study host-parasite relationships.
Cosima Niehaus: Oh, cool, cool! Yeah, I'm evo-devo.
Delphine Cormier: Evolutionary development.
Cosima Niehaus: Yeah, yeah. That's... that's what we call it here.
Delphine Cormier: [Delphine smiles] Yeah. Yeah. Delphine.
Cosima Niehaus: [Cosima smiles] Cosima.
Delphine Cormier: Enchantee.
Cosima Niehaus: [Cosima blushes] Enchantee.

  --  Conditions of Existence [1.05]
%
[Vic sees Gemma and Oscar in the grocery store, when the two kids see Vic's wrapped bloody hand]
Vic: [to Oscar] Stay in school. I mean it, buddy.

  --  Conditions of Existence [1.05]
%
[Felix kisses Colin goodbye after their romantic evening]
Felix Dawkins: You don't do this sort of thing much, do you?
Colin: You mean with a live person?
Felix Dawkins: [Felix chuckles] Oh! Right. Ha! Morgue humor.

  --  Conditions of Existence [1.05]
%
[Sarah gives Vic $20,000 to leave her alone]
Sarah Manning: This is 'piss off' money, ok? You don't get to know anything.
Vic: [Vic holds his hand up] I'm entitled to know everything. Can I ask you a question? How do you do it? Lying there in that morgue, holding your breath, Sarah, while I am bawling, I'm crying like a goddamn child? You know what's crazy? You know how stupid I am? I'm standing here, looking at you, and all I keep thinking about is Myrtle Beach. You remember?
Sarah Manning: Yeah, that was a long time ago, Vic.
Vic: I was working with that mook, Angel. You had your in with the carnies.
Sarah Manning: I'm not proud of what we did.
Vic: We were on top of the world, Sarah.
Sarah Manning: We were parasites.
Vic: No, we were in love.
Sarah Manning: Not me. Ever.

  --  Conditions of Existence [1.05]
%
[last lines]
Sarah Manning: [Sarah tells Paul that he's a mole and killed the woman who loved him] You're a plant, and she killed herself because the man that she loved turned her whole life into a lie. She knew you didn't love her and she couldn't understand why you wouldn't leave. And, now, she figured it out.
Paul Dierden: [Paul holds his gun on Sarah] This isn't true. It's a sick test. Isn't it? Isn't it?
Sarah Manning: She trusted you. How could you do that to her?
Paul Dierden: You think I had a choice?
Sarah Manning: Just tell me why.
Paul Dierden: [Paul in a low voice] They don't tell us why.

  --  Conditions of Existence [1.05]
%
[first lines]
Donnie Hendrix: [Alison finds Donnie aggrevated while cleaning up in the kitchen] Ridiculous! God! I got to do everything around here?
Donnie Hendrix: [Alison enters the kitchen] Three hours to go, and the dishes still haven't been washed, the drink cart hasn't been loaded up, the kids' gift bags haven't been sorted, and did we even get ice? Hello, did we get ice? Alison, come on! Get with the program, here.

  --  Variations Under Domestication [1.06]
%
Cosima Niehaus: I may have a monitor dilemma of my own. Um, I'm new here this semester. I didn't bring anybody with me, but, uh, someone wants to be friends.
Sarah Manning: Just stay away from them, Cos. Stick to the science, yeah?
Cosima Niehaus: 'Stick to the science? What am I, the geek monkey, now?
Sarah Manning: Seriously! Paul's a bad arse, okay? He's ex-military. If somebody's trying to get close to you, just stay away.
Cosima Niehaus: Right, the old "'Do as I say, not as I do'?

  --  Variations Under Domestication [1.06]
%
Aynsley Norris: Where is Donnie?
Aynsley Norris: [Alison continues to walk away] Oh, my God. Why isn't he helping you with this?
Alison Hendrix: [Alison sluggishly replies] He's tied up.

  --  Variations Under Domestication [1.06]
%
Alison Hendrix: I tortured my husband, I messed up my family, and you're the only person I can talk to, and you're just another version of me.
Sarah Manning: [Sarah pats Alison's leg] Come on.
Alison Hendrix: I'm a horrible person. I'm not even a real person.

  --  Variations Under Domestication [1.06]
%
Felix Dawkins: Hello, neighbors! Your bartender's here. I'm just going to have a quick word with our hostess and then I'm going to be right back to, uh, top you up. Yeah? Let's go.
Chad Norris: [Felix walks Alison away] It's a gay bartender. That's awesome.
Aynsley Norris: Chad, shut your stupid mouth and feed the kids.

  --  Variations Under Domestication [1.06]
%
Alison Hendrix: I have no gift bags; no ice; and no bartender, because my husband is tied to a chair.
Sarah Manning: Alison, you need to take a deep breath.
Alison Hendrix: [Alison takes a drink with some pills] I hate yoga.

  --  Variations Under Domestication [1.06]
%
Sarah Manning: Clones.
Paul Dierden: Clones?
Sarah Manning: Well, we don't use the C-word. That's Alison's rule.

  --  Variations Under Domestication [1.06]
%
Paul Dierden: I'm not doing any of this by choice.
Sarah Manning: Right, so, they forced you to be Beth's monitor for two years, without ever knowing why.
Paul Dierden: You're some kind of hustler. You understand leverage, right? The difference is, you chose to infiltrate Beth's life, to screw her boyfriend, right on this counter.
Sarah Manning: And you weren't even you.
Paul Dierden: And you weren't you, either.

  --  Variations Under Domestication [1.06]
%
Alison Hendrix: You moved the files.
Donnie Hendrix: Files? What files?
Alison Hendrix: Your files that you have on me. From your box. Your special box.
Donnie Hendrix: [Donnie screams when Alison puts glue to his chest] Aaah! Aaah! Ohhh! Oh, ohh!
Donnie Hendrix: [Donnie tries blowing down at his chest] Have you lost your mind!
Alison Hendrix: I know what you do, Donnie!
Donnie Hendrix: What? What do I do?
Alison Hendrix: You spy. You perform medical examinations on me in my sleep...
Donnie Hendrix: What?
Alison Hendrix: You turned my whole life into a big, embarrassing lie; and you switched the files in your special box for porno DVDs of 'Big'...
Alison Hendrix: [Alison slaps Donnie] 'Boob'...
Alison Hendrix: [and slaps him again] 'Blowies'!
[and again]

  --  Variations Under Domestication [1.06]
%
Dr. Aldous Leekie: Neolution... A philosophy of today for tomorrow, rooted in our past, in the evolution of the human organism. But before we go to the future, let me take you back 3,000 years, to the great Greek philosopher Plato and his twilight years.
Dr. Aldous Leekie: [Leekie in a hoarse voice as the audience laughs] Poor old Plato was going blind... Going lame, and losing his hearing!
Dr. Aldous Leekie: Now, imagine if he knew we could correct his sight, restore his hearing, and replace his ailing body parts with titanium ones. Plato would've thought we were gods! But we're not, we're just fundamentally flawed human beings.
Dr. Aldous Leekie: [Leekie sees Cosima in the audience] Your glasses, for example, make you somewhat, um, platonic. But within the very near future, I'll be able to offer you the ability to see into a spectrum never before seen by the naked eye... infrared, x-rays, ultraviolet. Are you interested?
Cosima Niehaus: [Cosima makes a joke] Maybe I'll just start with basic Lasik.
Dr. Aldous Leekie: [as the audience laughs] And so you should. That's making an evolutionary choice. Neolution gives us the opportunity at a self-directed evolution and I believe that's not only a choice, but a human right.

  --  Variations Under Domestication [1.06]
%
Delphine Cormier: You know what's a very French thing to do?
Cosima Niehaus: What?
Delphine Cormier: [Delphine lights a cigarette] After a jogging like this, we like to smoke a nice little cigarette.
Cosima Niehaus: Did you say 'a jogging'?
Delphine Cormier: Yes.
Cosima Niehaus: [Cosima chuckles] You did. Okay, just checking.

  --  Variations Under Domestication [1.06]
%
Alison Hendrix: I screwed up, didn't I? It's not Donnie, is it? It's not him. But I whacked him and it felt so good.

  --  Variations Under Domestication [1.06]
%
Delphine Cormier: Neolution is not Eugenical.
Cosima Niehaus: Okay, so what is it? Is it Utopian?
Delphine Cormier: Neotopian, maybe?

  --  Variations Under Domestication [1.06]
%
Alison Hendrix: Where did you go in the middle of the night, Donnie?
Donnie Hendrix: Uh, I don't know, Never-Never Land?

  --  Variations Under Domestication [1.06]
%
Donnie Hendrix: Why am I tied to the chair?
Alison Hendrix: Shh! Shh! Tell me what was really in the box, Donnie?
Donnie Hendrix: What?
Alison Hendrix: Your special box. What was inside of it?
Donnie Hendrix: Are you out of your mind? Untie me.

  --  Variations Under Domestication [1.06]
%
Sarah Manning: A potluck, seriously?
Alison Hendrix: Seriously.
Sarah Manning: Okay, you got to kick them out.
Alison Hendrix: [Alison takes a drink] I can't back out of the monthly potluck. It's my turn.

  --  Variations Under Domestication [1.06]
%
Sarah Manning: Look, Paul's military. He's a professional. You've known Donnie since, what?
Alison Hendrix: High school.
Sarah Manning: Right, high school, yeah? So how could he be your monitor?
Alison Hendrix: [Alison in a crying voice] So he's just Donnie, eating, farting Donnie?
Alison Hendrix: [Alison finishes her glass of wine] My monitor is probably one of those bitches upstairs.
Sarah Manning: Look, Alison, just... Alison?
[when Sarah notices that Alison passes out on the couch]

  --  Variations Under Domestication [1.06]
%
Cosima Niehaus: Are they from the Dyad Institute?
Dr. Aldous Leekie: Ah, my 'Freaky Leekies', as they've been dubbed in the media. It was once asked what my perfect human would look like. I offhandedly suggested silver-gray hair and one white eye.
Dr. Aldous Leekie: [Leekie whispers to Cosima] Little did I know.

  --  Variations Under Domestication [1.06]
%
[Dr. Leekie asks Cosima what field of science is she in]
Delphine Cormier: You know, I'm in immunology.
Dr. Aldous Leekie: [to Cosima] Mm. And you?
Cosima Niehaus: Um. Evo-devo, so, whenever somebody talks about the future, I always say 'Show, don't tell.'
Dr. Aldous Leekie: [Leekie smiles] I hope you'll give me the chance.

  --  Variations Under Domestication [1.06]
%
Delphine Cormier: [Delphine offers Cosima a cigarette] You smoke? Do you want one?
Cosima Niehaus: No, just pot for me.
Delphine Cormier: Ooh, really?
Cosima Niehaus: Yes, I'm from San Fran, so...
Delphine Cormier: Ooh.
Cosima Niehaus: I am going to get you so baked one day.

  --  Variations Under Domestication [1.06]
%
[Delphine kisses Cosima for the first time]
Delphine Cormier: It's, um, it's really nice to make a friend in the Brave New World.
Cosima Niehaus: [Cosima smiles] Yeah.
Delphine Cormier: I have to go.
Cosima Niehaus: Okay, yeah.
[when Delphine kisses Cosima on both corners of her lips]

  --  Variations Under Domestication [1.06]
%
[the neighbor Aynsley sees Paul and Vic leave Alison's bedroom]
Aynsley Norris: Who was that?
Sarah Manning: [Sarah continues impersonating Sarah] Uh, wh-which one?
Aynsley Norris: The impossibly handsome one, obviously.
Sarah Manning: Oh, a friend from university. College.

  --  Variations Under Domestication [1.06]
%
[Aynsley notices the different shirt Sarah's wearing while impersonating Alison]
Aynsley Norris: You've changed your shirt since the party started.
Sarah Manning: Oh, one of the kids must've spilled something on it.
Aynsley Norris: [Aynsley smiles] One of the kids.
Sarah Manning: I should get back to the kitchen.
Aynsley Norris: You're acting very strange. I'm going to get to the bottom of it.

  --  Variations Under Domestication [1.06]
%
Alison Hendrix: Donnie, about my little, uh, breakdown...
Donnie Hendrix: No. No, no, no. It's my fault. You're right... You are the rock of this family. I'm so sorry. Of course you knew. It wasn't just porn in my special box. You remember Ginny Nusbaum?
Alison Hendrix: From college?
Donnie Hendrix: I don't know how to say this, but she and I had an affair once. Okay, twice, but you and I were broken up. We traded letters for a few years after it ended... Dirty talk, mostly...
Alison Hendrix: Tsk.
Donnie Hendrix: Then, she got Lupus and I never heard from her again.
Alison Hendrix: She got Lupus?
Donnie Hendrix: I don't know what happened to her. I'm so sorry. I was just trying to hold on to something personal, something... I'm sorry.
[as Donnie cries in Alison's arms]

  --  Variations Under Domestication [1.06]
%
[last lines]
Dr. Aldous Leekie: [Dr. Leekie and Delphine walk into a hotel room together as Dr. Leekie kisses her, speaking in French as the two begin to make out] Here. How is he?
Delphine Cormier: Well I think.

  --  Variations Under Domestication [1.06]
%
[first lines]
Sarah Manning: [Sarah talks to Cosima over the computer about this being the new normal] Olivier called Paul in hours ago, and he's not picking up.
Cosima Niehaus: Well, that isn't out of the ordinary, is it?
Sarah Manning: How should I know? There's nothing normal about any of this, is there?
Cosima Niehaus: Sarah, this is the new normal, okay? So, Paul's a monitor. He reports to Olivier, his handler, right? As long as Paul is on our side, we can start to finally get some answers.
Sarah Manning: That's my point, Cosima. What if he's not on our side?

  --  Parts Developed in an Unusual Manner [1.07]
%
Paul Dierden: There's nine of you.
Sarah Manning: No! There's only one of me, just like there was one of Beth.

  --  Parts Developed in an Unusual Manner [1.07]
%
Paul Dierden: [Paul on the phone] I need you to do something for me.
Sarah Manning: Okay.
Paul Dierden: They know you're not Beth. Run.

  --  Parts Developed in an Unusual Manner [1.07]
%
[Mrs. S tells Sarah about the time she had to hide her in the black when she was an orphan]
Mrs. S: England was burning, Maggie Thatcher firing on all barrels at Ireland, the Falklands. She sacked Social Security, went after the immigrants, the poor, the unions. What do you remember about Brixton, about my people, then?
Sarah Manning: Not much. There were always women around. Kids would come and go, wards of the state.
Mrs. S: They weren't all wards. We were a... A safe house. Some of us worked in Social Services, helping women and kids, refugees, deportees, radicals on the run, that kind of thing. And... This boy, Carlton.
Sarah Manning: Yeah, Carlton. I remember him.
Mrs. S: He was a fine boy. Fine man. Sometimes his pipeline would bring in a child in the black, a child to hide. You were one of them.
Sarah Manning: Why'd he have to hide me?
Mrs. S: We didn't ask what we didn't need to know. I had the chance to legitimize a child, so I became your legal guardian. The last time I heard from Carlton, he was about to be arrested and he warned me, he begged me, to move you away, to hide you deeper. So, I left everyone I knew and I brought you and Felix here.

  --  Parts Developed in an Unusual Manner [1.07]
%
[Felix starts to teach Kira how to play the piano]
Kira: Uncle Felix wasn't bad.
Mrs. S: He was a different kind of bad.

  --  Parts Developed in an Unusual Manner [1.07]
%
Paul Dierden: This is high-level shit, Sarah, an illegal human-cloning trial.
Sarah Manning: You think I don't know that?
Paul Dierden: Aren't you the least bit worried that someone might be trying to kill you?
Sarah Manning: Yes. But at least it's not you.

  --  Parts Developed in an Unusual Manner [1.07]
%
Cosima Niehaus: I went with Delphine to one of Leekie's Neolution lectures.
Sarah Manning: Cosima, you agreed to stay away from Delphine.
Cosima Niehaus: No, I didn't. You just told me to.
Sarah Manning: You're going to end up strapped to a gurney, with doctors giving you the probe.
Cosima Niehaus: I probably already have been. Can we please just get back to Helena?
Sarah Manning: You know what? Just stay out of my end, I'll stay out of yours.
Sarah Manning: [Sarah hangs up the phone] Bitch.
Cosima Niehaus: [Cosima hangs up the phone] Bitch.

  --  Parts Developed in an Unusual Manner [1.07]
%
Olivier Duval: Your subject isn't who we think she is. She's an imposter.
Paul Dierden: I saw her just a few hours ago.
Olivier Duval: It wasn't her.
Paul Dierden: Is this a test of some kind?
Olivier Duval: The person killing our subjects looks exactly like Beth.
Paul Dierden: You mean like a twin?
Olivier Duval: Yes, Paul, like a twin.

  --  Parts Developed in an Unusual Manner [1.07]
%
Sarah Manning: What do you people want?
Olivier Duval: The future.
Sarah Manning: Self-directed evolution? You want to grow a tail, that's your business.
Olivier Duval: Oh, you know about my modest enhancement?
Paul Dierden: [Paul from the chair] You've got a tail?
Olivier Duval: The fact that I can have a tail, millions of years after we shed it, reminds me of what we can achieve.
Olivier Duval: [Olivier in a low voice moves in on Sarah] Would you like to see it?
Sarah Manning: God, no.

  --  Parts Developed in an Unusual Manner [1.07]
%
Sarah Manning: You know, even if he's not ratting me out in there, those medical tests could still tell him I'm not Beth.
Felix Dawkins: Cosima said they wouldn't.
Sarah Manning: Yeah, well, she's blinded by science.

  --  Parts Developed in an Unusual Manner [1.07]
%
[Dr. Leekie tells Cosima and Delphine that they should apply for jobs at the Dyad Institute]
Dr. Aldous Leekie: You could be the next Watson and Crick!
Cosima Niehaus: I'm just a geek girl from Berkeley.
Dr. Aldous Leekie: [Cosima laughs] I can tell you have a very unique perspective, Cosima. Please, you could be on the cover of Scientific American.
Cosima Niehaus: Scientific American doesn't put scientists on the cover.
Dr. Aldous Leekie: [Leekie in a low voice] Well, every rule needs to be broken.

  --  Parts Developed in an Unusual Manner [1.07]
%
Helena: I want my knife back, the one you took from me.
Sarah Manning: Right, right, the flying-fish blade. You got a thing for wings, don't you?
Helena: Mm.

  --  Parts Developed in an Unusual Manner [1.07]
%
Detective Art Bell: We're missing something, from the very beginning, on this thing.
Lieutenant Gavin Hardcastle: Yeah, I.D.s. So, if the high tech's broken, we do it the horse-and-carriage way. Start from the beginning, comb through that whole shit-pile again. Oh, where's that damn Jane Doe facial reconstruction?
Janis Beckwith: It's coming. The face went through a friggin' gravel crusher.

  --  Parts Developed in an Unusual Manner [1.07]
%
Felix Dawkins: Well, hello.
Coat Check Guy: Neolution's a private club.
Felix Dawkins: I know, but you look so lonely.
Coat Check Guy: [the guy at the door smiles] Not even a little.

  --  Parts Developed in an Unusual Manner [1.07]
%
Olivier Duval: When's the last time you and Beth were sexually intimate?
Paul Dierden: Three days ago.
Olivier Duval: Who initiated it?
Paul Dierden: She did.
Olivier Duval: How would you characterize it?
Paul Dierden: I'm not sure I understand the question.
Olivier Duval: Would you describe the intercourse as intimate, aggressive, perfunctory, sensual?
Paul Dierden: I would say passionate.
Olivier Duval: Beth's generally a 'cold fish'... Your words.

  --  Parts Developed in an Unusual Manner [1.07]
%
Helena: I'm not here to hurt you. I just want to talk.
Sarah Manning: Helena, just stay away from me!
Helena: Please. I have an offer for you. But we must talk. And eat. Let's have lunch.
Sarah Manning: Lunch?

  --  Parts Developed in an Unusual Manner [1.07]
%
Sarah Manning: You're Russian?
Helena: No. I grew up pure in a convent in Ukraine.
Sarah Manning: Ukrainian nuns? Is that who made you kill Katja Obinger and the others?
Helena: No. They saved me from abandonment.
Helena: [Helena lets out a serious burp] Excuse me.

  --  Parts Developed in an Unusual Manner [1.07]
%
Helena: I'm supposed to kill you, too. But you let me live.
Sarah Manning: Yeah, so let's call it even, okay? We'll go our separate ways.
Helena: We'll never be separate.

  --  Parts Developed in an Unusual Manner [1.07]
%
Cosima Niehaus: Sorry, I'm...
Delphine Cormier: Oh, I'm-I'm early?
Cosima Niehaus: No, no, no, no, I'm late, I'm late.
Delphine Cormier: Okay.
Cosima Niehaus: I'm kind of always late, though, so, kind of always sorry.

  --  Parts Developed in an Unusual Manner [1.07]
%
Delphine Cormier: I should've left him when I left Paris.
Cosima Niehaus: Mm, yeah, cold turkey, it's the only way to go.
Delphine Cormier: 'Cold turkey', what is that?
Cosima Niehaus: Oh, it means 'abruptly'.
Delphine Cormier: Oh, yes, that's what I should've did... You know, he was supposed to follow next month, but, I changed my mind.
Cosima Niehaus: [Cosima gasps] Oh, my God. You're the asshole.
Delphine Cormier: Mm-hmm, I am the cold-turkey asshole.

  --  Parts Developed in an Unusual Manner [1.07]
%
Delphine Cormier: It's Dr. Leekie. Should we invite him?
Cosima Niehaus: You're single now.
Delphine Cormier: Oh, no, no, no. He's too old.
Cosima Niehaus: But his mind is sexy.

  --  Parts Developed in an Unusual Manner [1.07]
%
[Art and DeAngelis watch agent Beckwith work on Jane Doe's dead body]
Detective Angela DeAngelis: Check that shit out. Finger straightener.
Janis Beckwith: You are in the wrong department, Angie.
Detective Art Bell: You want her?
Detective Angela DeAngelis: Ha, ha. Hey, you ever seen a postmortem spasm?

  --  Parts Developed in an Unusual Manner [1.07]
%
Delphine Cormier: [Delphine smiles] She... she is very, very... what's the word?
Dr. Aldous Leekie: 'Cheeky', I think, is the word you're after, 'cheeky'.
Delphine Cormier: She is very cheeky, this girl. But that's why I like her.

  --  Parts Developed in an Unusual Manner [1.07]
%
[last lines]
Detective Angela DeAngelis: [Art and DeAngelis discover the identity of Sarah Manning] Art! Art, you got to see this. Holy shit. It's a match on the Jane Doe print. Who's Sarah Manning?
Detective Art Bell: And why the hell does she look like Beth?

  --  Parts Developed in an Unusual Manner [1.07]
%
[Cosima and Delphine kiss passionately for the first time]
Delphine: [Delphine whispers] I can't stop thinking about that kiss.
Cosima Niehaus: Ah, like in a... not-bad way?
Delphine: Oh, like... I have never thought about bisexuality. I mean, for myself, you know? But as a scientist, I know that sexuality is a spectrum. But, you know, social biases, they codified attraction. It's contrary to the biological facts... you know?
Cosima Niehaus: Mm-hmm. That's... oddly romantic.
Cosima Niehaus: [Cosima laughs and blushes] And totally encouraging.
[Delphine puts her hand to Cosima's face as Cosima puts her arm around Delphine when the two start to kiss passionately]

  --  Entangled Bank [1.08]
%
Kira: Helena?
Helena: Yes, angel?
Kira: What happened to you?
Helena: [Helena replies teary-eyed] I don't know.

  --  Entangled Bank [1.08]
%
[Felix tells Sarah that she needs to save Alison from leaving clone club]
Felix Dawkins: You can still save Alison.
Sarah Manning: Alison's fine.
Felix Dawkins: She's not fine. She's divorcing Donnie.
Sarah Manning: [Sarah scoffs] Every freak for herself.
Felix Dawkins: Divorces do really strange things to normals, Sarah. They lose their fake happiness, they forget the way to the mall, and then, they come downtown to find themselves.

  --  Entangled Bank [1.08]
%
[Paul talks to Olivier who's in the hospital]
Paul Dierden: Olivier Duval... that's a classy pseudonym, bro.
Olivier Duval: Thank you.
Paul Dierden: Your real name is Kevin; you're from Wenatchee, Washington; and you have a raft of unsavory sex warrants.
Olivier Duval: The organization knows that.
Paul Dierden: Yeah, but the police don't.

  --  Entangled Bank [1.08]
%
Mrs. S: [Mrs. S counts on her fingers] Okay, so, Helena, Alison, Cosima. Beth is the policewoman.
Sarah Manning: Yeah, who topped herself, yeah.
Mrs. S: You.
Alison Hendrix: Oh, there's probably thousands of us. Ahem! Unless Helena's killed them all.
Alison Hendrix: [Alison looks to Mrs. S with squinty eyes] We're all messed up.

  --  Entangled Bank [1.08]
%
Alison Hendrix: I slept with Aynsley's husband.
Sarah Manning: What?
Alison Hendrix: [Alison scoffs] I shagged Chad. Then Aynsley attacked me in the middle of the street. I degraded myself and I disgraced my children and I can't go back there.
Sarah Manning: I seriously underestimated you. I hope you kicked her arse.
Alison Hendrix: [Alison in a low voice] I did. Kind of.

  --  Entangled Bank [1.08]
%
Alison Hendrix: Donnie and I are getting a divorce.
Sarah Manning: What?
Alison Hendrix: Oh, I'm fine. It's my decision. Everything is under control.
Sarah Manning: Okay, now, I'm worried.

  --  Entangled Bank [1.08]
%
[Helena reads the letter that Kira wrote to her mum Sarah]
Helena: 'Dear Mummy I miss you. Mrs. S says you are in the sunshine... Please come home. Love, Kira'.

  --  Entangled Bank [1.08]
%
Chad Norris: [to Alison] Singlehood. Free at last, huh?
Alison Hendrix: [to Aynsley] What are you doing here, Aynsley?
Chad Norris: I know, right?
Aynsley Norris: Chad, go play with your dumbbells.
Aynsley Norris: [to Alison] I told you I've got this covered. You're in no condition to be coaching kids.
Chad Norris: Way to rub salt in the wounds, Ayns.

  --  Entangled Bank [1.08]
%
Aynsley Norris: Whew, divorce. You poor thing. Where are the kids?
Alison Hendrix: They're at my mother's.
Aynsley Norris: Do they know? Did you tell them?
Alison Hendrix: You're just full of questions, aren't you?
Aynsley Norris: Well, of course I am. I care about you. I knew you were unhappy, but...
Alison Hendrix: [Alison interrupts Aynsley] How did you know? By asking questions. Always asking, asking. Everything you know, you pried right out of me.

  --  Entangled Bank [1.08]
%
[Alison sings while driving in her van after cheating with Aynsley's husband Chad]
Alison Hendrix: Tomorrow, I will change / And today won't mean a thing / I'm a bitch, I'm a lover / I'm a child, I'm a mother / I'm a sinner, I'm a saint / I do not feel ashamed / I'm your hell, I'm your dream / I'm nothing in between / You know you wouldn't want it / Any other way, yeah!

  --  Entangled Bank [1.08]
%
Paul Dierden: Sarah's going to have to hole up here for a while.
Felix Dawkins: You, too? Impinging on my creativity. Shagging in my bed.
Sarah Manning: [Sarah answers her phone] Alison.
Felix Dawkins: Oh, brilliant! Invite her, too. Then, maybe, we can all cuddle up with 'Weight Watchers' and 'Grey's Anatomy.'

  --  Entangled Bank [1.08]
%
[Cosima and Sarah have their first disagreement about Science]
Cosima Niehaus: Okay, you know what? You were the one who turned our killer against our creators. I mean, why the hell would you bring Helena into the mix?
Felix Dawkins: Oi! Ivory tower! This all happened because you got the science wrong.
Cosima Niehaus: No, I didn't.
Sarah Manning: Yes, you did, okay? They knew I wasn't Beth, from the medical tests. You said our DNA was identical.
Cosima Niehaus: It is. You know, maybe it was your sunny personality that gave you away.
Sarah Manning: Whose bloody side are you on, Cosima?
Felix Dawkins: Oh, hang up! She's a Freaky Leekie.
Sarah Manning: [Sarah closes her chat with Cosima] Shit! Fe, Cosima drank the purple Kool-Aid.

  --  Entangled Bank [1.08]
%
Aynsley Norris: Here's a thought... Why don't you let me coach figure skating tonight? The kids are with your mom. Have a night in, relax.
Alison Hendrix: No, you relax. Figure skating is on my schedule and whether my daughter is in attendance or not, I'll be there.
Aynsley Norris: Ally, I think you need some 'me' time.
Alison Hendrix: And I think you need to give me my house keys back.

  --  Entangled Bank [1.08]
%
Felix Dawkins: Who's calling?
Sarah Manning: Art. Again. Sorry, Beth doesn't live here anymore.
Felix Dawkins: No, she lives with me. So does her boy toy bodyguard.

  --  Entangled Bank [1.08]
%
Mrs. S: Whatever is going on, if it takes one step towards Kira, you need to yell fire. The home we've built for ourselves in this country, we burn it all down, if we have to.
Sarah Manning: That's a promise.

  --  Entangled Bank [1.08]
%
[Art and DeAngelis show Sarah a mug shot of Sarah Manning]
Sarah Manning: [Sarah continues impersonating Beth] Is this a joke?
Detective Angela DeAngelis: Does the name Sarah Manning mean anything to you?
Sarah Manning: Who the hell is this?
Detective Angela DeAngelis: You've never seen her before?
Sarah Manning: [Sarah sarcastically replies] Uh, uh, yeah, yeah, in the mirror.

  --  Entangled Bank [1.08]
%
[Alison and Chad while high on weed start making out in Chad's Minivan]
Chad Norris: Maybe you've had too much.
Alison Hendrix: Hmm. Maybe you haven't had enough.
Chad Norris: What are we doing, here?
Alison Hendrix: I'm objectifying you. Sexually. To get back at Donnie.
Chad Norris: I should really have a problem with this.
Alison Hendrix: [Alison in a low voice] But you don't.
[as Chad unbuckles his seat belt to start kissing Alison]

  --  Entangled Bank [1.08]
%
Alison Hendrix: How can we possibly sustain this insanity?
Sarah Manning: We can't. I don't know if Art's going to throw me in jail or if Cosima's going to narc us out to the Neolutionists, or what.
Alison Hendrix: Don't forget Helena. She's always fun.
Sarah Manning: All I know is I came back to fix things, be a real mum to Kira. So what if we tell them?
Alison Hendrix: You mean come out?

  --  Entangled Bank [1.08]
%
Delphine: I could kill for some ice cream.
Cosima Niehaus: Mmm. Okay. Your wish is my command. I'm going to go to the store and I'm going to get us some Eskimo Pies.
Delphine: Eskimo?
Cosima Niehaus: Yeah.
Delphine: I don't think I know it.
Cosima Niehaus: No?
Delphine: No.
Cosima Niehaus: Prepare yourself. You're about to become a craven addict.
Delphine: I think I already am.
[Cosima smiles]

  --  Entangled Bank [1.08]
%
[Art looks through Felix's loft and sees the Sarah Manning paintings]
Detective Art Bell: You mind if I look? I like art.
Felix Dawkins: No, yeah, by all means.
Felix Dawkins: [Art sees the different clone paintings] Oh! Uh... Those are the many sides of Sarah. I call that series Twisted Sister.

  --  Entangled Bank [1.08]
%
Sarah Manning: I just want to know who I am.
Mrs. S: [Mrs. S puts her hand to Sarah's cheek] You're still you. Remember that.
Mrs. S: [Sarah sniffles] You're a survivor.

  --  Entangled Bank [1.08]
%
[Kira meets Helena for the first time]
Kira: You're just like my mum.
Helena: No, I'm not. She's not real.
Kira: [Kira smiles] Of course she is.

  --  Entangled Bank [1.08]
%
Kira: I should go home now.
Helena: Yes. Do you know the way?
Kira: [Kira smiles] Of course.
Helena: Goodnight, angel.

  --  Entangled Bank [1.08]
%
[last lines]
Sarah Manning: [Kira and Sarah see each other from opposite sides of the street, as Sarah screams] Kira!
Kira: [Kira runs out in the road] Mummy!
Sarah Manning: [as a car horn honks] Kira, no!
Sarah Manning: [car brakes screech as Sarah gasps and cries out] No!

  --  Entangled Bank [1.08]
%
Felix Dawkins: I need to change. Fetch me something gay.

  --  Unconscious Selection [1.09]
%
Mrs. S: [Pulls out a rifle] One of the great things about this country: hunting's not just for the rich.

  --  Unconscious Selection [1.09]
%
Delphine Cormier: You know, I'd never been with a woman before.
Cosima Niehaus: Yeah, it showed.

  --  Unconscious Selection [1.09]
%
Felix Dawkins: [Introducing himself] Felix. Gay friend.
Alison Hendrix: Acting coach.
Reverend Mike: Oh, that's perfectly fine here.
Felix Dawkins: Which one?

  --  Unconscious Selection [1.09]
%
Sarah Manning: Do you think, because Kira's mine, she might be different?
Cosima Niehaus: Because she's uninjured?
Sarah Manning: Yeah, it's just a question.
Cosima Niehaus: Well, if they genetically modified us, I mean, you could've passed something down to her.
Sarah Manning: Like what?
Cosima Niehaus: I don't know. Lizards regrow limbs.
Sarah Manning: Cosima, Kira's not a lizard.

  --  Unconscious Selection [1.09]
%
Cosima Niehaus: I have a guy who's sequencing the German's DNA alongside mine, to see if the illness she had was genetic. If you want, I can give him samples of you and Kira, to compare.
Sarah Manning: Yeah, I'm not giving you our genetic material. You'd probably hand it over to Delphine.
Cosima Niehaus: Dude, I'm just doing what we agreed, okay? I'm following the science.
Sarah Manning: Yeah, well, I worry about scientists more than science.

  --  Unconscious Selection [1.09]
%
Alison Hendrix: This is all Aynsley. She put them up to this. It's all part of the experiment.
Felix Dawkins: Yes, how do clones react when ritually humiliated by friends and loved ones? Fascinating.
Alison Hendrix: Maybe it's not just Aynsley. Maybe they're all monitors.
Felix Dawkins: The reverend seems all right. Actually, he's kind of sexy. Man of the cloth, and all that.

  --  Unconscious Selection [1.09]
%
Alison Hendrix: Aynsley, you brought us here today, didn't you?
Aynsley Norris: I care about you, sweetie.
Alison Hendrix: You called all these people and told them everything.
Aynsley Norris: I'm doing this to help you.
Alison Hendrix: And I thank you. For scrutinizing every detail of my life since the day I moved into this fishbowl. You have pried and snooped and gossiped about me like I was your own, personal laboratory subject!
[Group stares in stunned silence]
Alison Hendrix: How would you like it if I turned your life inside out? If I told all these people that Chad, your husband, slept with the spin-class instructor, long before me. Well maybe he acts that way because you *BLEW* the *roofer* at the cabin!

  --  Unconscious Selection [1.09]
%
Cosima Niehaus: That transcript you accidentally left behind, your fake boyfriend in Paris, pretending you didn't know who Dr. Leekie was. I knew it was bullshit, but I still thought you were on my side. I wanted to trust you.
Delphine Cormier: You can trust me.
Cosima Niehaus: You told Leekie I know these girls!
Delphine Cormier: I had to! Look at me. He says you're in danger.
Cosima Niehaus: Of WHAT? You don't know, do you?
Delphine Cormier: No.
Cosima Niehaus: Then you're the real danger, Delphine.

  --  Unconscious Selection [1.09]
%
Tomas: I know what you are.
Sarah Manning: Yeah, I'm the one with the keys.

  --  Unconscious Selection [1.09]
%
Dr. Aldous Leekie: They didn't show.
Rachel Duncan: Blood is thicker than you think, Aldous.

  --  Unconscious Selection [1.09]
%
Sarah Manning: What's going on?
Mrs. S: Sarah, this is Amelia.
Sarah Manning: Hi.
Amelia: Look at you. Sarah. I'm your birth mother.

  --  Unconscious Selection [1.09]
%
Amelia: I was only 22, in a new country. A wealthy couple asked me to be their in-vitro surrogate. They paid me, provided a flat in London, a legal arrangement. But something was off. The medical tests were excessive... and I overheard the couple talking with the doctors, about a child unfettered by tradition, an advanced evolution, of some kind.
Sarah Manning: Neolution?
Amelia: Yeah. But they weren't a couple at all. They were scientists. The child I carried wasn't meant for them. I realized the life inside of me was in danger, so I ran, I hid, and gave birth to the two of you in secret.
Sarah Manning: The two of us?
Amelia: Yes, I had twins. I knew I couldn't keep you, so I hid you away. One to the state and one to the church.
Sarah Manning: Helena.

  --  Unconscious Selection [1.09]
%
Alison Hendrix: [after Alison cleans his apartment] What the hell?
Felix Dawkins: A simple "thank you" would suffice. So, Kira's going to be okay?
Alison Hendrix: Yes, miraculous recovery. Okay. Uh, where's my, um...
Alison Hendrix: Oh, your drug paraphernalia is in a drawer. So is the paraphernalia that was by your bed.

  --  Unconscious Selection [1.09]
%
Scott: Over 4,000 base pairs from each sample, sequenced and analyzed.
Cosima Niehaus: Awesome! Awesome. Okay, what did you find?
Scott: Okay, what did you find? No markers for respiratory disease.
[Points]
Scott: This sequence is anomalous for cytochrome C and then this piece
[Points]
Scott: ... is distinct in each sample.
Cosima Niehaus: [Stunned] They're different?

  --  Unconscious Selection [1.09]
%
Reverend Mike: Alison, your friends have shown great strength in setting aside their pain and hurt in order to talk with you today. Um, Donnie, why don't you go ahead and get us started.
Donnie Hendrix: Uh Yeah. Alison, the pills and the drinking, it has to stop. I don't think you know how hard this has been for me. The constant criticism, the abuse.
Reverend Mike: You can be specific, Donnie.
Donnie Hendrix: You hit me with a golf club. You burned my chest with hot glue. It still hurts in the shower.

  --  Unconscious Selection [1.09]
%
Dr. Aldous Leekie: Tomas opposes us. Science, in general. They're religious extremists. Proletheans, they call themselves.
Sarah Manning: Right, "Neolutionist" is way better.

  --  Unconscious Selection [1.09]
%
Lieutenant Gavin Hardcastle: We're getting an arrest warrant for Beth Childs.
Detective Art Bell: Lieutenant, Beth's dead. You need a warrant for Sarah Manning.

  --  Unconscious Selection [1.09]
%
[first lines]
Sarah Manning: [Sarah prepares to introduce Amelia to Helena] Ready?
Amelia: Yes. I carried you both. I need to see her.
Mrs. S: I don't think that nine months of gestation entitles her to risk us all.
Sarah Manning: Hey, look, Helena's my twin sister. She has a right to know.
Mrs. S: Because you shared a womb? Helena. Is. Dangerous.

  --  Endless Forms Most Beautiful [1.10]
%
Alison Hendrix: Who is Rachel? Can someone tell me? So she doesn't just show up at my door and I have no idea who she is.
Sarah Manning: Amelia said she heard her doctors, back in the day, discussing a child raised by Neolution.
Felix Dawkins: She's a proclone? God, you three are weird enough.

  --  Endless Forms Most Beautiful [1.10]
%
Cosima Niehaus: Okay, here's the synthetic sequence. And this is the differentiated portion.
Delphine Cormier: Yes, this is an encrypted I.D. tag. It's how they tell you apart.
Cosima Niehaus: Okay. But how-how to decode it? I have four nucleotides to work with... G, C, T, and A... And no idea how they're encrypted. I mean, there's thousands of permutations and we're running out of time.
Delphine Cormier: Yes, but I know your tag number.
Cosima Niehaus: You do?
Delphine Cormier: Yes, I saw it many times. It's numeric, so, if we know how that translates, then we can figure out the rest.
Cosima Niehaus: Okay. What is it?
Delphine Cormier: It's 324b21.
Cosima Niehaus: 324b21. Right. I'm 324b21.
Delphine Cormier: [Cosima sighs] I'm sorry.

  --  Endless Forms Most Beautiful [1.10]
%
Paul Dierden: You asked me what happened in Afghanistan. I was a private contractor. I killed six marines. Friendly fire. They covered it up. That's what they have on me. If you were born outside their control, what do they really have on you?

  --  Endless Forms Most Beautiful [1.10]
%
Felix Dawkins: Okay, little reminder? While you and I were being arrested, Helena escaped.
Sarah Manning: Yeah, thank you, Fe. Would you also like to remind me my birth mum popped round and Helena's my twin sister?
Sarah Manning: [Sarah sighs] Ah, Jesus Murphy.

  --  Endless Forms Most Beautiful [1.10]
%
Sarah Manning: Don't worry about Helena, Kira, okay?
Kira: I don't. She's not a real monster.

  --  Endless Forms Most Beautiful [1.10]
%
Helena: [Helena smiles] Sestra. You're my twin sister.
Sarah Manning: I don't want to be your sister, meathead. Look, I just want you to know you're not the original. Got it? You were born of science, not of some immaculate womb, or whatever bullshit Tomas fed you.

  --  Endless Forms Most Beautiful [1.10]
%
Detective Angela DeAngelis: You purposely misidentified the body of a police officer.
Felix Dawkins: It was a terrible case of mistaken identity.
Detective Angela DeAngelis: You know it's fraud by false representation. That's 2 to 5, with your priors.
Felix Dawkins: I thought it was my sister. You know, Angela DeAngelis, I'm actually quite a fan. Hmm. But you really need to get laid.
Detective Angela DeAngelis: [DeAngelis chuckles] Yeah, tell me about it. But all I seem to meet are gay men. So, public defender, then, is it? We'll get you a real shitty one.

  --  Endless Forms Most Beautiful [1.10]
%
Alison Hendrix: You're moving.
Aynsley Norris: Yes. Chad got his own place with the dog and I got a very handsome offer on the house. It's the perfect opportunity to get the kids out of this toxic environment.
Alison Hendrix: Mm, that's priceless.
Aynsley Norris: Goodbye, Alison. I'm packing.

  --  Endless Forms Most Beautiful [1.10]
%
Cosima Niehaus: Okay. Okay, think. We're molecular-encoding, from 30 years ago.
Delphine Cormier: Yes, but we're looking at it from now.
Cosima Niehaus: Of course. They weren't coding nucleotides.
Delphine Cormier: It was whole base pairs?
Cosima Niehaus: Not four letters, but two, AT and GC.
Delphine Cormier: [Delphine smiles] Ones and zeros.
Cosima Niehaus: [Cosima smiles] Binary. They were coding in ASCII!

  --  Endless Forms Most Beautiful [1.10]
%
Cosima Niehaus: Sarah, you can't make a deal.
Sarah Manning: Why not?
Cosima Niehaus: Any freedom they promise is bullshit. They're liars. That synthetic sequence, the barcode I told you about? It's a patent.
Sarah Manning: A patent?
Cosima Niehaus: We're property. Our bodies, our biology, everything we are, everything we become, belongs to them. Sarah, they could claim Kira.

  --  Endless Forms Most Beautiful [1.10]
%
[Sarah introduces Amelia to Helena]
Sarah Manning: Helena, this is Amelia, your birth mum.
Sarah Manning: [Helena laughs when she sees the African-American Amelia] Eh, look. Hey! You listen to what she has to say, or I'll put you right back in the trunk and I'll take you straight to Leekie.

  --  Endless Forms Most Beautiful [1.10]
%
Alison Hendrix: I don't want answers anymore. I want my life back. I want my family back, I want my privacy back, I want you out of my life! And I want things to be normal again.
Dr. Aldous Leekie: I'm so glad you said so.

  --  Endless Forms Most Beautiful [1.10]
%
Dr. Aldous Leekie: This is an employment contract for the Dyad Institute. Very generous compensation. We want to work with you, Cosima.
Cosima Niehaus: [Cosima scoffs] You've got to be kidding me.
Dr. Aldous Leekie: This is your complete sequenced genome. 3.2 billion base pairs. My offer is the freedom to study yourself and your sisters. Unfettered research. We share the same concerns, the same questions about organism stability, but nobody... nobody... Is more invested in your own biology than you! It's yours. Just think about it.

  --  Endless Forms Most Beautiful [1.10]
%
Sarah Manning: You want to help? Why don't you tell me why? What am I doing, sat here, looking at you? What are we for?
Rachel Duncan: Disclosure is defined herein. We want your trust. You want precious answers that cut to the core of who you are. But, above all, I know you want to make the right choice for Kira.

  --  Endless Forms Most Beautiful [1.10]
%
Rachel Duncan: The forces behind Helena will never stop, Sarah. The most important thing in this for you is protection for you and your daughter.
Sarah Manning: Yeah, no, thanks. I'll get by on my own.
Rachel Duncan: Scrambling to stay alive? You'll remain free to live as you wish with Kira, provided for; unmonitored, but available. Call it 'sovereignty association.'
Sarah Manning: Yeah, like I said, I'm not interested.

  --  Endless Forms Most Beautiful [1.10]
%
Felix Dawkins: What are you going to do, Cosima?
Cosima Niehaus: Well, we have to know our own biology. That's what this is all about, right? Maybe I can help us best from the inside.
Felix Dawkins: [Felix looks to Sarah] I want to know what you're going to do.
Sarah Manning: Well, I can't trust this Rachel bitch, can I?
Cosima Niehaus: Not if Kira's the first child of a clone, scientifically unclassified. She could be what Rachel's actually after.

  --  Endless Forms Most Beautiful [1.10]
%
[Aynsley shows Alison the Christmas Angel gift she made for her in the past]
Aynsley Norris: Look at this! Yours! Gifts from my best friend! A felt Christmas angel.
Alison Hendrix: I made that!
Aynsley Norris: Yeah? Yes! Well, to hell with you and your Christmas angel.

  --  Endless Forms Most Beautiful [1.10]
%
[Delphine shows up at Felix's doorstep]
Felix Dawkins: Oh. Well, now, I get it.
Delphine Cormier: Um, is Cosima...? Is sh...
Felix Dawkins: [Felix calls out for Cosima] It's Delphine! She's got baggage!

  --  Endless Forms Most Beautiful [1.10]
%
[Sarah tells Rachel that she's ready to turn herself into the Dyad Institute]
Rachel Duncan: [Rachel answers her phone] Rachel Duncan.
Sarah Manning: It's Sarah.
Rachel Duncan: Yes, Sarah?
Sarah Manning: [Sarah cries] I want to know my daughter won't have to live like this.
Rachel Duncan: We can do that.
Sarah Manning: I'm coming in.

  --  Endless Forms Most Beautiful [1.10]
%
Cosima Niehaus: [Cosima reads on her computer] 'This organism and derivative genetic material is restricted intellectual property'.
Delphine Cormier: [when Cosima looks to Delphine] I'm sick, Delphine.
[as Cosima cries]

  --  Endless Forms Most Beautiful [1.10]
%
[last lines]
Sarah Manning: [Sarah returns to Mrs. S's only to find an empty ransacked house, as Sarah screams] Siobhan! Kira! Kira-a-a!

  --  Endless Forms Most Beautiful [1.10]
%
Felix Dawkins: I smell lesbians in my bed last night.
Cosima Niehaus: Look, I'm not going to apologize for my heart, okay?

  --  Nature Under Constraint and Vexed [2.01]
%
Felix Dawkins: What is with the balls of your thumbs? They're so bouncy.
Alison Hendrix: Felix, are you high?
Felix Dawkins: Well, I didn't know there was gonna be a huge emergency, did I?

  --  Nature Under Constraint and Vexed [2.01]
%
Alison Hendrix: I have a friend who needs a piece... maker.

  --  Nature Under Constraint and Vexed [2.01]
%
Alison: I have a friend. Let's call him Ramon.
Felix: You know a gun dealer named Ramon?
Alison: He's a gun enthusiast. He has many jobs, he's very hard working.

  --  Nature Under Constraint and Vexed [2.01]
%
Sarah Manning: Hey. Can I borrow your phone?
Game Boy: Can I touch your boob?
Sarah Manning: [takes the phone and slaps the back of his head] Cheeky.

  --  Nature Under Constraint and Vexed [2.01]
%
Alison Hendrix: Sarah can't Just go around shooting people with my guns, they're registered to me. I'm trying to get my family life back in order. I'm not drinking anymore, no more Little helpers. I'm doing a musical.
Felix Dawkins: Oh, my God, not "Cats"?

  --  Nature Under Constraint and Vexed [2.01]
%
Cosima Niehaus: Sarah, what are you going to do? Walk into the Dyad with a gun and just start shooting people? I mean...
Sarah Manning: Yeah.

  --  Nature Under Constraint and Vexed [2.01]
%
Rachel Duncan: Nobody lays hands on me.
Sarah Manning: You don't own us.

  --  Nature Under Constraint and Vexed [2.01]
%
Alison Hendrix: And we will sing, sing, sing away the hours. Shout 'til our throats are sore. And we will raise our voices to the heavens. God himself will hear our mighty roar. And we will wipe, wipe, wipe away the plasma. Scrub off every stain. Since I cannot control my asthma, I'll stand by to entertain.

  --  Nature Under Constraint and Vexed [2.01]
%
Delphine Cormier: You're Sarah.
Sarah Manning: Yeah, nice to meet you, too.
Delphine Cormier: Does Cosima know you're doing this?
Sarah Manning: Depends if I get caught.

  --  Nature Under Constraint and Vexed [2.01]
%
[Sarah pistol whips Paul]
Paul Dierden: In the face?
Sarah Manning: Sorry.

  --  Nature Under Constraint and Vexed [2.01]
%
Skater Girl: [to Daniel] She says, "Up yours!"

  --  Nature Under Constraint and Vexed [2.01]
%
Detective Art Bell: Alison Hendrix is in a musical.
Detective Angela Deangelis: What? What musical?
Detective Art Bell: It ain't "Cats."

  --  Nature Under Constraint and Vexed [2.01]
%
Sarah Manning: Come on, get your shit together, you silly tit.

  --  Nature Under Constraint and Vexed [2.01]
%
Helena: Excuse me. My sestra shot me.

  --  Nature Under Constraint and Vexed [2.01]
%
Delphine Cormier: 324B21 is showing the same respiratory symptoms as the other two. Congratulations. I'm invested, which, I'm sure, is what you wanted.

  --  Nature Under Constraint and Vexed [2.01]
%
Damon: Are your eggs the domesticated type?
Line Cook: How do you mean?
Mark: I believe my friend is asking for free-range eggs, undomesticated.
Line Cook: No free-range, no free-run. Just normal eggs.
Damon: Then they're not normal. Your chickens have been interfered with.
Line Cook: They're not my chickens. They're just my eggs.

  --  Nature Under Constraint and Vexed [2.01]
%
Alison Hendrix: What the dickens?

  --  Nature Under Constraint and Vexed [2.01]
%
Felix Dawkins: Okay. You got any ideas or you just want to keep drinking?
Alison Hendrix: I think I need to keep drinking for a while, and then I'll have an idea.

  --  Governed by Sound Reason and True Religion [2.02]
%
Felix Dawkins: I can't believe you let a cop into Clone Club.

  --  Governed by Sound Reason and True Religion [2.02]
%
Sarah Manning: Whose side are you on, S?
Mrs. S: Yours, love. It's always been yours.

  --  Governed by Sound Reason and True Religion [2.02]
%
Cosima Niehaus: I was right. It's clone jail.
Delphine Cormier: It's not.
Cosima Niehaus: You know, if I wanted an obsolete lab, I could just go to a community college.

  --  Governed by Sound Reason and True Religion [2.02]
%
Mrs. S: Brenda used to run strike kitchens on nothing more than scrap meat and canned veg.
Brenda: I tried to keep Siobhan in the kitchen, but she preferred scrubbing Kalashnikovs to pots and pans.
Sarah Manning: What kind of strikers need machine guns?
Mrs. S: I was on... Guns for Funds.

  --  Governed by Sound Reason and True Religion [2.02]
%
Felix Dawkins: It could be a trap.
Detective Art Bell: She's going with me.
Felix Dawkins: Yeah, it could still be a trap.

  --  Governed by Sound Reason and True Religion [2.02]
%
Alison Hendrix: I killed Aynsley.
Felix Dawkins: No! No, darling.
Alison Hendrix: Yes I did. Yes.
Felix Dawkins: No. Well... I mean, not really, you know, just like hardly.
Alison Hendrix: Oh, God. You can't tell Sarah, please. You can't tell anybody.

  --  Governed by Sound Reason and True Religion [2.02]
%
Rachel Duncan: Hello. Rachel Duncan.
Cosima Niehaus: You sure are. I'm Cosima. The real Cosima, not the one who kicked your ass, or whatever. Gotta love concealer.
Rachel Duncan: I hear you're very clever.
Cosima Niehaus: Yeah? I was clever when I was like, six.

  --  Governed by Sound Reason and True Religion [2.02]
%
Rachel Duncan: So, you're gay.
Cosima Niehaus: My sexuality's not the most interesting thing about me.

  --  Governed by Sound Reason and True Religion [2.02]
%
Alison Hendrix: Even my own clones think I'm useless.
Felix Dawkins: Oh, no! Darling, no. You have a musical to focus on.
Alison Hendrix: I killed Aynsley, Felix.
Felix Dawkins: Aynsley wore a scarf in the kitchen.

  --  Governed by Sound Reason and True Religion [2.02]
%
Felix Dawkins: We just need to prove that Donnie's really your monitor.
Alison Hendrix: How? I mean, he's bamboozled me for all of these years. He is very good at being evil.

  --  Governed by Sound Reason and True Religion [2.02]
%
Sarah Manning: Look, I need you to keep telling me we can make it.
Felix Dawkins: We can.

  --  Governed by Sound Reason and True Religion [2.02]
%
Helena: Who are you?
Mark: Family.

  --  Governed by Sound Reason and True Religion [2.02]
%
Alison Hendrix: Worried. That I might do something drastic? To myself? To you?

  --  Governed by Sound Reason and True Religion [2.02]
%
Sarah Manning: Mrs. S has loads of secrets. Some of them are good, yeah?
Kira: Maybe, but I don't think so.
Sarah Manning: We should go.
Kira: Yeah.

  --  Governed by Sound Reason and True Religion [2.02]
%
Henrik Johanssen: You know, a wise man once said, "Science without religion is lame. Religion without science is blind."
Tomas: Einstein didn't believe in God.

  --  Governed by Sound Reason and True Religion [2.02]
%
Cosima Niehaus: What,you're accusing me of colluding with Sarah too, I'm sorry, shit-kick Rachel? I don't know - Why would I do that?
Delphine Cormier: Aldous, Sarah, she's a con artist. She fooled us too.
Dr. Aldous Leekie: Did she?
Delphine Cormier: She stole *your* pass card.
Cosima Niehaus: Really?
[Tries to resist smiling]

  --  Governed by Sound Reason and True Religion [2.02]
%
Daniel Rosen: You're gonna regret this, professionally speaking. We know where you live.
Detective Art Bell: Why do I doubt that?
Daniel Rosen: We know where you work.

  --  Governed by Sound Reason and True Religion [2.02]
%
Delphine Cormier: [to Cosima] And I just want to make crazy science with you.

  --  Governed by Sound Reason and True Religion [2.02]
%
Rachel Duncan: These are the results of your last medical tests.
Cosima Niehaus: What tests?
Rachel Duncan: You visited your university GP two weeks ago - blood tests. You have a high lymphocyte count along with high CRP and ESR.

  --  Governed by Sound Reason and True Religion [2.02]
%
tomas: Science without religion is lame, religion without science is blind.

  --  Governed by Sound Reason and True Religion [2.02]
%
Brenda: Now you tell me: who are these cursed children you brought into our lives?
Mrs. S: They're Project LEDA.
Brenda: I don't know what that is.
Mrs. S: Good.
[she shoots Brenda]

  --  Governed by Sound Reason and True Religion [2.02]
%
Detective Angela Deangelis: That Shakira-haired look-alike? Gone.

  --  Mingling Its Own Nature with It [2.03]
%
Sarah Manning: All right, Fe?
Felix Dawkins: [Sarcastic] Oh, yeah. I adore camping.
Sarah Manning: It's not really camping, is it? More like sleeping in a truck.
Felix Dawkins: I slept in the bed of a flatdeck. In my world, that's considered camping. Otherwise known as homeless in the country.

  --  Mingling Its Own Nature with It [2.03]
%
Felix Dawkins: You brought us here on purpose. You wanted Kira to meet her father.
Sarah Manning: I didn't even know he'd be here, Fe.
Felix Dawkins: Bollocks! That is bollocks, Sarah, and you know it. For eight years. Eight years you pretended you didn't know who he was? You let me narrow it down to Ziggy the drummer or that guy that you met in Orange County, at that bar.

  --  Mingling Its Own Nature with It [2.03]
%
Kira: Do you like Cal?
Sarah Manning: Yeah. A long time ago, I liked him very much.
Kira: I like his beard.
[Sarah laughs]

  --  Mingling Its Own Nature with It [2.03]
%
Kira: When are we going to get breakfast?
Sarah Manning: We'll get you something now, yeah?
Felix Dawkins: Well, I'd have happily taken us to that last greasy spoon, but Mummy threw my Visa card out the window.
Kira: Because they might track us.
[Sarah and Felix exchange surprised glances]

  --  Mingling Its Own Nature with It [2.03]
%
Donnie Hendrix: Well, why don't you sit down right here and let me relax you? You know, morning's my best time.
Alison Hendrix: I just showered.

  --  Mingling Its Own Nature with It [2.03]
%
Felix Dawkins: Felix. Foster brother and an avowed pacifist.

  --  Mingling Its Own Nature with It [2.03]
%
Felix Dawkins: You are a bloody wrecking ball. You are an exploding cigar. Do you know that?

  --  Mingling Its Own Nature with It [2.03]
%
Felix Dawkins: I've got other drama in my life, Sarah. Alison's musical opens tomorrow. She needs me.
[Sarah scoffs]
Felix Dawkins: There's no place for me here. Nothing more to say. Except goodbye to Kira.

  --  Mingling Its Own Nature with It [2.03]
%
Alison Hendrix: Holy f... fishsticks.

  --  Mingling Its Own Nature with It [2.03]
%
Detective Angela Deangelis: You know you're letting down two partners now, right? Me *and* Beth.

  --  Mingling Its Own Nature with It [2.03]
%
Helena: Why am I here?
Gracie Johanssen: Father says he wants you to join our family.
Helena: I've already got a family.
Gracie Johanssen: You're barely even human.
Helena: I have a twin... sestra. And a pleminnytsya. A niece.

  --  Mingling Its Own Nature with It [2.03]
%
Delphine Cormier: You know, we are telling you everything now, but if you can't handle it...
Cosima Niehaus: I can handle it. Don't be a bitch.
Delphine Cormier: That's what I thought.

  --  Mingling Its Own Nature with It [2.03]
%
Delphine Cormier: Dr. Cormier, look at you, waltzing into Leekie's office whenever you wanna.
Delphine Cormier: Well, only when he's away. But he's away a lot and I like it in here.
Cosima Niehaus: We should mess with his like little bio-energy hobby farm.
[Chuckle]
Cosima Niehaus: I'm going to put like an electric eel in one of these tubes. He'll be like "Great Scott, I've created life itself".

  --  Mingling Its Own Nature with It [2.03]
%
Alison Hendrix: Red alert, Cosima. I've just been approached by another monitor, which means they know I know about Donnie, which means you definitely can't trust Delphine.
Cosima Niehaus: That's complicated.
Alison Hendrix: Complicated? My play opens tomorrow.
Cosima Niehaus: Your play.
Alison Hendrix: Don't belittle me, Cosima. Felix is gone. Sarah's gone. You and I are the only ones who can hold down the fort now.
Cosima Niehaus: Look, I'm having enough trouble holding down my own fort today.
Alison Hendrix: [Annoyed] Sorry to bother you with the very crucial information that I'm being double monitored!
Cosima Niehaus: I'm sorry, okay? Just go through the motions with Donnie, okay? Uh, uh Break a leg, or whatever. I'll call you tomorrow, okay?
Alison Hendrix: Unless Delphine blackbags you into the back of an SUV and then puts you in a rabbit cage somewhere. Then, I'll never speak to you again.

  --  Mingling Its Own Nature with It [2.03]
%
Sarah Manning: What's the first rule of war, Fe?
Felix Dawkins: "Don't mix your camouflage"?
Sarah Manning: Know your enemy.

  --  Governed as It Were by Chance [2.04]
%
Sarah Manning: I can't do cops.

  --  Governed as It Were by Chance [2.04]
%
Gracie Johanssen: Go back to hell, where you belong.
Helena: [feigning death and choking Gracie] Shh... shh. You sleep now.

  --  Governed as It Were by Chance [2.04]
%
Felix Dawkins: Alison's in recovery. Cosima and Delphine are locked in some kind of transgressive lesbian geek spiral, bound to end in tears.

  --  Governed as It Were by Chance [2.04]
%
Alison Hendrix: I'm a mess.
Felix Dawkins: Okay, let's look at this as a chance to relax.
Alison Hendrix: I'm in rehab, Felix. There are drunks, drug addicts. I saw one shaving her armpits!
Felix Dawkins: Well, that's disturbing.

  --  Governed as It Were by Chance [2.04]
%
Alison Hendrix: God. I don't remember the curtain going up. Was I terrible?
Felix Dawkins: People got their money's worth.

  --  Governed as It Were by Chance [2.04]
%
Mrs. S: If Sarah digs any further into this, God knows, a whole world of shit is going to unravel.

  --  Governed as It Were by Chance [2.04]
%
Felix Dawkins: Hey. Hey. Are you in? What's it like?
Sarah Manning: Straight out of Cold Bitch Digest.

  --  Governed as It Were by Chance [2.04]
%
Felix Dawkins: Just think, Sarah. You could've been Rachel.
Sarah Manning: [Looking through Rachael's closest] She's got good taste. And a boy toy.
Felix Dawkins: Oh, really? Well, at least she's got feeling somewhere in her body.
Cosima Niehaus: Yeah. Just not in her soul.

  --  Governed as It Were by Chance [2.04]
%
Helena: Hello, sestra. Good to see you.
Sarah Manning: Helena, what are you doing here?
Helena: I followed you from Mother's house.
Sarah Manning: I shot you! You were dead! You were dead!
Helena: Yes, you did. It's a miracle. We were meant to be together.
Sarah Manning: Stay away from me!
Helena: Please, sestra. I need your help. Don't send me back. I was married. I think he took something from inside of me.

  --  Governed as It Were by Chance [2.04]
%
Yvonne: No drugs or alcohol, of any kind. Any prescribed medication, you get from the desk. We watch you take it.
Alison Hendrix: I'm not on anything.
Yvonne: No birth control?
Alison Hendrix: No. That was never necessary.
Yvonne: Well, you won't need it in here, anyway, 'cause there's no relations, especially with other residents.
Alison Hendrix: [Offended] God. I'm married.
Yvonne: You're also an addict! Addicts do stupid shit. You get caught doing the nasty with anyone in here, you're out on your ass.
Alison Hendrix: I don't believe I've ever done "the nasty".

  --  Governed as It Were by Chance [2.04]
%
Sarah Manning: Rachel's got an apartment at the Cameron Arms.
Felix Dawkins: Nice digs. Those are executive suites.
Sarah Manning: You've been there?
Felix Dawkins: Well, I can't really divulge, beyond the sordid, but there was this really cute concierge named Troy...

  --  Governed as It Were by Chance [2.04]
%
Alison Hendrix: Where am I?
Yvonne: Girl, you're in the middle of your wake-up call. You in rehab.

  --  Governed as It Were by Chance [2.04]
%
Cal Morrison: Ta-da!
Kira: It's an angel!
Cal Morrison: Well, I though it was a butterfly, but an angel will do.

  --  Governed as It Were by Chance [2.04]
%
Felix Dawkins: Brilliant. We'll celebrate with brunch and mimosas. Oh, God. Or just brunch.

  --  Governed as It Were by Chance [2.04]
%
Cal Morrison: What's the corporation?
Sarah Manning: Eh?
Cal Morrison: Just give me the name.
Sarah Manning: Dyad Group.
Cal Morrison: You must've really gotten under their skin.
Sarah Manning: They sort of got under mine, first.

  --  Governed as It Were by Chance [2.04]
%
Felix Dawkins: I'll have you know I'm versed in Krav Maga!
Sarah Manning: Ahh! Shit! Fe!
Felix Dawkins: You're a shite burglar.

  --  Governed as It Were by Chance [2.04]
%
Donnie Hendrix: Alison.
Alison Hendrix: Um, no, I don't want to talk to him. He's an enabler, Yvonne.
Yvonne: You want I should check his crevices?
[Donnie sits down]

  --  Governed as It Were by Chance [2.04]
%
Troy: Yes, Miss Duncan. Of course, Miss Duncan. I'm almost there. Yes. Yes.
Sarah Manning: [imitating Rachel on the phone] I'd like the lights on and the suite to be a perfect 68 degrees. Is that clear, Troy?
Troy: Absolutely, Miss Duncan. I'm taking care of it right now.
Sarah Manning: And don't linger, Troy. I'll know if you do.

  --  Governed as It Were by Chance [2.04]
%
Daniel Rosen: Tell me where you got this and who else knows about it.
Sarah Manning: Better idea. Eat me.
[spits in his face]
Daniel Rosen: You're not really the smartest clone, are you?

  --  Governed as It Were by Chance [2.04]
%
Gracie Johanssen: Dad, it's awake.
Henrik Johanssen: *She's* awake.
Gracie Johanssen: She's making noises, speaking in gibberish.
Henrik Johanssen: It's Ukrainian.

  --  Governed as It Were by Chance [2.04]
%
[last lines]
Henrik Johanssen: Well, just when the night is darkest, He shines a light. And a new life begins.
Bonnie Johanssen: Hallelujah.

  --  Governed as It Were by Chance [2.04]
%
[first lines]
Dr. Aldous Leekie: Rachel, you don't need to see this.
Rachel Duncan: I demanded to. Now, move.

  --  Ipsa Scientia Potestas Est [2.05]
%
Helena: Do you like my hair, Paul? Yeah, very pretty, dirty sexy Rachel. Like my mother.

  --  Ipsa Scientia Potestas Est [2.05]
%
Sarah Manning: Oi! Just... just... just get her something to wear, please?
Felix Dawkins: Fine. I'm sure I've got a Ukrainian folk costume in here, somewhere.
[Helena hisses at Felix]
Felix Dawkins: Oh, god!
Sarah Manning: Hey! Hey hey hey. You treat him with respect. You got it? That's my brother. Which means he's one of our sisters. Family. You get it, meathead?
Helena: Do not call me this.
Sarah Manning: Do you understand, Helena?
Helena: He is sestra?
Felix Dawkins: Oh, god.

  --  Ipsa Scientia Potestas Est [2.05]
%
Helena: I want to tell you something.
Detective Art Bell: Yeah.
Helena: These, I like.
[takes donut]

  --  Ipsa Scientia Potestas Est [2.05]
%
Sarah Manning: Helena. You can't do this. You can't.
Helena: Rachel is problem. I fix problem.
Sarah Manning: I wish you could. They've got Felix.
Helena: Brother sestra.

  --  Ipsa Scientia Potestas Est [2.05]
%
Sarah Manning: Helena? Don't jump out and scare us with an ax, or some shit.

  --  Ipsa Scientia Potestas Est [2.05]
%
Sarah Manning: If anybody follows us, I'm going to sic Helena on all of you.

  --  Ipsa Scientia Potestas Est [2.05]
%
Cal Morrison: What are you drawing?
Kira: A picture.
Cal Morrison: I didn't think your mom had any sisters.
Kira: They're new. They all look the same, but I can tell them apart.

  --  Ipsa Scientia Potestas Est [2.05]
%
Paul Dierden: Are you asking me if I'm interested or reminding me I have no choice?
Rachel Duncan: It's a promotion, Paul. A very handsome one, if you have the starch for it. Where are you with the new stem-cell line, Aldous?
Dr. Aldous Leekie: My in vitro tests have been very promising. Promising enough to treat Cosima.
Rachel Duncan: Shut down the tests. Until Sarah comes to heel, Cosima will suffer.

  --  Ipsa Scientia Potestas Est [2.05]
%
Kira: Where are you?
Sarah Manning: I'm uh... I'm in a place where bands play.
Kira: What bands?
Sarah Manning: I don't know. Bobby, who's playing tonight?
Bobby: The Shit Goblins.
[whispers]
Bobby: Sorry.

  --  Ipsa Scientia Potestas Est [2.05]
%
Sarah Manning: This was never a game, you stupid twat.

  --  Ipsa Scientia Potestas Est [2.05]
%
Helena: A little more off the back, Helena. Yes, Rachel, of course. So pretty, you are. So much money. So much money.

  --  Ipsa Scientia Potestas Est [2.05]
%
Helena: You make me cry, sestra.
Sarah Manning: Come on, meathead.
Helena: Don't call me this.

  --  Ipsa Scientia Potestas Est [2.05]
%
Sarah Manning: Professor Ethan Duncan, alive.
Dr. Aldous Leekie: Where?
Sarah Manning: It's vital my brother goes free. All charges dropped.
Dr. Aldous Leekie: Find him, I can pull the levers to countermand Rachel, and guarantee Cosima will be able to continue the treatment.
Sarah Manning: What - what treatment?
Dr. Aldous Leekie: Ah, so you don't share everything.
Sarah Manning: What? What is she sick?
Dr. Aldous Leekie: Unfortunately, yes.

  --  Ipsa Scientia Potestas Est [2.05]
%
Sarah Manning: Right, so how do we find Swan Man?
Helena: Mrs. S has nice truck. Much leg rooms.
Sarah Manning: Helena, where are we going?
Helena: Cold River.
Sarah Manning: What's that, a town?
Helena: The Place of Screams.

  --  Ipsa Scientia Potestas Est [2.05]
%
Rachel Duncan: I'm in need of a new monitor.
Paul Dierden: [Surprised] You have a monitor?
Dr. Aldous Leekie: She did. Daniel.
Rachel Duncan: I've been self-aware since I was a child. I'm not exempt from the program. I simply enjoy a unique vantage, one with privilege.
Dr. Aldous Leekie: She needs full-time personal security. And you submit data to me on her health and well being, like any other subject.
Paul Dierden: Are you asking me if I'm interested or reminding me I have no choice?

  --  Ipsa Scientia Potestas Est [2.05]
%
Felix Dawkins: You do realize I'm going to have to paint this, to come to terms with it.
Sarah Manning: Please don't.
Felix Dawkins: Yeah, you're right. I mean, you shot your evil twin sister dead, only to have her arise and gut Rachel's henchman. How could I capture the nuance?

  --  Ipsa Scientia Potestas Est [2.05]
%
Paul Dierden: Felix will be charged with murder, unless Rachel gets what she wants.
Sarah Manning: So your little trip to Taiwan really paid off. How many clone notches in your belt now, eh, Paul, 3?

  --  Ipsa Scientia Potestas Est [2.05]
%
Gracie Johanssen: I was protecting us. Not taking a real life, like killing a coyote that wants to eat our chickens. I'm so sorry, father.
Henrik Johanssen: Just you help us get her back and all will be forgiven.
Bonnie Johanssen: And, if you don't... then you will carry the child yourself.

  --  Ipsa Scientia Potestas Est [2.05]
%
Dr. Aldous Leekie: I'm going to tell you something that only a handful of people know. Twenty years ago, there was a fire in one of our labs. Several scientists died, reams of data lost, and the original genome was destroyed.
Cosima Niehaus: So all of this secrecy around the original genome is because it doesn't exist?
Dr. Aldous Leekie: Yes. The entire project is essentially an orphan. We lost your prehistory, Cosima, and, with it, all record of several synthetic sequences embedded in your DNA.
Cosima Niehaus: What kind of synthetic sequences?
Dr. Aldous Leekie: The sequences that make you possible. That overcame the viability issues that have haunted us ever since.
Cosima Niehaus: So you lost the map. So finding the sequence in the genome is like looking for hay in a haystack.

  --  Ipsa Scientia Potestas Est [2.05]
%
Dr. Aldous Leekie: Here we go. Just an intradermal test to see how your body responds.
Cosima Niehaus: Yes, if my arm falls off, then we know.
[laughs]
Delphine Cormier: Or if you grow another limb.
Cosima Niehaus: Yeah. Ew.

  --  Ipsa Scientia Potestas Est [2.05]
%
Scott: Back in the early '80s, genetics was like the Wild West. No one knew the science. The laws didn't exist, so they slapped provisional patents on everything.
Cosima Niehaus: Like pissing on a fencepost.

  --  Ipsa Scientia Potestas Est [2.05]
%
[first lines]
Sarah Manning: You've got an iron gut, haven't ya?
Helena: I only ate half.
Sarah Manning: No, thank you.
Helena: You have to eat, Sarah.

  --  To Hound Nature in Her Wanderings [2.06]
%
Carl: Ahh! Jeez! You broke my finger!
Helena: Don't be baby. I only sprain. Next one I break.

  --  To Hound Nature in Her Wanderings [2.06]
%
Helena: In Ukraine, I was police detective. I shot many criminals.
Jesse: Ukraine, huh? I've never been further than Sioux Falls, myself.
Helena: Then, I was brilliant scientist, but I quit to be with my family.
Jesse: Oh, come on. Don't tell me you're spoken for.
Helena: Divorced. After rehab drinking problems. But now, I am with my sestra, having adventures.

  --  To Hound Nature in Her Wanderings [2.06]
%
Sarah Manning: I can't do this without you.
Cosima Niehaus: Yeah, obviously. I'm the geek monkey.

  --  To Hound Nature in Her Wanderings [2.06]
%
Detective Art Bell: Sarah told me to check on you.
Felix Dawkins: That's so thoughtful. Oh, my lord, that really takes the sting out of being framed for murder.

  --  To Hound Nature in Her Wanderings [2.06]
%
Paul Dierden: I never met a real Prolethean before.
Mark: I expect DYAD sent you after the other one.
Paul Dierden: Are you waiting 'til she drinks herself senseless, or for the bar to clear out?
Mark: Just letting her enjoy herself a bit. She's a miracle, I'm told.
Paul Dierden: Well, whatever she is, she's not worth dying for.
Mark: Is yours?

  --  To Hound Nature in Her Wanderings [2.06]
%
Gracie Johanssen: Sister. It's good to see you.
Helena: You tried to kill me.
Gracie Johanssen: Yes. My father and I, we don't we don't always see eye to eye, so...
Helena: He sewed you silent. Your lips. I've had this, also, once. It will heal.

  --  To Hound Nature in Her Wanderings [2.06]
%
Helena: Take me to my babies.

  --  To Hound Nature in Her Wanderings [2.06]
%
Ethan Duncan: I don't have to talk to you.
Sarah Manning: Yes, you do, and you know it!
Ethan Duncan: It's all in the past.
Sarah Manning: No, it's not! This is my life! And you gave it to me, so you're gonna help us!
Ethan Duncan: No.
Sarah Manning: Yes, you are. I will take you to Leekie. You can talk to him then.
Ethan Duncan: They stole my daughter.
Sarah Manning: Your daughter is lost! There's just me. And Alison, a housewife with two adopted kids. And Cosima, a brilliant scientist - just like you.
Ethan Duncan: I can't
Sarah Manning: We're real, Ethan. Cosima is unlike anybody I've ever met. And she's sick. We're sick. Your little girls are dying.

  --  To Hound Nature in Her Wanderings [2.06]
%
Felix Dawkins: Arthur, you beast. I'm not even taking any new clients.
Detective Art Bell: Yeah?
Felix Dawkins: Yeah.
Detective Art Bell: Then how about you take your hand off my ass.

  --  To Hound Nature in Her Wanderings [2.06]
%
Mrs. S: Who sent you?
Paul Dierden: DYAD.
Mrs. S: Hardly an answer. DYAD's a hydra. If Sarah's caught between Leekie and Rachel, I bet you are too. And a man with two masters answers only to himself.

  --  To Hound Nature in Her Wanderings [2.06]
%
Cosima Niehaus: How do you even know this is a match? The odds of compatibility are like a million to one.
Delphine Cormier: Luckily, we only had to search thousands of samples before we found it. There are benefits to being a multinational.
[Smiles]
Delphine Cormier: Oh, pauvre petit chou.
Cosima Niehaus: You're the puppy.

  --  To Hound Nature in Her Wanderings [2.06]
%
Mrs. S: If you think you're taking Sarah back, you'll have to kill me. And if you think you're gonna take Duncan back, the only man alive who can give Sarah and her sisters what they need, then you'll have to kill us both. But you don't want to do that. Or Afghanistan would all have been for naught.
Paul Dierden: What would you know about that?
Mrs. S: Paul, in your position, you could really use a new friend.

  --  To Hound Nature in Her Wanderings [2.06]
%
Paul Dierden: I didn't even notice you on their tail till last night. Special forces? JTF2?
Mark: Boy Scouts.

  --  To Hound Nature in Her Wanderings [2.06]
%
Yvonne: Alison.
Alison Hendrix: Me? No, thank you. I'm gonna sit this one out.
Yvonne: No, you won't. You're up.
Alison Hendrix: I'm just here for my kids. And I'm sorry that I ruined the play with my drinking.
Yvonne: Alison, it's not about sorry. It's about taking responsibility.
Alison Hendrix: Well, I'm not an actual drunk, am I?

  --  To Hound Nature in Her Wanderings [2.06]
%
Scott: A 36 base pair variation in identical samples? Didn't make sense. But then you guys started asking about genetic patents, so I was like, "Encoded marker tags". Duh.Anyway, uh, identical genomes with markers and embedded patents? Had to be clones. So, can I see one?
Cosima Niehaus: You want to see a clone?
Scott: Yeah.
Delphine Cormier: [Shares a look with Cosima] Let's take it one step at a time.

  --  To Hound Nature in Her Wanderings [2.06]
%
Ethan Duncan: Once you've gone too far, it's hard not to go all the way.
Sarah Manning: Why? What did you want?
Ethan Duncan: Babies. Little girls.

  --  To Hound Nature in Her Wanderings [2.06]
%
Sarah Manning: You know we're not just a concept, right? That we're your consequences?
Ethan Duncan: Have you met Rachel? My Rachel?
Sarah Manning: Yes, I have. What a treat. You've really created a monster there.

  --  To Hound Nature in Her Wanderings [2.06]
%
Alison Hendrix: You said you'd bring the kids.
Donnie Hendrix: I will. On Family Day.
Alison Hendrix: I wanted to see them today.
Donnie Hendrix: Well, Alison, until you start taking this place seriously, I don't think it's a good environment for them.
Alison Hendrix: As if I'm the one who should be in here proving myself.
Donnie Hendrix: And what does that mean?
Alison Hendrix: It means, Donnie, that once this is all over, you'll have nowhere to hide.
Donnie Hendrix: Okay, you know what? Now you're threatening me.
Alison Hendrix: I'm not actually making threats. And if you show up here without my kids again, I will cut off your dangly balls!

  --  To Hound Nature in Her Wanderings [2.06]
%
Jesse: You know what? You have real pretty eyes.
Helena: You have a nice hat. Very nice red face.

  --  To Hound Nature in Her Wanderings [2.06]
%
Detective Angela DeAngelis: How's recovery going, Vic?
Vic: We're gonna make doilies together.
Detective Angela DeAngelis: I'm impressed.
Vic: Yeah? That makes one of us.

  --  To Hound Nature in Her Wanderings [2.06]
%
Donnie Hendrix: Alison? Wha... ?
Alison Hendrix: Yes, relax, Donnie. It's Sarah Manning, the runaway clone. So, I guess you'll be running off to call Dr. Leekie, hmm?
Donnie Hendrix: C... Clone?
Sarah Manning: I don't think he knows, Alison.
Alison Hendrix: Of course he knows. He's a monitor.
Felix Dawkins: No, darling, I think Sarah's right. This kind of cluelessness can't be faked.

  --  Knowledge of Causes, and Secret Motion of Things [2.07]
%
Alison Hendrix: I can't go to jail, Felix. I don't have the temperament. In the shower, if they touch me, I will cut them.

  --  Knowledge of Causes, and Secret Motion of Things [2.07]
%
Dr. Aldous Leekie: You know what this is? Synthetic amniotic fluid. We're developing an artificial womb. Bit of a hobby of mine.
Paul Dierden: I like pottery.

  --  Knowledge of Causes, and Secret Motion of Things [2.07]
%
Cal Morrison: So, look, I've been I've been working on something for the past few days. I think I might have the answer for us.
Sarah Manning: Okay.
Cal Morrison: Reykjavik.
Sarah Manning: What was the question?
Cal Morrison: I'm serious. I have people there.
Sarah Manning: Who's got people in Iceland?

  --  Knowledge of Causes, and Secret Motion of Things [2.07]
%
Felix Dawkins: Hey, Sarah. Look. We need your help with a little something at rehab.
Sarah Manning: What's Alison done? She hurled herself off the wagon?
Alison Hendrix: I am sober as a judge, Sarah. It's you, your people, your finks and rats and snitches and fuzz. Vic's here and he's going to give me up to the police unless you meet with him. I need you to come here right now and clean up your doo-doo.

  --  Knowledge of Causes, and Secret Motion of Things [2.07]
%
Vic: I have to atone.
[reads from a slip]
Vic: Dear Sarah, you are a rock in my stream, blocking the flow.
Sarah Manning: I'm not getting it, Vic.
Vic: I have to apologize, okay?
Sarah Manning: Okay. Good. Yeah, fine, accepted.
Vic: Wait, I haven't done it, yet.
Sarah Manning: Uh, I atone you, Vic. You're atoned, okay? Okay? Okay? We're done? Cool. Thank you.
[Turns to leave]
Vic: Wait a minute. Sarah, you don't have anything you want to say to me? After everything? Come on, the heartbreak. The finger loss.
Sarah Manning: Oh, you want me to apologize to you?
Felix Dawkins: Which of the 12 Steps is that?

  --  Knowledge of Causes, and Secret Motion of Things [2.07]
%
Alison Hendrix: [Talking about Ansley] I guess, you know, in that sense she had it coming.
Vic: Had what coming?
Alison Hendrix: Oh, just an incident.
Vic: Come on, Ali. Unburden yourself. That's why we're here.
Alison Hendrix: No, I can't.
Vic: Hey. Look at me. You can trust me. The stuff that I've done - no judgment.
Alison Hendrix: I slept with her husband. In a parking lot. Do you think I'm awful?
Vic: No, I think you're brave. Alison, you're brave for sharing. Feels nice, feels good, no?
Alison Hendrix: Yeah.
Vic: You know, the next step is, you have to learn to forgive...
Alison Hendrix: Then I killed her
[Vic is dumbfounded]
Alison Hendrix: Well, she was choking and I didn't stop it.
Vic: What, like on a piece of chicken?
Alison Hendrix: No. Not like on a piece of chicken. I could have saved her, and I didn't.
[Whispering]
Alison Hendrix: She clawed at the countertop begging for her life I stood there, until it was over.
[sighs cheerily]
Alison Hendrix: It feels so good to say it out loud.
Vic: [Freaked out] Yeah, I bet.

  --  Knowledge of Causes, and Secret Motion of Things [2.07]
%
Cosima Niehaus: This is my lab. My body! I'm the science! Get out!

  --  Knowledge of Causes, and Secret Motion of Things [2.07]
%
Sarah Manning: Where's Alison?
Felix Dawkins: Welcoming her family. It's some kind of public flagellation day.

  --  Knowledge of Causes, and Secret Motion of Things [2.07]
%
Vic: Do you smell salt?
[collapses onto a table]
Sarah Manning: Oh! What the hell just happened?
Felix Dawkins: I may have spiked his tea.

  --  Knowledge of Causes, and Secret Motion of Things [2.07]
%
Sarah Manning: [as Alison] Thank you all for coming, today. Not that any of us really had any choice, I guess. So, um, we stand among you today, pill-poppers and booze hounds, hopheads, tweakers, rummies...

  --  Knowledge of Causes, and Secret Motion of Things [2.07]
%
Cal Morrison: I got contacts, sources. Some of them are tinfoil-hat guys. But the chatter about the DYAD Group, it's...
Sarah Manning: What?
Cal Morrison: Hey. Listen. We're just gonna do it. We're just gonna say it out loud, okay? Your big secret. Sarah Manning, I know this may sound crazy, but I think you're... a... Pisces.
[Smiles]
Cal Morrison: Am I right?
Sarah Manning: You twat.
Cal Morrison: It makes so much sense to me.

  --  Knowledge of Causes, and Secret Motion of Things [2.07]
%
Cosima Niehaus: Did you ever stop to think, once, that this is my decision and not yours!
Delphine Cormier: There is no decision, Cosima. You have one way forward and this is it.

  --  Knowledge of Causes, and Secret Motion of Things [2.07]
%
Dr. Marion Bowles: If Rachel's become too entangled, we have to step in.
Dr. Aldous Leekie: She will fight.
Dr. Marion Bowles: And she will lose. You know, I was just thinking - our paths rarely cross anymore.
Dr. Aldous Leekie: My misfortune.
Dr. Marion Bowles: But, when they do, it's almost always because of Sarah Manning. We need to look at that.

  --  Knowledge of Causes, and Secret Motion of Things [2.07]
%
Vic: Sarah, you always do this to me. You always keep yourself at a distance. You never let me in.
Felix Dawkins: Well, no wonder with those giant banana hands of yours.

  --  Knowledge of Causes, and Secret Motion of Things [2.07]
%
Felix Dawkins: I swear to Jesus, I'm done with glitter.

  --  Knowledge of Causes, and Secret Motion of Things [2.07]
%
Ethan Duncan: Rachel. My dear, dear Rachel.
Rachel Duncan: Hello, father.

  --  Knowledge of Causes, and Secret Motion of Things [2.07]
%
Alison Hendrix: You destroyed us, Donnie, with the spying, and the lies. I love you so much and you ruined our family. And you're so stupid, you don't even know why.

  --  Knowledge of Causes, and Secret Motion of Things [2.07]
%
Rachel Duncan: Go now. Don't get in your car. Don't go home. You might survive.
Dr. Aldous Leekie: Thank you.
Rachel Duncan: It's foolish to spare you. But you raised me. Nurture prevails.

  --  Knowledge of Causes, and Secret Motion of Things [2.07]
%
Mrs. S: Seems safe to assume Rachel doesn't know Leekie killed her mother.
Sarah Manning: What? How do you know that?
Mrs. S: He told me, in not so many words. He does want Duncan silent and all the science to himself.
Sarah Manning: What, you talked to Leekie?
Mrs. S: Divide and conquer, Sarah. But if we drop this bomb on Rachel, there's no telling which one of them will fall.
Sarah Manning: I'm good with either one. Let's blow up their shit.
Mrs. S: I'll set it up.

  --  Knowledge of Causes, and Secret Motion of Things [2.07]
%
Alison Hendrix: Felix, we have a problem.
Felix Dawkins: What? Why are you whispering?
Alison Hendrix: Because I'm not supposed to be using the telephone.

  --  Knowledge of Causes, and Secret Motion of Things [2.07]
%
Mrs. S: What have we there?
Ethan Duncan: [holding several old floppy disks] Everything, Mrs. Sandler. Absolutely everything.

  --  Knowledge of Causes, and Secret Motion of Things [2.07]
%
Tony: You know what? I think I'd get along with dreadlocks over there, but that one with the soccer ball looks like a douche.

  --  Variable and Full of Perturbation [2.08]
%
[Tony kisses Felix]
Felix Dawkins: You little...
Tony: Later, sister-kisser.

  --  Variable and Full of Perturbation [2.08]
%
Tony: Look at us. We're hot. Damn, girl.
Sarah Manning: Not our usual identity crisis.
Tony: I did all that work a long time ago.

  --  Variable and Full of Perturbation [2.08]
%
Rachel Duncan: Answer me this, Professor. Why Sarah? Of all of us, how is it the unmonitored tramp was successful?
Ethan Duncan: In her fertility? Heh! Rachel, she's a failure, not a success. You are all barren by design.

  --  Variable and Full of Perturbation [2.08]
%
Alison Hendrix: Oh, my God, you're drinking? God! Drinking alcohol the day I get back from rehab? Are you insane?
Donnie Hendrix: I know all your little hiding spots!
Alison Hendrix: [Slaps him] Do you want that, hmm?
Donnie Hendrix: I know about the pills you keep in your bean pots! Your minibar in the tub labeled "buttons".

  --  Variable and Full of Perturbation [2.08]
%
Cosima Niehaus: Scott, it's me. I'm 324B21.
Scott: [chuckles then turns somber] You?
Cosima Niehaus: Do you need me to beam you up, Scotty?
Scott: It's an honor, Cosima. An honor to be working with you.

  --  Variable and Full of Perturbation [2.08]
%
Tony: Who the hell are you?
Detective Art Bell: You're Tony?
Tony: No, I'm Harry friggin' Potter.

  --  Variable and Full of Perturbation [2.08]
%
Delphine Cormier: Cosima, it's your life.
Cosima Niehaus: It's not just that. It's all of us. You have to love all of us.
Delphine Cormier: Then I love all of you.
Cosima Niehaus: Good. Because if you betray us again, I have enough dirt on you to destroy your career. And I love you, too.

  --  Variable and Full of Perturbation [2.08]
%
Alison Hendrix: It's a lot to take in, isn't it? Your wife's a clone. See? I use the c-word, too.

  --  Variable and Full of Perturbation [2.08]
%
Felix Dawkins: Holy Tilda Swinton.

  --  Variable and Full of Perturbation [2.08]
%
Felix Dawkins: Just one. I'm a few. No family, too. Who am I?
Tony: Pretty gay, by the looks of this place.

  --  Variable and Full of Perturbation [2.08]
%
Cosima Niehaus: I'm going to keep the promise I made to you when we first met. That, one day, I'd get you completely baked.

  --  Variable and Full of Perturbation [2.08]
%
Alison Hendrix: That's the director of the Dyad Institute?
Donnie Hendrix: He just got in and I whacked him. I didn't even mean to. Oh, God.
Alison Hendrix: Okay, just relax, Donnie. He's not at all well-wrapped.
Donnie Hendrix: You're worried about the trunk?
Alison Hendrix: Yes! I'm going to make a new liner. And I hope that you threw the weapon in the lake.
Donnie Hendrix: I put it back in your gun locker.
Alison Hendrix: You used my gun?

  --  Variable and Full of Perturbation [2.08]
%
Cosima Niehaus: [sees Scott and friends playing Rune Wars in the lab] Whoa! Whoa! Whoa!
Scott: Geez, I thought you went home for the night. We were going to play in the cafeteria but... Sorry.
Cosima Niehaus: Um, are you minding the dental pulp in the incubators?
Scott: Yeah, absolutely.
Cosima Niehaus: Cool. Then I don't care if you're making bathtub acid.

  --  Variable and Full of Perturbation [2.08]
%
Painmaker: [looking in the Rune Wars rulebook] Dream on. Your Wyrm can't use a special ability twice.
Doomsday: And Mad Cathos slays before you ever Plague Breath.
Cosima Niehaus: Hmm, sorry. Mad Cathos' abilities only work in battles he's in.
[joins them at the Rune Wars table]
Cosima Niehaus: Uh, Scott gets the damage. He doesn't draw again, but who cares because the Guardian is toast and these beastmen go here.
Doomsday: Do you, like, wanna play?
Cosima Niehaus: I don't know if you're ready for that.

  --  Variable and Full of Perturbation [2.08]
%
Alison Hendrix: What are you doing?
Donnie Hendrix: Ali, uh... I'm leaving.
Alison Hendrix: No. We are *not* there yet. No, we have a whole mountain to climb. We aren't even at base camp, yet!

  --  Variable and Full of Perturbation [2.08]
%
Alison Hendrix: Don't you love me anymore? Did you ever love me?
Donnie Hendrix: I'm sorry. I'm so sorry. I'm sorry. I'm sorry about the porn and I'm sorry about putting you in rehab and I'm sorry for hating your mother and...
Alison Hendrix: Everybody hates my mother.

  --  Variable and Full of Perturbation [2.08]
%
Felix Dawkins: Arthur needs my help with something cloney, all right?

  --  Variable and Full of Perturbation [2.08]
%
Scott: Wow, girl fights are mean.

  --  Variable and Full of Perturbation [2.08]
%
Felix Dawkins: Art's a cop. He's suspended. Which is the only kind of cop I like.

  --  Variable and Full of Perturbation [2.08]
%
Cosima Niehaus: Professor Duncan. Hi. Uh, my maker.
Ethan Duncan: Oh, please, don't call me that. it's Ethan.
Cosima Niehaus: It's not every day you get to meet your, uh, Ethan.
[laughs]

  --  Variable and Full of Perturbation [2.08]
%
Ethan Duncan: Finding a cure means handing Dyad the keys to the kingdom, synthetically speaking.
Sarah Manning: Can you really cure Cosima?
Ethan Duncan: Yes. Though it;s immodest to boast.

  --  Variable and Full of Perturbation [2.08]
%
[first lines]
Alison Hendrix: I cleaned the car. What are you doing?
Donnie Hendrix: I think those are his brains. They're congealed.

  --  Things Which Have Never Yet Been Done [2.09]
%
Helena: Daddy, how do they make babies? Would you like horse baby? Cow baby. Is this how you do it?
Henrik Johanssen: You've made your point. This isn't funny.
Helena: Do I look like I'm trying to be funny?

  --  Things Which Have Never Yet Been Done [2.09]
%
Helena: There was a woman in convent like you. You touch her again, and I will gut you like a fish.

  --  Things Which Have Never Yet Been Done [2.09]
%
Kira: Will Auntie Cosima die?
Sarah Manning: She's not doing too well, so, she might.
Kira: Then... okay.
Sarah Manning: Oh, god, you're the bravest thing I know.

  --  Things Which Have Never Yet Been Done [2.09]
%
Delphine Cormier: Even if we pinpoint the genetic cause, a therapy is months away, at best. But if we can reboot her immune system...
Sarah Manning: With my kid's bone marrow.

  --  Things Which Have Never Yet Been Done [2.09]
%
Sarah Manning: What kind of mother am I?
Delphine Cormier: The best and the bravest. And a very, very good sister.

  --  Things Which Have Never Yet Been Done [2.09]
%
Donnie Hendrix: Safety's on.
Alison Hendrix: You were bluffing?
Donnie Hendrix: Yeah. I learn from my mistakes, Alison.
Vic: You're not going to shoot me?
Donnie Hendrix: Not accidentally.
Vic: God, I hate this garage.

  --  Things Which Have Never Yet Been Done [2.09]
%
Donnie Hendrix: I'm Donnie Hendrix and you've been harassing my wife!
Detective Angela DeAngelis: Hey, this is police business.
Donnie Hendrix: My ass, it is. Beth Childs police business? How about Art Bell, suspended for doing far less than this. All these women and you just can't put it together, can ya?
Vic: But I'm confused, too.
Detective Angela DeAngelis: Shh.
Donnie Hendrix: You don't want to know what we know. And, if you come near my home, or my family again, I will bury you. Smile.
[takes photo]
Donnie Hendrix: Have a shitty day!

  --  Things Which Have Never Yet Been Done [2.09]
%
Helena: You are sad to be pregnant? Might as well eat. You will be fat soon, anyway.
[Chuckle]
Helena: I thought you like Mark.
Gracie Johanssen: You don't get it, do you? M-my father is the father. I'm carrying your babies.
Helena: My babies in your cervix?
Gracie Johanssen: For your genes, Helena. Haven't you been listening to anything my father says?
Helena: Not really.

  --  Things Which Have Never Yet Been Done [2.09]
%
Gracie Johanssen: What are you doing?
Helena: I don't belong here.
Gracie Johanssen: But, where will you go?
Helena: To my sestra. You're a good girl, Grace. But if you don't want to have my babies, don't have my babies.

  --  Things Which Have Never Yet Been Done [2.09]
%
Donnie Hendrix: [draws a heart in wet cement] I've always wanted to do that. What? It's okay. I didn't put our initials in it.
Alison Hendrix: I have never been more attracted to you than I am right now.

  --  Things Which Have Never Yet Been Done [2.09]
%
Ethan Duncan: Are you going to stand there all day, Mr. Funt?
Martin Funt: I'm here to help.
Ethan Duncan: Really? And where did you get your genetics degree?

  --  Things Which Have Never Yet Been Done [2.09]
%
Alison Hendrix: Freezer.
Donnie Hendrix: [at the same time as Alison] Freezer.
Alison Hendrix: I want to be nasty.
[starts to pull her pants down]
Donnie Hendrix: Okay.

  --  Things Which Have Never Yet Been Done [2.09]
%
Donnie Hendrix: Why say Leekie died on a plane? He didn't die on a plane.
Alison Hendrix: No, he died in your car.
Donnie Hendrix: Yes. I'm sorry. But why the Dyad cover story?
Alison Hendrix: Maybe they think he's dead. Maybe they told him to be dead and go live in Guadalupe, only he's in our freezer.
Donnie Hendrix: I know what to do.
Alison Hendrix: Oh, you do, do you, Donnie?
Donnie Hendrix: Mm-hmm. As long as no one finds the body, we're clear. So we dump him in the lake. With weights.
Alison Hendrix: Do we have a boat? Have you ever seen Dexter? I mean, random scuba divers are finding everything!

  --  Things Which Have Never Yet Been Done [2.09]
%
Sarah Manning: So, you're the new Leekie.

  --  Things Which Have Never Yet Been Done [2.09]
%
Scott: Couldn't get my hands on a 6502 processor, but this one shares a chipset with 65C02.
Cosima Niehaus: He's a virgin, in case you couldn't tell.

  --  Things Which Have Never Yet Been Done [2.09]
%
Alison Hendrix: Donnie, don't. Please. Ugh! Lord and butter, Donnie! Don't spread it around. Keep it on the plastic!
Donnie Hendrix: Look, this isn't easy for me, all right?
Alison Hendrix: Oh, I know. You're not a tools guy, are you?
Donnie Hendrix: Not the tools, the whole thing! I'm not as perfectly comfortable with manslaughter as you!
Alison Hendrix: At least I had the good sense to leave mine where she dropped.

  --  Things Which Have Never Yet Been Done [2.09]
%
Vic: What's up with your garage?
[in unison]
Donnie Hendrix: Oil change.
Alison Hendrix: Renovating.

  --  Things Which Have Never Yet Been Done [2.09]
%
Cosima Niehaus: That's the infertility sequence? God, no wonder we're all screwed up.

  --  Things Which Have Never Yet Been Done [2.09]
%
Vic: There's a cop in a van outside!
Alison Hendrix: What? Angela DeAngelis?
Vic: Alison, she's been squeezing me. I don't even think it's official, Alison. She thinks there's five of you.
Donnie Hendrix: There's 11, ese.

  --  Things Which Have Never Yet Been Done [2.09]
%
Martin Funt: How long will it take to decode the remaining sequences?
Ethan Duncan: Well, that depends on DYAD's intentions.
Martin Funt: Is that right?
Ethan Duncan: Yes. Each sequence has a distinct key and I have no intention of sharing them, just to allow DYAD the opportunity of perpetuating this experiment. No offense, Cosima.
Cosima Niehaus: None taken.

  --  Things Which Have Never Yet Been Done [2.09]
%
Henrik Johanssen: You look tired, Mark.
Mark Rollins: Nightmares again.
Henrik Johanssen: When I think about what you've done for country at just 19... For what? For profit. For glory.
Mark Rollins: They only ever gave me a mission, but you gave me a purpose
Henrik Johanssen: Well, I thank God every day that you went AWOL.

  --  Things Which Have Never Yet Been Done [2.09]
%
Cosima Niehaus: That's the infertility sequence? God, no wonder we're all screwed up.
Ethan Duncan: It's encoded. It's a Vigenere's Cipher, and I brought the key with me.
[taps his head]

  --  Things Which Have Never Yet Been Done [2.09]
%
[last lines]
Kira: Where's my mum? Where's Mrs. S?
Rachel Duncan: Dear child... I know how frightening this must be for you. But, you'll get used to it. You may even grow to like it here. Just as I did.

  --  Things Which Have Never Yet Been Done [2.09]
%
Cosima Niehaus: You're very beautiful.
Helena: Thank you. I like your hairs.
Cosima Niehaus: [laughs] Oh, thanks. I like your hairs, too.

  --  By Means Which Have Never Yet Been Tried [2.10]
%
Kira: Auntie Helena! We thought you ran away from us.
Helena: I came back to see your little face. I'm so happy to see you. I'm going to eat your finger.

  --  By Means Which Have Never Yet Been Tried [2.10]
%
Helena: Hello sestra brother. I want to see Sarah.

  --  By Means Which Have Never Yet Been Tried [2.10]
%
Cosima Niehaus: You're the wild type, Sarah. You propagate against all odds. You know, you're restless. You survive.

  --  By Means Which Have Never Yet Been Tried [2.10]
%
Helena: I fell in love with a boy called Jesse. But, after bar fighting, he had to go to war and become a tow-truck driver.
Detective Art Bell: O-kay. Okay, look, there was a fire at the Johanssen Ranch last night. Do you know anything about that?
Helena: No.
Felix Dawkins: Helena.
Helena: [Makes a noise] Pbbbbt.
Felix Dawkins: Did you burn down the fish people's ranch?
Helena: (smiling pause) No

  --  By Means Which Have Never Yet Been Tried [2.10]
%
Cosima Niehaus: You won the experiment. You won science. You're a scientist now.

  --  By Means Which Have Never Yet Been Tried [2.10]
%
Sarah Manning: My name is Sarah Manning and this is my unconditional surrender.

  --  By Means Which Have Never Yet Been Tried [2.10]
%
Mrs. S: After 8 years, you finally meet Kira's dad. You don't even tell me.
Felix Dawkins: Oh, yes, let's do open a rollicking debate about keeping secrets, shall we?

  --  By Means Which Have Never Yet Been Tried [2.10]
%
Cosima Niehaus: Hey.
Sarah Manning: What were you thinking about?
Cosima Niehaus: Oh, like Buckminster Fuller and sacred geometry. Look. So, this spiral, this is the golden ratio and it's a mathematical pattern that just repeats itself in nature, in flower petals and honeybees, and you know, the stars in the galaxy, and in every molecule of our DNA.

  --  By Means Which Have Never Yet Been Tried [2.10]
%
Cosima Niehaus: Whoa, The Island of Dr. Moreau.
Kira: It's about a man who makes monsters.
Cosima Niehaus: I know, I love this book.
Kira: [whispers] It's special.

  --  By Means Which Have Never Yet Been Tried [2.10]
%
Felix Dawkins: Arthur, what can you tell me?
Detective Art Bell: Well, I can tell you I just came home to find someone at my table.
Felix Dawkins: What do you mean? Who?
Detective Art Bell: She's eating.
Helena: Hello, sestra brother!

  --  By Means Which Have Never Yet Been Tried [2.10]
%
Dr. Marian Bowles: Sarah, the military never shut down Project LEDA. It was compartmentalized into two autonomous operations. While DYAD carried female clones to term, the military faction carried the males. This is Project Castor.

  --  By Means Which Have Never Yet Been Tried [2.10]
%
Ethan Duncan: Do you recall, Rachel, not the memory, but the feeling of
[crying]
Ethan Duncan: How much we loved you?
Rachel Duncan: The reason I watch these tapes so often is because I don't remember at all.
[Ethan collapses]
Rachel Duncan: What what have you done? What have you done?
Ethan Duncan: My poor, poor Rachel.
Rachel Duncan: No!
Ethan Duncan: My poor, poor Rachel.
Rachel Duncan: Why?
Ethan Duncan: It w - It won't take long.
Rachel Duncan: No no no. No. No. You can't leave me again.
[Sobbing]
Rachel Duncan: You can't leave me again! No!
Ethan Duncan: I'm afraid you don't deserve me anymore.

  --  By Means Which Have Never Yet Been Tried [2.10]
%
Mrs. S: [On the phone] No, you listen. Amber alert is not an option. If I say you're making a car bomb, you will bloody well make a car bomb.

  --  By Means Which Have Never Yet Been Tried [2.10]
%
Charlotte: You're my big sister.
Sarah Manning: How old are you?
Charlotte: Eight.
Sarah Manning: I have a daughter your age.
Charlotte: Her name is Kira. I'm her cousin.
Dr. Marian Bowles: Aunt, actually. But we're going to go with "cousin", for now.

  --  By Means Which Have Never Yet Been Tried [2.10]
%
Rachel Duncan: Even mothers have to do as they're told, sometimes. Don't they?

  --  By Means Which Have Never Yet Been Tried [2.10]
%
Mrs. S: Be strong, child.
Sarah Manning: I don't know whose side you're on. But I know you always put Kira first.
Mrs. S: And we'll do that now.

  --  By Means Which Have Never Yet Been Tried [2.10]
%
Rachel Duncan: Effective immediately, you'll no longer be working with the clones.
Delphine Cormier: Frankfurt. And if I refuse?
Rachel Duncan: You'll be on the plane.
Delphine Cormier: You have everything you wanted. Everything DYAD wanted. You used me! Please, let me say goodbye to Cosima.
Rachel Duncan: Cosima will be well-cared-for and Sarah's procedure is imminent. You forget, Dr. Cormier None of this is personal.
Delphine Cormier: I love her and, if you let her die without me, it is personal.

  --  By Means Which Have Never Yet Been Tried [2.10]
%
Cal Morrison: I followed this person on darknet and I saw them asking the same questions as me.
Felix Dawkins: Jesus, you fell for that?
Cal Morrison: But they had real information Project LEDA, clones. And they know I'm Kira's father. I think this is an insider. And high up, too.
Felix Dawkins: They get to you, they get to Kira.
Cal Morrison: They already have Kira. And, yet, this person is still here.
Mrs. S: They're there now?
[Looks at computer screen. Cal types to them]
Cal Morrison: Come on.
Mrs. S: Just tell them you're with Siobhan Sadler.
[Cal types with Siovan]
Mrs. S: It's with a "bh".
Cal Morrison: Oops. Sorry about that.

  --  By Means Which Have Never Yet Been Tried [2.10]
%
Cosima Niehaus: We're gonna to do an experiment. I want you to try to push your favorite pencil through this paper.
[she holds a piece of paper loosely]
Cosima Niehaus: OK see if you can do it.
[Kira tries and fails]
Cosima Niehaus: Oops. How come that didn't work, I wonder? 'Cause, you know what? You need more... force. OK?
[ask she explains, several brief cuts to Cosima and Scott building a device in their lab]
Cosima Niehaus: So force equals mass... times... acceleration. How can we get the pencil through this paper, do you think?
Kira: We need to make it sharper?
Cosima Niehaus: That's a really good idea. High five for that. What about trying speed? What about acceleration? Maybe give that a shot?
[Kira pushes the pencil quickly and pierces the paper]
Cosima Niehaus: Nice one!

  --  By Means Which Have Never Yet Been Tried [2.10]
%
Ethan Duncan: I've given you the sequence to help Cosima. Cure her, and we'll talk about unlocking another.
Rachel Duncan: Unlock another, and we'll talk about curing Cosima.

  --  By Means Which Have Never Yet Been Tried [2.10]
%
Scott: No one is more familiar with her illness than Delphine. We need her.
Martin Funt: Dr. Nealon has all of Dr. Cormier's records. She'll get the best possible care.
Scott: She had the best care! You took it away.

  --  By Means Which Have Never Yet Been Tried [2.10]
%
Cal Morrison: The DYAD group has these key people on dozens of corporate boards, you know. I'm talking superpacs and research groups and lobbyists. All a concerted effort to try and effect biogenetic patent law.
Mrs. S: I can use the internet, actually, Cal.
Cal Morrison: No, you can't. No offense.

  --  By Means Which Have Never Yet Been Tried [2.10]
%
Mrs. S: Just look at the two of you. I don't know how she does it.

  --  By Means Which Have Never Yet Been Tried [2.10]
%
[first lines]
Sarah Manning: Oi Meathead, I don't think those are going to fit.
Helena: [taking baby booties from a box] They are very little.
Sarah Manning: Maybe you could wear them on your fingers.

  --  The Weight of This Combination [3.01]
%
Felix Dawkins: Cosima's temperature is down to normal, by the way. Actually she's got a bit of colour in her cheeks.
Sarah Manning: And Helena?
Felix Dawkins: Helena's an albino.

  --  The Weight of This Combination [3.01]
%
Sarah Manning: [practicing her Rachel disguise] Welcome to the Dyad Institute. Enjoy your oophorectomy.

  --  The Weight of This Combination [3.01]
%
Alison Hendrix: I will dig ditches for this family, but I am not going back to work at my mother's store.

  --  The Weight of This Combination [3.01]
%
Ferdinand: Tell me, Rachel, 50 years from now you think your kind will still be calling each other sisters?
Sarah Manning: [disguised as Rachel] I would hope we'd be just another person in the checkout line.

  --  The Weight of This Combination [3.01]
%
Alison Hendrix: [at a cookout] Felix, that ox liver smells fantastic!
Felix Dawkins: Doesn't it? It's our sestra's favorite. Marinated in horilka all day.

  --  The Weight of This Combination [3.01]
%
scorpion: Helena. You remember me, don't you?
Helena: Yes, Pupok. It's been a long time.

  --  The Weight of This Combination [3.01]
%
scorpion: [to Helena who's trapped in a box] No one said it was going to be easy, Kiddo.

  --  The Weight of This Combination [3.01]
%
Scott: How's your heart?
Cosima Neihaus: I'm done with the French.

  --  The Weight of This Combination [3.01]
%
Cosima Neihaus: Check it out.
Helena: Babka cake. Kielbasa
Cosima Neihaus: Go ahead. Dig in. You're eating for two now.

  --  The Weight of This Combination [3.01]
%
Ferdinand: Remember our safe word?
Sarah Manning: [disguised as Rachel] No.

  --  The Weight of This Combination [3.01]
%
Ferdinand: The Helsinki girls were eradicated in 24 hours: 6 clones, 32 collaterals.

  --  The Weight of This Combination [3.01]
%
Ferdinand: I am sanctioned by Topside...
Dr. Delphine Cormier: To conduct a security review of self-aware clones. Not to screw our product.

  --  The Weight of This Combination [3.01]
%
[first lines]
Dr. Nealon: [on his mobile] There's an issue.

  --  Transitory Sacrifices of Crisis [3.02]
%
Interrogator: [to Helena] Conclusion: all mangoes are cheap. Is that a sound conclusion based on those statements?
scorpion: We like mangoes.
Interrogator: Please concentrate. All mangoes are cheap. True or false?
scorpion: Where are these mangoes?
Helena: [to the interrogator] Where are these mangoes?

  --  Transitory Sacrifices of Crisis [3.02]
%
Ramone: With all due respect, what makes you think you have the stones for this line of work?
Alison Hendrix: Oh, we have the stones.
Donnie Hendrix: Yeah. Don't doubt our stones. We have ample stones.

  --  Transitory Sacrifices of Crisis [3.02]
%
Paul Dierden: [testing Seth] Some maggots are flies. No fly is welcome. Conclusion: no maggots are welcome.
Seth: [hesitating] False.
Paul Dierden: Some doctors are fools. All fools are rich. Conclusion: some doctors are rich.
[Seth doesn't answer]
Paul Dierden: True or false: some doctors are rich... True or false?
Seth: True.
Rudy: He's tired. We drank last night.
Paul Dierden: Understood.
[he puts the testing apparatus away]

  --  Transitory Sacrifices of Crisis [3.02]
%
Dr. Nealon: You're looking well. As are your latest results.
Cosima Neihaus: Yeah, I'm valuable data to you. Just like Sarah's ovary.
Dr. Nealon: Hard Science requires hard choices.

  --  Transitory Sacrifices of Crisis [3.02]
%
[first lines]
[Sarah and Felix dump Seth's body in the bathtub]
Sarah Manning: We should close his eyes.
Felix Dawkins: Yeah.
[neither of them make a move to do it]
Sarah Manning: Do you want a drink?
Felix Dawkins: Yeah.
[both of them down a shot of liquor]

  --  Formalized, Complex, and Costly [3.03]
%
Cosima Neihaus: [on Skype with Sarah and Felix] Oh, yeah. Here's Scott.
Scott: Hey.
Felix Dawkins: Hello, Lieutenant Scotty.
Scott: Don't call me that.
Cosima Neihaus: No. He's, like, barely a Trekkie - he only went to Comic Con like once.

  --  Formalized, Complex, and Costly [3.03]
%
Donnie Hendrix: Ali, we're going to break even in months.
Alison Hendrix: Mm-hmm
Donnie Hendrix: We should have been drug dealers years ago.
Alison Hendrix: Mnh-mnh. "Pharmaceutical Entrepreneurs", Donnie.

  --  Formalized, Complex, and Costly [3.03]
%
Vera: Alison, honestly, someone with your issues handling my children...
Alison Hendrix: Of course. No, I understand. Um, we have something for you, from Ramon
[takes out a soap gift-box]
Alison Hendrix: . We took over his business. bath beads, body lotions, anything you need...
[shows her pills hidden under the soap]
Alison Hendrix: ... to relax.
[Vera buys the gift-box]
Alison Hendrix: Oh, it's 60 now for the soap.
Donnie Hendrix: Though we do offer discounts for referrals.
Alison Hendrix: So, can I count on your support?
Vera: Well, tell me about this re-zoning thing.

  --  Formalized, Complex, and Costly [3.03]
%
Sarah Manning: [as Art sees Seth's body in Felix's bathtub] Okay. First off, it wasn't us.

  --  Formalized, Complex, and Costly [3.03]
%
Gracie Johanssen: I was just across the street. The baker had a turban. He said he makes the best cinnamon buns in the whole county.

  --  Formalized, Complex, and Costly [3.03]
%
Sarah Manning: Oh, trust me. If Helena's an abomination I'm much worse.

  --  Formalized, Complex, and Costly [3.03]
%
Gracie Johanssen: [saying a prayer before eating at a restaurant] Forgive me my trespasses against the family. And please keep Mark safe and help guide us through this uncertainty.
Sarah Manning: [sits down at her booth] Amen!

  --  Formalized, Complex, and Costly [3.03]
%
Scott: [examining histopathology slides of Seth's brain] It's like Swiss cheese in here: Amyloid plaques, rampant cell death.
Cosima Neihaus: [joins him] Like Spongiform Encephalopathy?
Scott: Yes, like Creutzfeldt-Jakob Disease. He wouldn't have lasted a week.
Cosima Neihaus: No wonder they're so motivated.

  --  Formalized, Complex, and Costly [3.03]
%
Alison Hendrix: We should maybe take all of the incriminating evidence out of the house anyway. Okay?
Donnie Hendrix: Okay. That's a good idea.
Alison Hendrix: Good. Okay.
Donnie Hendrix: A storage locker like on Breaking Bad.
Alison Hendrix: Sure. Sure. Look. We'll label everything. We'll put it into tubs, and we'll be able to make it in time for swimming lessons.
Donnie Hendrix: Oh my god. Is everyone else's life this chaotic?

  --  Newer Elements of Our Defense [3.04]
%
Felix Dawkins: [sees the woolen jumper that Cosima is wearing] Are you - oh, my god. It's hideous.
Cosima Neihaus: What?
Felix Dawkins: Looks like you've been mounted by a llama.

  --  Newer Elements of Our Defense [3.04]
%
Felix Dawkins: Cosima, this jumper absolutely reeks of pining.

  --  Newer Elements of Our Defense [3.04]
%
Dr. Virginia Coady: You know how this goes. Keep still if you don't want it to hurt.
[she injects a sedative into Helena's arm]

  --  Newer Elements of Our Defense [3.04]
%
[Helena removes a tourniquet from her arm]
scorpion: We don't have much time before the drugs set in.
Helena: My arm is like dead fish.

  --  Newer Elements of Our Defense [3.04]
%
Mark Rollins: [Mark cleans his leg wound] Okay. Go ahead.
Sarah Manning: I'm not - I'm not putting my finger in your leg.
Mark Rollins: I need you to go in there and feel the bullet.

  --  Newer Elements of Our Defense [3.04]
%
Sarah Manning: [to Mark] God. You must be one hell of a first date.

  --  Newer Elements of Our Defense [3.04]
%
[first lines]
Helena: [sees the scorpion] Pupok.
scorpion: [referring to Parsons] You killed their lab rat. What did you expect, cheesecake?

  --  Scarred by Many Past Frustrations [3.05]
%
Cosima Neihaus: So, you from around here, or...
Shay: This is how we do this, okay? Prairie girl. Hated the winters. Two siblings. Parents split when I was six. Pescatarian. Blue. Barcelona.
Cosima Neihaus: Barcelona's your favorite city?

  --  Scarred by Many Past Frustrations [3.05]
%
Sarah Manning: Yes, there was a deal made for you. But I didn't make it. Mrs S did. She traded you to castor to get me and Kira out of Dyad. She made a bad choice.
scorpion: [to Helena] Sarah's lying. She's poison. She's going to melt you like butter.
Helena: [aloud] Shut up about the butter.
Sarah Manning: What?

  --  Scarred by Many Past Frustrations [3.05]
%
Sarah Manning: Okay, Helena. How many men live on this base?
Helena: Approximately eleven million.

  --  Scarred by Many Past Frustrations [3.05]
%
Helena: Do you want to be my sandwich?
Sarah Manning: What?
Helena: In Siberia, when planning escape, you take weak person with you. They're called sandwich because you eat them.
[Helena laughs diabolically]

  --  Scarred by Many Past Frustrations [3.05]
%
Gracie Johanssen: I'm 18 years old and I've never smoked anything or been to a rock concert or gone skinny dipping.
Felix Dawkins: Brilliant. Let's start with skinny dipping. The shower's down the hall.

  --  Scarred by Many Past Frustrations [3.05]
%
Shay: I focus on nutrition, body work, spiritual counseling. You're either in balance or not. And if not, I try to help you get there.
[brief cut showing Cosima and Shay from an unknown camera's POV]
Shay: Plus I can... I can see inside your soul.

  --  Scarred by Many Past Frustrations [3.05]
%
Gracie Johanssen: [dancing with Felix] I love alcohol!

  --  Scarred by Many Past Frustrations [3.05]
%
[first lines]
Sarah Manning: [hears a girl giggling] Kira?
Kira: Mommy.
Sarah Manning: Baby.
Kira: [Kira gets further away] Come on, Mom.
Sarah Manning: Wait for me. Wait for me! Kira. Monkey, wait for me.

  --  Certain Agony of the Battlefield [3.06]
%
[Gemma walks in on Alison and Donnie partying in their underwear, scattering large-denomination banknotes and glitter on the bed]
Gemma: Dad! Dad?
Alison Hendrix: Ah! Ah!
Donnie Hendrix: Whoa! Whoa, whoa, whoa, whoa, whoa!
Gemma: Mom?
Alison Hendrix: [she tries to gather up and hide the money] Don't look!
Donnie Hendrix: We're changing!

  --  Certain Agony of the Battlefield [3.06]
%
Sarah Manning: Paul! You're the worst of them! You know that? Because I don't even know where you stand.

  --  Certain Agony of the Battlefield [3.06]
%
Felix Dawkins: I need your help with something, and it's really important so I don't want any quivering.
Scott: Okay.
Felix Dawkins: I want you to take me to Rachel.
Scott: What?
Felix Dawkins: If anybody knows about Castor, it's going to be her.
Scott: I'm not authorized. I'm not even supposed to know where she is.
Felix Dawkins: Yeah, but you do, don't you? Scott, my sister is missing. And I am really, really desperate. Okay? Now, nut up, and lead me to the Cyclops.

  --  Certain Agony of the Battlefield [3.06]
%
Alison Hendrix: Sorry, whose car is this?
Donnie Hendrix: It's ours, baby!
Alison Hendrix: You... you bought this?
Donnie Hendrix: 10k down in cash! Should have seen the guy's face.
Jason Kellerman: I don't think you guys are ready for the next level.
Donnie Hendrix: What? Why not?
Alison Hendrix: Because, Donnie, conspicuous spending is the surest way to attract the attention of the authorities.
Donnie Hendrix: Cars aren't conspicuous, Alison. They're, like, everywhere.

  --  Certain Agony of the Battlefield [3.06]
%
[Cosima wakes to her mobile ringing]
Shay: Fourth time this morning. You slept through the others.
Cosima Neihaus: Oh, god. I'm sorry. My coworker's very excitable.
Shay: Yeah,
[plants kisses on her shoulder while she speaks]
Shay: this very mysterious lab you work at studying... what is it? Wait, I forgot. Hold on, black holes?
Cosima Neihaus: Black holes?
Shay: Right.
Cosima Neihaus: Exactly.

  --  Certain Agony of the Battlefield [3.06]
%
Delphine Cormier: Now, tell me something. In all your fun sneaking around, did you notice this? The same mis-folded protein found in both subjects.
Cosima Neihaus: Oh, my god! How did this happen?
Scott: We studied them in isolation. We had no reason to compare.
Delphine Cormier: The unique protein found in both Gracie Johanssen and the brain of a dead Castor boy.

  --  Certain Agony of the Battlefield [3.06]
%
scorpion: Did you hear the one about the pregnant girl who fell down in the desert?

  --  Certain Agony of the Battlefield [3.06]
%
Jason Kellerman: [meeting Alison and Donnie outside Bubbles] Your mother's store!
Alison Hendrix: Yes! You remembered.
Jason Kellerman: [grinning] I remember the stockroom.
Donnie Hendrix: Really? Why? What happened there?

  --  Certain Agony of the Battlefield [3.06]
%
Beth Childs: Why did you take over my life, Sarah?
Sarah Manning: [stammering] For Kira.
Beth Childs: We do terrible things for the people we love. Stop asking why. Start asking who.
[touches her cheek]
Beth Childs: Sister.

  --  Certain Agony of the Battlefield [3.06]
%
Felix Dawkins: Hello, Rachel
Rachel Duncan: [stammering] Fff... fff... fff...
Felix Dawkins: Yeah, "fff"-you, too.

  --  Certain Agony of the Battlefield [3.06]
%
Beth Childs: I was just thinking about the day Paul moved in. Remember that story?
Sarah Manning: I don't think I know it.
Beth Childs: He had two suitcases to his name. That was it. Should have been a huge red flag, right? I was so gaga for him, I convinced myself he was some kind of Zen master, materially unattached.
[takes some tablets]
Beth Childs: You two are a good match. Liars, grifters...
Sarah Manning: I didn't know you, Beth, when I took your life. Now, I miss you.
Beth Childs: No, you don't get to miss me, Sarah! You hear me? I won't accept that!

  --  Certain Agony of the Battlefield [3.06]
%
Helena: I have no strength.
scorpion: It's not exhaustion that stopped you. You regret leaving Sarah behind, don't you?
Helena: I regret nothing.
scorpion: Why are you lying here then? Because your sister is more important than your baby?
Helena: No.
[picks up the scorpion]
Helena: Because I'm hungry
[eats the scorpion]

  --  Certain Agony of the Battlefield [3.06]
%
Helena: First I eat. Then we fight.

  --  Community of Dreadful Fear and Hate [3.07]
%
Siobhan Sadler: Please say something.
Helena: Now we fight.
Siobhan Sadler: I'm not going to fight you, Helena. You're pregnant.
Helena: Why is everyone so worried about my baby?
Siobhan Sadler: Why don't you tell me how you plan to raise this child?
Helena: I will find my boyfriend.
Siobhan Sadler: I didn't know you had a boyfriend.
Helena: He is named Jesse. Together we will drive tow trucks and make a home for our babies.

  --  Community of Dreadful Fear and Hate [3.07]
%
Alison Hendrix: Donnie and I worked very hard on that bid.
Connie Hendrix: Oh, yes. I'm sure Mr. Chubbs worked his tail off.
Alison Hendrix: Don't call him that!
Connie Hendrix: Well, that's his name, isn't it? Donald Francis Chubbs. Oh, I lost all respect for that man when he took your name.

  --  Community of Dreadful Fear and Hate [3.07]
%
Felix Dawkins: [referring to Cosima wanting Alison to switch her urine sample] What's this for, anyways? And don't say drug testing because you're not a bloody shotputter.

  --  Community of Dreadful Fear and Hate [3.07]
%
Cosima Niehaus: [Not wearing her glasses and disguised as Alison, Cosima runs into someone under a "Success is being yourself" sign] Sorry, dude.
Cosima Niehaus: Felix, I can't see anything.
Felix Dawkins: Oh, Jesus Christ, you need to relax, okay? I know Alison's got a cactus up her arse, but you're over-clenching.

  --  Community of Dreadful Fear and Hate [3.07]
%
Alison Hendrix: Holy freaking Christmas cake!

  --  Community of Dreadful Fear and Hate [3.07]
%
Cosima Niehaus: You owe me Alison pee!
Felix Dawkins: Okay, okay, okay. Well, um. We'll hide you in the loo, and then I'll bring Alison in afterward, when the time's right, yeah?

  --  Community of Dreadful Fear and Hate [3.07]
%
Alison Hendrix: Donnie and I are dealing pills and we mixed up the envelopes and now he's being held captive by some man called Pouchy.
Felix Dawkins: Pouchy? Pouchy as in the crime lord that cut off Vic's finger?
Alison Hendrix: Maybe.
Felix Dawkins: There are not two Pouchies, darling.

  --  Community of Dreadful Fear and Hate [3.07]
%
Shay: [moving a toy car over Cosima's body] Vroom, vroom, vroom, vroom! I claim this belly in the name of Spain!
Cosima Niehaus: Mmm. You do love your bug, don't you?
Shay: Oh, yeah. And you love borrowing it. Everybody wins.

  --  Community of Dreadful Fear and Hate [3.07]
%
Felix Dawkins: [answering Alison's mobile] Alison Hendrix's phone. Felix, campaign manager, speaking.
Connie Hendrix: Christ on the cross, where's Alison?

  --  Community of Dreadful Fear and Hate [3.07]
%
Scott: [playing the board game Agricola] Instead of mending this fence, I'm going to take this clay oven.
Painmaker: Look at this guy! He's going to starve our kids.

  --  Community of Dreadful Fear and Hate [3.07]
%
[Scott discreetly shows Rachel that he has Duncan's copy of The Island of Dr. Moreau]
Rachel Duncan: [pointing to the game Scott was playing] A... gricola.
Delphine Cormier: What? What is it?
Scott: Uh, board game. Medieval farm building.
Delphine Cormier: Oh.
Rachel Duncan: [to Scott] Teach.
Delphine Cormier: [amused] Medieval farm building?
Rachel Duncan: I'm so... bored.

  --  Community of Dreadful Fear and Hate [3.07]
%
Alison Hendrix: [after asking Jason to distract her mother] She's in Mrs Green's room. Okay? Thank you.
Jason Kellerman: You owe me!

  --  Community of Dreadful Fear and Hate [3.07]
%
Scott: [teaching Rachel the board game Agricola as a cover for a discreet meeting] Okay, you're a medieval farmer. Each turn you get two choices to build your farm - one for you and one for your spouse. You can build fences, plant crops, have children.
Rachel Duncan: [bored] Not seriously.
Scott: Oh yes. This is how we do it, Rachel. Anyone comes in, we're farm building. Now, there are 14 game rounds in six stages, with a harvest at the end of each stage...

  --  Community of Dreadful Fear and Hate [3.07]
%
Marci Coates: It's almost time for speeches. How are you at public speaking now? Cause I heard that you, uh, choked on your valedictorian.
Alison Hendrix: [starting to stutter] I had the fl... flu.

  --  Community of Dreadful Fear and Hate [3.07]
%
[disguised as Alison and improvising a candidate speech without her glasses]
Cosima Niehaus: I've been hearing a lot of people talk today about, um, family values. And in my opinion the most important family value is, um, accepting your family for who they are. Uh, but that doesn't mean coloring inside the lines. Because kids do that. That's their gift. And... and as a lesbian...
[the crowd gasps and Felix sighs]
Cosima Niehaus: ...supporter, and an LGBTQ...
Felix Dawkins: [Alison arrives and joins Felix offstage] Oh, my God. Thank god you're here.
Cosima Niehaus: I... I can't color inside the lines.
Alison Hendrix: I had my speech so ready.

  --  Community of Dreadful Fear and Hate [3.07]
%
Alison Hendrix: [pretends to cough] Sorry, parents. Something Marci Coates said just got stuck in my throat.

  --  Community of Dreadful Fear and Hate [3.07]
%
Cosima Niehaus: Hey, I'm Cosima.
Connie Hendrix: What? Who is this?
Alison Hendrix: My clone, Mother.

  --  Community of Dreadful Fear and Hate [3.07]
%
Connie Hendrix: You must be right about one thing. I was duped at I.V.F. That donor was supposed to be exclusive.
[referring to Cosima]
Connie Hendrix: But clearly that girl's mother was given some, too. Oh, that would make you her half-sister, darling. A clone is something else entirely.
Alison Hendrix: You're right, that must be it.
Connie Hendrix: What a bizarre coincidence. Hmm. But if you want to keep seeing her, why don't you bring her to the club?

  --  Community of Dreadful Fear and Hate [3.07]
%
Jason Kellerman: Hey! There you are. I think I just sweet talked your mom into a sale.
Cosima Niehaus: [disguised as Alison and trying to find the women's lavatory without her glasses] Uh, that's good?
Jason Kellerman: I think I talked myself into something sweet, too.
Cosima Niehaus: What's that?
Jason Kellerman: This, Ali.
[grabs Cosima and gives her a long, passionate kiss]
Cosima Niehaus: [shocked] I need to pee.

  --  Community of Dreadful Fear and Hate [3.07]
%
[first lines]
[camera tight on Krystal giving someone a manicure, showing only their hands]
Krystal Goderich: So this guy, he had, like, a wicked scar, which I was into for some reason. It was kind of dark and mysterious, and my relationship with Hector was open, so I thought whatever, like, this guy's hot. Nobody dies.
[camera pans, revealing that Krystal is one of the Leda clones]
Krystal Goderich: I was like so wrong.
[camera pans to reveal Dephine's her customer]
Delphine Cormier: That's terrible.

  --  Ruthless in Purpose, and Insidious in Method [3.08]
%
[Donnie shows Helena how to stir the soap mixture]
Donnie Hendrix: It can get pretty thick, so you really gotta put your back into it.
Helena: Sestra Alison has good taste.
Donnie Hendrix: Yeah, well, she's very crafty.
Helena: In men.
Donnie Hendrix: What? Huh?
Helena: You have meat on your bones. You are strong like baby ox. This I like.
Donnie Hendrix: [continuing to stir the soap mixture] It's not usually this think when Ali does it.
[imitates a Ukrainian accent]
Donnie Hendrix: So maybe we need two baby ox.
[Helena laughs]

  --  Ruthless in Purpose, and Insidious in Method [3.08]
%
Krystal Goderich: It's just been very, like, damaging for my psyche.
Felix Dawkins: Mmm-hmm.
Krystal Goderich: My biggest fears are literally twins and clowns.
Felix Dawkins: [mishearing her] Clones?
Krystal Goderich: Clones? Clowns.
Felix Dawkins: Clowns!
[Felix chuckles]
Krystal Goderich: Yeah.
Felix Dawkins: No, clones are worse. Twins!
Krystal Goderich: Twins, way worse.

  --  Ruthless in Purpose, and Insidious in Method [3.08]
%
Zoie: [discovers Felix in the staff room] You don't belong here.
Felix Dawkins: [In disguise and with a fake American accent] Yeah, couldn't agree more. I thought it was the loo.

  --  Ruthless in Purpose, and Insidious in Method [3.08]
%
Sarah Manning: [over Felix's radio earpiece] Wow, Fee. You don't have to shag her, just get her info.
Felix Dawkins: [in disguise and with a fake American accent] Hey, um, have you ever played this game? It's called "What's your porn name?"
Krystal Goderich: No, but can it be anything, like Bitch-Mistress of Cumalot?
Felix Dawkins: No.
Krystal Goderich: No?
Felix Dawkins: It's your first pet's name, plus your mom's maiden name.
Krystal Goderich: Oh, okay, um - 'Muffins Slowikowski'.

  --  Ruthless in Purpose, and Insidious in Method [3.08]
%
Krystal Goderich: So you're a doctor?
Delphine Cormier: Yes, I have a... family practice.

  --  Ruthless in Purpose, and Insidious in Method [3.08]
%
Benchman: I have a source inside Leda. But I need something from you.
Dr. Coady: Inside Leda? How the hell did you manage that? Castor and Leda. I've been feeling this for awhile. It's not just two factions, is it? Who's in charge, David?
Benchman: Keep your boys alive, doctor, and we can all get what we want.

  --  Ruthless in Purpose, and Insidious in Method [3.08]
%
Donnie Hendrix: We're not taking in Helena, too, all right? We already hired the Amish girl.
Felix Dawkins: She's Prolethean, and she and Helena are a package deal.

  --  Ruthless in Purpose, and Insidious in Method [3.08]
%
Donnie Hendrix: Why doesn't anyone listen to me?
Felix Dawkins: What?
Alison Hendrix: We are selling soap with Helena, she's going to help us make it. That is it.
Donnie Hendrix: That doesn't answer my question, Alison.
Alison Hendrix: Why nobody listens to you?
Donnie Hendrix: No, no. Why doesn't the psycho go live with one of her other sisters?

  --  Ruthless in Purpose, and Insidious in Method [3.08]
%
Delphine Cormier: [to Rachel] You're improving.
Rachel Duncan: How unfortunate.
Scott: [motioning to the Agricola game he and Rachel are playing] Yeah, she's already got a house goat and milking stool.

  --  Ruthless in Purpose, and Insidious in Method [3.08]
%
[giving Shay a tour of her lab]
Cosima Niehaus: Chill zone, over here. Um, protein modelling server, over there, as I'm sure you're aware. Uh, fumigation hood, for
[motions smoking a joint]
Cosima Niehaus: a little of that.
[Scott enters]
Cosima Niehaus: Oh, and Scott.
Scott: Hi.
Shay: Hi, Scott.
Cosima Niehaus: He... he loves lesbians.
Shay: Oh, he does?
Scott: [stammering] Well, I... Can I sequence your genome?

  --  Ruthless in Purpose, and Insidious in Method [3.08]
%
Scott: [reading the code Rachel translated] In London town we all fell down...
Rachel Duncan: ...and Castor woke from slumber.

  --  Ruthless in Purpose, and Insidious in Method [3.08]
%
Scott: [calling to his cat] Denise? Denise, baby? I'm home.

  --  Ruthless in Purpose, and Insidious in Method [3.08]
%
Sarah Manning: [on radio link to Felix, who is breaking into Krystal's locker] What, did you find something?
Felix Dawkins: [finds a sex toy in Krystal's bag] Far too much, actually.

  --  Ruthless in Purpose, and Insidious in Method [3.08]
%
Delphine Cormier: [to Cosima, referring to Shay] You know, my security concerns, they're not jealousy. I'm French. We enjoy lovers.

  --  Ruthless in Purpose, and Insidious in Method [3.08]
%
Krystal Goderich: I just... Everything's kind of on the front of my brain right now. And I just like used to trust people, and now I feel like I have to be paranoid all the time.
Felix Dawkins: [In disguise and with a fake American accent] Oh, Krystal.
[in his normal English accent]
Felix Dawkins: Bloody Hell.
[takes out his radio earpiece]
Felix Dawkins: Look, darling. There's only on thing you need to know.
Krystal Goderich: What happened to your voice?
Felix Dawkins: Nothing. This is my truth voice.
Krystal Goderich: Oh.
Felix Dawkins: The only thing that you need to know is that you are one of a kind. You're a survivor, Krystal. And you're not alone.

  --  Ruthless in Purpose, and Insidious in Method [3.08]
%
Felix Dawkins: [reading Rachel's translation of the code] "In London town, we all fell down / and Castor woke from slumber / Find the first, the beast, the cursed / The original has a number."
Sarah Manning: The original? What's that, the Castor original?
Felix Dawkins: Maybe.
Sarah Manning: "H-4-6-2-3-9" What's that?

  --  Ruthless in Purpose, and Insidious in Method [3.08]
%
Dr. Nealon: [referring to Rachel] The stress was too much for her. She suffered an acute intra-cranial bleed. I've induced a coma to control the swelling, but... she may never recover. My apologies.

  --  Ruthless in Purpose, and Insidious in Method [3.08]
%
Krystal Goderich: [surprised as she's leaving her shop] Oh my god! I... what... can I help you?
Dr. Nealon: I'm afraid you can, Krystal.

  --  Ruthless in Purpose, and Insidious in Method [3.08]
%
[last lines]
German Doctor: [speaking to Rachel in German] Es ist zeit anzufangen, Ms Goderitch.
Rachel Duncan: Danke, Doctor.
[a nurse hands Rachel's mobile to an woman seen only from behind]
Grey Haired Woman: [speaking into the mobile with a British accent] Thank you Allen.
Dr. Nealon: She's in your hands now, ma'am.

  --  Ruthless in Purpose, and Insidious in Method [3.08]
%
Helena: [to Pouchy and his thugs] You should not threaten babies.

  --  Insolvent Phantom of Tomorrow [3.09]
%
[Gemma practices her martial arts moves]
Helena: Very good. You are a fierce warrior. You will win this competition.
Gemma Hendrix: Oscar says I'm too small.
Helena: No, small is good. Small is a weapon. When I stand this close, when I hit, you block.
[demonstrates the move with Gemma]
Helena: Then you look me in the eyes, and you punch.
[puts Gemma's fist on her throat]
Helena: Ack! I am choking, so you come where I am vulnerable, like this.
[puts Gemma's fingers over her eye sockets and imitating being in pain]
Helena: Ahh! Ack!
Gracie Johanssen: Helena! We don't do things like that anymore, remember?
Gemma Hendrix: I don't think I'm allowed.

  --  Insolvent Phantom of Tomorrow [3.09]
%
Donnie Hendrix: Alison? Honey, I said to wait in the car.
Helena: [disguised as Alison and making an attempt at a Canadian accent] You were taking a long time. I came to check up.
[rubs his belly]
Helena: Husband.
Joao: What's up with your voice?
Helena: [pretends to cough] I have a cold.
Donnie Hendrix: Yeah, yeah, it's one of those really bad ones that messes with your... syntax.

  --  Insolvent Phantom of Tomorrow [3.09]
%
Cosima Niehaus: Dude, this sucks. Is this all you have? Schnapps?
Scott: I don't really entertain much.

  --  Insolvent Phantom of Tomorrow [3.09]
%
[alternating cuts of Mrs S singing in the pub and Terrance at his flat being beaten up by Ferdinad's thug]
Siobhan Sadler: We are backed up, we are backed up so far.
[brief cut to Terrance being thrown through a pane-glass door]
Siobhan Sadler: We are knuckled down, buckled under, pushed around and torn asunder
[brief cut to Terrance being repeatedly punched]
Siobhan Sadler: There isn't a day I don't love you.
[brief cut to Terrance being choked with a garrote]
Siobhan Sadler: Are we gonna get up? / Are we gonna stay on the floor?
[brief cut to Terrance being thrown to the floor]
Siobhan Sadler: Are we gonna get up? / Are we gonna stay on the floor?
[brief cut to Terrance trying to crawl away]
Siobhan Sadler: Are we gonna get up? / Are we gonna stay on the floor? / I'm getting up!
[final cut to Terrance on the floor, bloody and struggling to get up]
Ferdinand: You will tell me what I want to know.

  --  Insolvent Phantom of Tomorrow [3.09]
%
Helena: Your face is damaged.
Donnie Hendrix: I was jogging. I... bumped into a post. I'm just looking for a Band-Aid.
Helena: A post made of fists, I think.

  --  Insolvent Phantom of Tomorrow [3.09]
%
Shay Davydov: [to Delphine] Where is Cosima? This is why she was acting so weird this morning. You've gone all "Single White Female" on her!

  --  Insolvent Phantom of Tomorrow [3.09]
%
Sarah Manning: You stay on the lookout, you call me if anything happens.
Felix Dawkins: I'll be here...
[Sarah leaves]
Felix Dawkins: ... pissing my pants.

  --  Insolvent Phantom of Tomorrow [3.09]
%
Siobhan Sadler: Look, the reason we're here goes back to those days. I want you to just have a look at this and see what you make of it.
[shows him Duncan's code]
Terrence: "In London town we all fell down..." Who you after, bleedin' Mother Goose?
Siobhan Sadler: Could be.

  --  Insolvent Phantom of Tomorrow [3.09]
%
Donnie Hendrix: All right, you know what? It's fertilized embryos. My wife and I are having a little trouble...
Pouchy: [speaking in Portugese to his thugs] A sua arma esta vazia!
[his thugs laugh]
Donnie Hendrix: I'm sorry, what? My gun... Oh, I get it. Empty gun, shooting blanks. Yep, that's me.

  --  Insolvent Phantom of Tomorrow [3.09]
%
Alison Hendrix: Ah, Donnie, there you are. You wouldn't believe the day I've had!
[sees his wounds]
Alison Hendrix: What happened to your face?

  --  Insolvent Phantom of Tomorrow [3.09]
%
Kassov: Sorry, mate. Ain't taking fares.
Ferdinand: I'm sure you'll make an exception.

  --  Insolvent Phantom of Tomorrow [3.09]
%
[SPOILER]
Delphine Cormier: [to Shay] You know, when I was at boarding school, there was a girl I knew very well, and she attempted suicide. She slit her wrists in the bathtub. But it wasn't enough. She should have cut the metatarsal arteries on the top of her feet too.

  --  Insolvent Phantom of Tomorrow [3.09]
%
Felix Dawkins: You always think that I can't handle the tough stuff, but you know what, Sarah? This time, follow my lead, okay?
[he breaks the door down with one hard kick]
Felix Dawkins: Holy shite, that worked!
Sarah Manning: That was badass, Fe.
Felix Dawkins: Thank you.

  --  History Yet to Be Written [3.10]
%
Rudy: Do you remember your childhood?
Helena: Every minute.
Rudy: I remember sleeping, my brothers breathing in unison. We'd sleepwalk out of bed and all pile up in a corner like puppies.
Helena: When I was nine I was made to shoot puppy.
Rudy: We're just like you, Helena.

  --  History Yet to Be Written [3.10]
%
Alison Hendrix: Well, um, save room for the... ethnic cake. Wh-what's it called, Helena?
Helena: Babka cake.
Alison Hendrix: Babka cake.
Sarah Manning: What is that?
Alison Hendrix: It's a sort of a Ukrainian traditional... thing.

  --  History Yet to Be Written [3.10]
%
Sarah Manning: Hey, how come my original looks nothing like me?
Scott: Yeah, that's one of the cool things about a Chimera.
Kendall Malone: I'm right bloody here!
Scott: Sorry. With two different cell lines in your body, they express differently in combination. But isolate the female genome and you get...
[gestures to Sarah]

  --  History Yet to Be Written [3.10]
%
Sarah Manning: Uh, No one is getting incinerated, alright?

  --  History Yet to Be Written [3.10]
%
Marci Coates: Alison, we're not in India. There's no provisions for loudspeakers on election day.
Alison Hendrix: Well, I think that's what you call a loophole, Marci.
Marci Coates: You are perilously close to violating the election charter.
Alison Hendrix: [points megaphone at Marci and speaks into it] Kids not cuts!
[Marci leaves]
Alison Hendrix: Okay, who would like some free soap?

  --  History Yet to Be Written [3.10]
%
Ferdinand: Delphine, there is nowhere I like to be more than under the heel of a woman. But sometimes it makes me seethe. Rachel was special. She was so beautifully brittle.

  --  History Yet to Be Written [3.10]
%
Ferdinand: Last time I saw you, you were shackled in the basement.
Sarah Manning: Was I?
[imitating Rachel's accent]
Sarah Manning: "You've come all this way across the pond, why not try some local colour?"
Ferdinand: Who's a dirty clone?
Sarah Manning: You are.

  --  History Yet to Be Written [3.10]
%
Kendall Malone: [sees Cosima] Look at this one! Like a pikey with that hair. Another pikey bloody doctor, stealing my genes like Duncan.

  --  History Yet to Be Written [3.10]
%
Cosima Niehaus: [to Kendall] So could you give a sister a little blood?

  --  History Yet to Be Written [3.10]
%
Helena: I have science baby inside me but you are my first.

  --  History Yet to Be Written [3.10]
%
Helena: [Helena finishes taping weapons securely into her hands] Prison rules. Only one of us leaves here alive.
[Rudy has a brief "glitch"]
Helena: Hmm. It's happening to you.
[offers him the roll of duct tape]
Rudy: I don't tape.
Helena: You will be sorry when I slice your bicep.
[she drop-kicks the roll of tape, hitting Rudy square in the face]

  --  History Yet to Be Written [3.10]
%
[SPOILER]
Sarah Manning: They haven't just infiltrated Leda. They run Castor, too. Both projects.
Ferdinand: [picks up a bat] Makes sense, no? Those genetically obsessed zealots. I hate Neolutionists. I hate them. I hate them!
[hits his thug repeatedly with the bat]
Ferdinand: Hate them! Hate them! hate them!
Kendall Malone: Jesus, Mary and Joseph!
[crosses herself]
Ferdinand: Neos in Castor, Neos in Topside. Neos right next to me!
Bulldog: [weakly] We're everywhere.
Ferdinand: I knew it! They're like ticks! You never know when you've got one on you.

  --  History Yet to Be Written [3.10]
%
[seated at a dinner table with Felix and Cosima]
Scott: Yeah, because in a Chimera, each cell line influences the phenotype of the whole.
Cosima Niehaus: The epigenetic implications themselves are just mind-blowing.
[Donnie pours them some wine]
Felix Dawkins: Donnie, you're a civilian. Would you please say something understandable.
Donnie Hendrix: The frickin' beef is the bomb.
Felix Dawkins: Thank you.

  --  History Yet to Be Written [3.10]
%
Siobhan Sadler: If those two can sequence your genome, your miserable genetics might actually help.
Kendall Malone: They're your genes, too. And this is how you treat me. No bath, no bed to sleep in.
Siobhan Sadler: [laughing] Bath is it?
[Siobhan uncovers a tub and many 2.5-litre jugs of concentrated sulfuric acid]
Siobhan Sadler: Here's your bath now.

  --  History Yet to Be Written [3.10]
%
Kendall Malone: What's that then?
Siobhan Sadler: Sulfuric acid. Two ways to thoroughly destroy genetic material: incineration or chemical reaction.
Kendall Malone: Huh! And here's me thinking you were going to kill me with that bat.
Siobhan Sadler: I was planning garden shears, actually.

  --  History Yet to Be Written [3.10]
%
Donnie Hendrix: This is the call.
[hands the phone to Alison]
Alison Hendrix: Hello! Yes, yes, this is she... I see... I... I understand. Thank you.
[puts the phone down]
Alison Hendrix: [to Donnie] 56.

  --  History Yet to Be Written [3.10]
%
Jesse: Howdy, Helena.
Helena: Howdy, Jesse Towing.

  --  History Yet to Be Written [3.10]
%
Delphine Cormier: You're fine.
Krystal Goderitch: No, I'm not fine. Why do weird things keep happening to me?
[gestures to the oxygen cannula]
Krystal Goderitch: What's in my nose? What is it in my nose?

  --  History Yet to Be Written [3.10]
%
Prof. Susan Duncan: Hello, dear Rachel. Welcome home.

  --  History Yet to Be Written [3.10]
%
Beth Childs: [on her mobile] Is everything else OK?
Cosima Niehaus: Not really, you ever heard the one about the lesbian and the U-Haul?
Beth Childs Uhhh...
Cosima Niehaus: Never mind, forget it.

  --  The Collapse of Nature [4.01]
%
M.K.: Follow the coordinates.
Beth: What?
M.K.: Remember, don't trust anyone next to you.

  --  The Collapse of Nature [4.01]
%
Janis Beckwith: OK, well, that's cheeky. Cause of death? Have to go with... exploding cigar.

  --  The Collapse of Nature [4.01]
%
Astrid: Can I help you?
Beth: Yeah, I'm, uh, looking to have my breasts surgically modified into, like, corkscrews.

  --  The Collapse of Nature [4.01]
%
Beth: Can you look at me? Look at me. Can you see me? Can you knit me together? Or just tear me apart?
Paul: Stop it. What do you want? Hm?
Beth: Hm? Touch me, touch me. Come on, you're supposed to reach inside me. Kiss me, kiss me, kiss me... Just kiss me. Make me feel real, please.

  --  The Collapse of Nature [4.01]
%
Beth: You're hollow, Paul. There's nothing inside. I filled you in with hunches. All I know for sure is you won't protect me.
Paul: You're right. Just tell me what you want. You want this to end? This is all for you. You say it's over... And it's over.
Beth: You end it, you coward!

  --  The Collapse of Nature [4.01]
%
Beth: Hold me there.
Art: What's happening with you?
Beth: Look at me. See me.

  --  The Collapse of Nature [4.01]
%
Alison Hendrix: [sees that Felix isn't wearing trousers] Shii... take mushrooms, Felix!

  --  Transgressive Border Crossing [4.02]
%
Kira: Mommy... They're coming.

  --  Transgressive Border Crossing [4.02]
%
Alison: But she didn't share every little thing, she protected us.
Cosima: Like from a clone in a mask. What's up with that?
Sarah: Art just said she wore a sheep mask. What?
Cosima [laughing]: Dolly the sheep.
Alison: For the record, I do not find that even remotely amusing.

  --  Transgressive Border Crossing [4.02]
%
Donnie: She's changed her hair, obviously.
Helena: Because it was too ugly.

  --  Transgressive Border Crossing [4.02]
%
Felix: Can you hand me the towel please, so this gets a little less "Flowers in the Attic"?

  --  Transgressive Border Crossing [4.02]
%
Alison: This is Helena we're talking about here. She eats frozen bread and she's murdered people.
Donnie: Well... so have we.
Alison: That's different. Helena's trained to kill people. We're manslaughterers.

  --  Transgressive Border Crossing [4.02]
%
Cosima: I need you to tell me that Delphine is alive.
Mrs. S: I can't do that, love.
Cosima: The last time I saw her, it felt like she knew something bad was gonna happen.
Mrs. S: But that doesn't mean that it did. You must know that this is a war, right? That means anything can happen.
Cosima: I just miss her so much.

  --  Transgressive Border Crossing [4.02]
%
Donnie Hendrix: Why do we have to tell her where it came from. Let's just tell her we procured it. Maybe she'll let us slide?
Alison Hendrix: She's a scientist and a lesbian. She's not going to let it slide.

  --  The Stigmata of Progress [4.03]
%
Donnie Hendrix: [looking at their garage floor, where Dr Leekie is buried] Ali, we are not going to exhume the dead guy in our garage, that is a haywire plan!
Alison Hendrix: Donnie, my sister has a robot maggot in her face, you tell me what the solid plan is.
[he doesn't answer]
Alison Hendrix: Exactly. Now, go rent a jackhammer!
Donnie Hendrix: Maybe we should just buy one.

  --  The Stigmata of Progress [4.03]
%
Kira: I was dreaming.
Cosima Niehaus: Just now?
Kira: All the aunties were there. You set Mom on fire.
Cosima Niehaus: You know we'd never do that, right?
Kira: No. You had to. She was changing.

  --  The Stigmata of Progress [4.03]
%
Charlotte: It looks like Pluto. Pluto isn't even a planet, you know. It's a runt. Like your eye.

  --  The Stigmata of Progress [4.03]
%
Kira: They never tell me when things are bad but I always know.

  --  The Stigmata of Progress [4.03]
%
Felix [about Adele]: She is so bloody cool. You are going to think she's amazing. She's a lawyer. Or she was, but there's some kind of, like, disbarment situation or something...

  --  The Stigmata of Progress [4.03]
%
Alison: What?
Donnie: I said, it smells like hot garbage juice!

  --  The Stigmata of Progress [4.03]
%
Adele: Do you remember your mom?
Felix: It's more like I have a sense of her. Like, you know, I can feel her presence, or I got this sensation. Beam of sunlight comes through the window and falls a certain way.

  --  The Stigmata of Progress [4.03]
%
Cosima: You killed Aldous Leekie?
Donnie: Boy, did I ever... Yeah.

  --  The Stigmata of Progress [4.03]
%
Susan Duncan: Everyone needs a purpose in life. Ours is all in service of the greater good.
Rachel: What is it, Mother? What is our greater good?
Susan Duncan: To control human evolution, darling. To create a more perfect human being.

  --  The Stigmata of Progress [4.03]
%
Helena: Little science babies, forgive me. I did not know to feed you liquid nitrogens. But your twins are in my belly. And when they are old, I will tell them all about you and our adventures. Goodbye, family Hendrick.

  --  From Instinct to Rational Control [4.04]
%
Cosima Niehaus: [talking to Dr Leekie's decapitated head] Who's the Science now, bitch?

  --  From Instinct to Rational Control [4.04]
%
Ferdinand Chevalier: Hello, Vera Suominen.

  --  From Instinct to Rational Control [4.04]
%
MK: Look, Nikki. Another puzzle piece. See, Nikki, we're getting closer? Never forget.

  --  From Instinct To Rational Control [4.04]
%
Sarah: And what is it you want?
Mrs. S: What he wants is to rescue Rachel.
Ferdinand: What can I say? She pierced this armored heart.

  --  From Instinct To Rational Control [4.04]
%
Scott: Insulated and fashionable.
Cosima: Yeah, that's Alison for ya.

  --  From Instinct To Rational Control [4.04]
%
Ferdinand: Ah, the frittata. Go-to brunch for lazy lovers. Rachel's a foodie, too. And only a fluffy frittata will she abide.

  --  From Instinct To Rational Control [4.04]
%
Alison: Oh, lord and butter, Donnie, stop chewing the scenery.

  --  From Instinct To Rational Control [4.04]
%
Felix: What the bloody hell are you doing?
Donnie: I'm playing the part, darling.
Felix: No, darling, you're mincing.

  --  From Instinct To Rational Control [4.04]
%
Alison: Is that your leaning tower? It's not leaning anymore.
Donnie: Oh, I've got two spicy meatballs for you, baby.
Alison: So spicy!
Donnie: Oh, it's so tight... in this airplane bathroom.
Alison: I'm arriving! I'm landing!

  --  From Instinct To Rational Control [4.04]
%
Rachel: Immunosuppressive therapy likely won't save her. Untreated, her data has value. More value than her life. We shouldn't intervene. That's what you wanted to hear, isn't it?

  --  From Instinct To Rational Control [4.04]
%
Krystal Goderitch: [Talking about how she brings out others inner beauty as a Beautician] The hardest people are, like, pregnant women. 'Cause they're very self-centred, you know?
Donnie Hendrix: Oh, yeah.
Krystal Goderitch: Yeah, 'cause the mom's are like, 'No toxins please', but I'm like, 'Mommy has a moustache. Mamma needs bleach.'

  --  Human Raw Material [4.05]
%
Cosima Niehaus: Right. So what were you going to do in there exactly?
Alison Hendrix: I don't know. Sarah things. Skulk around look miserable, con people.

  --  Human Raw Material [4.05]
%
Krystal Goderitch: Yeah, and I'm being personally targeted because I'm a whistle-blower, right? I'm like that guy who moved to Russia. And if that French blonde doctor hadn't saved me, I would be like physically dead right now.

  --  Human Raw Material [4.05]
%
Donnie Hendrix: Wait! Listen to me, there's another clone here.
Cosima Niehaus: What? Who?
Donnie Hendrix: Big blonde hair, perfect nails, voice like a can opener.
Cosima Niehaus: Krystal Goderitch?

  --  Human Raw Material [4.05]
%
Alison: Really? Are you feeling up to it?
Cosima: Put me in, coach. I'm ready.

  --  Human Raw Material [4.05]
%
Alison: The plans have changed. Cosima is now carrying your child, Donnie.
Donnie: Oh. OK. So, wait, is she going to be co-parenting this child with Julian and I, or is she just going to be carrying the baby... ?
Alison: Donnie, the baby is fake. It doesn't matter.

  --  Human Raw Material [4.05]
%
Kira [about the phallus painting]: Is that a rocket-ship?
Felix: You can call it that. I've met men who do.

  --  Human Raw Material [4.05]
%
Krystal: Oh my god! I'm late. I'm late for my own pregnancy.

  --  Human Raw Material [4.05]
%
Kira [to Adele]: They always do this.

  --  Human Raw Material [4.05]
%
Susan [to Cosima]: I created you as a beautiful baseline to unlock the mysteries of the human genome.

  --  Human Raw Material [4.05]
%
Krystal Goderitch: [after accidentally spraying Felix with a can of Mace] I have Visine in my bag, if you want it.
Felix Dawkins: Nope, that alright. Nothing more from you purse.

  --  The Scandal of Altruism [4.06]
%
Scott: Leekie's Alzheimer's bot is looking a little peakish. Suppose we should feed it some blood like "Little Shop of Horrors"?
Cosima Niehaus: Yeah, 'cause that ended well.

  --  The Scandal of Altruism [4.06]
%
Beth Childs: [to M.K] You need to drop all this. Go back into hiding. Drink iced tea, play video games or whatever. Just stay hidden.

  --  The Scandal of Altruism [4.06]
%
Detective Art Bell: Krystal thinks Vidal Sassoon is after her.

  --  The Scandal of Altruism [4.06]
%
Krystal Goderitch: I need protective custody now because if Dyad doesn't get me then Brightborn definitely will.
Rookie: Alright, can I have your name, please?
Krystal Goderitch: Krystal Goderitch with a K, in "Krystal", obviously.

  --  The Scandal of Altruism [4.06]
%
Ira: Are you ready to meet our original?
Susan: After all these years? I feel electric.

  --  The Scandal of Altruism [4.06]
%
Art: Hi, Detective Bell, homicide.
Krystal: Krystal Goderitch, manicurist.

  --  The Scandal of Altruism [4.06]
%
Krystal: Yeah, and some of us know what they're actually doing, which is hording patents in stem cell cosmetics and totally testing on human beings. Like, I'm against animal testing. Like, humans is, like, too far, you know what I mean?

  --  The Scandal of Altruism [4.06]
%
Sarah: Christ, a Castor.
Ira: Actually, I'm a Libra.

  --  The Scandal of Altruism [4.06]
%
Susan: She's remarkable. Cosima. I wish Rachel had such an enquiring mind. They're all so different!
Sarah: Yeah, you've no idea.

  --  The Scandal of Altruism [4.06]
%
Cosima: Nature is just a set of spare parts to you, isn't it?
Evie: Well, I think of it more as a palette.

  --  The Scandal of Altruism [4.06]
%
Sarah: Cosima's data has been wiped. It's a coup.

  --  The Scandal of Altruism [4.06]
%
Cosima: Why are you doing this?
Evie: I never understood what Susan saw in that face. In the decades of watching your tedious lives. While technology just passed her by. Clones are obsolete.

  --  The Scandal of Altruism [4.06]
%
Evie: Da Vinci robbed graves to study anatomy. In a hundred years, they'll call me a pioneer.

  --  The Scandal of Altruism [4.06]
%
Evie: Delphine Cormier was shot dead at the Dyad parkade. Tell Susan the original is dead. Tell Sarah it's over. Or Beth died for nothing.

  --  The Scandal of Altruism [4.06]
%
Beth Childs: What are you doing?
Sarah Manning: I'm trying to buy a train ticket. I want out but I don't even have a credit card.
Beth Childs: Here, use mine.
[Beth briefly holds the card out but snatches it away before Sarah can touch it]
Beth Childs: Oh, wait. You maxed it out already.
Sarah Manning: Ha ha ha.
Beth Childs: It's OK, I didn't need it anymore.

  --  The Antisocialism of Sex [4.07]
%
Siobhan [to Sarah]: You came to me an orphan. That's all you'll ever be.

  --  The Antisocialism Of Sex [4.07]
%
Allison: Lord, I know I've been a horrible sinner. But we need hope now. We need-- Oh, fudge! Fudge it. Fudge me.

  --  The Antisocialism Of Sex [4.07]
%
Susan: Percy sought to bring science to the task of breeding a better human. You're sleeping in his very room. Over a century ago, he built the facilities downstairs. I built on top of him, and now Evie Cho builds on top of me.

  --  The Antisocialism Of Sex [4.07]
%
Kira: Mommy left again.

  --  The Antisocialism Of Sex [4.07]
%
Felix [to Mrs. S]: You should know better. Everything is gonna get worse if Sarah goes off the rails. You like it or not, but she's the glue that's holding us all together.

  --  The Antisocialism Of Sex [4.07]
%
Hell Wizard: There you go, listen to your lab partner.
Cosima: Yeah, she's dead too. No offense, Scotty.
Scott: Some taken, actually.

  --  The Antisocialism Of Sex [4.07]
%
Rachel: Yes, it's fortunate you found such an ineffective means of suicide, Ira.

  --  The Antisocialism Of Sex [4.07]
%
Evie [to Rachel]: Do you actually think Neolution would let a clone take a position of real importance?

  --  The Antisocialism Of Sex [4.07]
%
Tito: What's your story?
Dizzy: Well, I'm a clone. There's twenty-two of me going around out there.

  --  The Antisocialism Of Sex [4.07]
%
Mrs. S: But she'll be back.
Kira: No, she won't. This time she's following Beth.

  --  The Antisocialism Of Sex [4.07]
%
Beth: There's more than biology between us, Sarah. There's something else. You can feel it, too.

  --  The Antisocialism Of Sex [4.07]
%
Scott: Rachel?
Rachel Duncan: Hello, Scott. How are you?
Scott: She stabbed us in the back. I'm not working with her. She even cheats at Agricola.

  --  The Redesign of Natural Objects [4.08]
%
Scott: Have you thought about how insane you are? Jumping in a chopper to a mad scientist's private island?
Cosima: Dude, we are mad scientists. Don't be a hater.

  --  The Redesign of Natural Objects [4.08]
%
Duko: She set me up.
Sarah: Yeah, I guess genetics are thicker than water.

  --  The Redesign of Natural Objects [4.08]
%
Susan: You should take up a hobby, too. Ira, have you shown her your toy soldiers?
Rachel: Yes, perhaps I should take up carpentry. I can build us all coffins. Should I start with the smallest first?

  --  The Redesign of Natural Objects [4.08]
%
Adele [to Alison]: You look just like her, except with less anger and more hygiene.

  --  The Redesign of Natural Objects [4.08]
%
Ira: [referring to Sarah] You really don't like each other, do you?
Rachel Duncan: She put a pencil in my brain.

  --  The Mitigation of Competition [4.09]
%
Adele: Did your family threaten Duko, or somethin'?
Felix Dawkins: Adele, you're makin' it sound like we're the mob
Adele: So I'm readin' it wrong?
Felix Dawkins: Well you Did just mix mood stabilizers with gin dahling
Adele: That's brunch

  --  The Mitigation of Competition [4.09]
%
Felix: I'm sure we can all agree that this little diplomatic exchange is rock bottom. Susan gets the brilliant and delightful Cosima, forging ahead to save your lives, while we get you, Rachel, and your half-baked plan to take down Evie Cho.
Ira: I can assure you, it is not half-baked --
Felix: Ira, you fertilized my sister's eggs for science, you don't get to speak, too.

  --  The Mitigation of Competition [4.09]
%
Donnie: Well, she can wait! Daddy needs his conjugal, baby.
Allison: Donnie, our lives are imploding and all you can think about is your [whispers] stiffy?

  --  The Mitigation of Competition [4.09]
%
Sarah: Hendrix is on bail. Cosima is on the Island of Dr. Moreau. And Helena is AWOL. I'm meant to be bringing us together and we're falling apart.
Felix: Well, at least you've still got Rachel!

  --  The Mitigation of Competition [4.09]
%
Sarah: How about you, how are yours?
Helena: Yes, much kicking. They're fighting like us.

  --  The Mitigation of Competition [4.09]
%
Helena: Donnie Hendrick, you look like roast pig.

  --  The Mitigation of Competition [4.09]
%
Krystal Goderitch: Okay, are you, like, blind?
[referring to Sarah]
Krystal Goderitch: 'Cause this girl looks nothing like me. Like first of all, my tits are way bigger. And secondly, even if you could drag a comb through that hair she's like a seven on a good day, and I've been told I'm a ten.
Sarah Manning: [to Felix] Seven?
Felix Dawkins: She has a point about your hair.

  --  From Dancing Mice to Psychopaths [4.10]
%
[Ira walks in on Rachel and Ferdinand's sex-play]
Ira: Who is this?
Ferdinand Chevalier: Hello.
Rachel Duncan: He's just a toy.
Ira: He has his socks on.

  --  From Dancing Mice to Psychopaths [4.10]
%
Rachel Duncan: If we want to know if our lab rats' tails will grow back, we damn well will cut them off and see!

  --  From Dancing Mice to Psychopaths [4.10]
%
Sarah Manning: You're one of us!
Rachel Duncan: One of you? You didn't even know who you were until Beth Childs walked off that train platform.

  --  From Dancing Mice to Psychopaths [4.10]
%
Rachel Duncan: [to Sarah] You're not immune to me, you cockroach.

  --  From Dancing Mice to Psychopaths [4.10]
%
Sarah Manning: Neolution has a board?
Siobhan Sadler: There's always a bloody board.

  --  From Dancing Mice to Psychopaths [4.10]
%
Ferdinand Chevalier: [to Rachel] I like the cane, elegant... multipurpose.

  --  From Dancing Mice to Psychopaths [4.10]
%
[playing the board game "Dead of Winter"]
Krystal Goderitch: Okay, why am I giving away my gas cans and my food?
Scott: [smirking] We're cooperating to survive the zombie apocalypse.
Krystal Goderitch: Ugh, this is so boring! I don't care about the zombie apocalypse, I'm dressed like this to go on a real mission!

  --  From Dancing Mice to Psychopaths [4.10]
%
Mrs. S: I think we have two factions of Neos with competing technologies, bots versus clones. And if we are not careful we are gonna get screwed again.

  --  From Dancing Mice to Psychopaths [4.10]
%
Dr. Ian: Technology is subject to natural selection too, Evie. It changes. It adapts. You're an engineer, you know that. Shh, shh. You built it. Let it take you.

  --  From Dancing Mice to Psychopaths [4.10]
%
Donnie: Allison thinks we've been hiding out long enough. I don't think the frontier life agrees with her.
Helena: She has the shits.

  --  From Dancing Mice to Psychopaths [4.10]
%
Scott: Cosima is cut off in a Neolution power vacuum and he calls in a beautician?
Hell Wizard: Sweet move, right?

  --  From Dancing Mice to Psychopaths [4.10]
%
Krystal: I'm sorry, who are you again?
Sarah: I'm Sarah, I'm your clone.
Krystal: Right, whatever.

  --  From Dancing Mice to Psychopaths [4.10]
%
Rachel: Controlling evolution is the ultimate power.

  --  From Dancing Mice to Psychopaths [4.10]
%
Susan [to Rachel]: You are betraying me. You are betraying your sisters and you are betraying yourself.

  --  From Dancing Mice to Psychopaths [4.10]
%
Cosima: I think I'm dying.
Delphine: No, you're not. I won't let you.

  --  From Dancing Mice to Psychopaths [4.10]
%
Rachel: Who built my eye?
Susan: You know. It's the man behind the curtain. The man who wrote the book over a century ago.
Rachel: That's impossible.
Susan: Not for him.

  --  From Dancing Mice to Psychopaths [4.10]
%
Mud: Tweedle Small and Tweedle Tall!
Cosima [to Charlotte]: Ignore her.

  --  The Few Who Dare [5.01]
%
Felix: Oh my god! I almost hit you with a pan!
Art: Yeah, well, I almost shot you, so we're even.

  --  The Few Who Dare [5.01]
%
Felix: Where's Helena?
Alison: She's out hunting.
Donnie: Trapping.
Alison: It's all categorized as hunting, Donnie.

  --  The Few Who Dare [5.01]
%
Alison: Poop on a stoop. We don't even know what the plan is!

  --  The Few Who Dare [5.01]
%
Cosima: Do you know what a myth is? It's an old, old story. And some of it's true, and some of it is not. But it's told to us to teach us something.

  --  The Few Who Dare [5.01]
%
Delphine: I mean, think about it. If you want to genetically improve the human race, life extension is the first principle. This place... This is the heart of Neolution.

  --  The Few Who Dare [5.01]
%
Rachel: Like you, I was selected. I know now his hand guided my entire life. I know Susan Duncan, my mother, once stood here, as I am, appointed to move the future forward. And she did. She created me. It is time to be brave. To sacrifice. The fruits of nearly 200 years of Neolution science are now within our grasp. And we, here, shall drink from the fountain first.

  --  The Few Who Dare [5.01]
%
Rachel: There's no need to be afraid anymore. He wants you to be part of this. You and I are going to cure us all.
Cosima: Just hit me, Rachel.

  --  The Few Who Dare [5.01]
%
Rachel: It's a new day, Sarah.
Ferdinand: So, is Sarah Manning finally ready to behave?

  --  Clutch of Greed [5.02]
%
Rachel: I don't need to hit you, Ferdinand. I don't need to anymore.

  --  Clutch of Greed [5.02]
%
MK: Thank you for trying, Sarah. I wish it could have been different for us.
Sarah: Me too.

  --  Clutch of Greed [5.02]
%
Ferdinand: You have no idea the volcano that outfit is inspiring in me right now.

  --  Clutch of Greed [5.02]
%
Kira: I want to know why I'm like this. And I don't want to go with you! I'm going with Rachel!

  --  Clutch of Greed [5.02]
%
Rachel [to Kira]: I know it's been a sad day, but we're going to take such good care of you.

  --  Clutch of Greed [5.02]
%
Delphine: I'm not a ghost.
Mrs. S: Yeah, I heard.

  --  Clutch of Greed [5.02]
%
Sarah: Let's go kidnap my daughter.

  --  Clutch of Greed [5.02]
%
Ramon: A toke, Mrs. Hendrix?
Alison: Eff it.

  --  Beneath Her Heart [5.03]
%
Alison: Why do I have this face? I could've been born with many faces. I could've been a cop or I could've been a scientist. But I wound up microwaving mini-pizzas and chauffeuring kids to circus camp. Why this life?
Donnie: Because we're happy?

  --  Beneath Her Heart [5.03]
%
Alison: Talk to the bouncing hand, Donnie!

  --  Beneath Her Heart [5.03]
%
Alison: Why do I love my sisters so much when they've ruined my life?
Donnie: Your life isn't ruined! It's just waiting for you to come back and sparkle it up.

  --  Beneath Her Heart [5.03]
%
Alison: My hand is purple, and it makes the air all fuzzy.

  --  Beneath Her Heart [5.03]
%
Susan Duncan [to PT Westmorland]: You turned my daughter against me.

  --  Let the Children and Childbearers Toil [5.04]
%
Westmorland: Remember your greenhouse?
Susan: Oddly, you let everything die.
Westmorland: Well, you were the one with the green thumb.
Susan: And your hands never get dirty.
Westmorland: No. Only my beautiful, filthy mind.
Susan: Still got that, do you?

  --  Let the Children and Childbearers Toil [5.04]
%
Westmorland: We can't let our history stand in the way of the future.

  --  Let the Children and Childbearers Toil [5.04]
%
Scott: Where are you guys going?
Sarah: You think she tells me anything?

  --  Let the Children and Childbearers Toil [5.04]
%
Felix: Adele, there was a reason I didn't tell you. Oh yeah, our life is hell, and our people regularly die violently.

  --  Let the Children and Childbearers Toil [5.04]
%
Mrs. S: Who put you in here?
Virginia: A dear old friend.

  --  Let the Children and Childbearers Toil [5.04]
%
Virginia: We shared the same goal once — To control human genetics and modify the species. Needless to say, we didn't always get it right. We knew from the start we'd have to break a few eggs. But she never really had the guts for the wet work.

  --  Let the Children and Childbearers Toil [5.04]
%
Adele: Hey, your Mom has a job for us. How do you feel about tracking patent-hoarding corporations and global profit flows... in Switzerland?
Felix Dawkins: I hate fondue.

  --  Let the Children and Childbearers Toil [5.04]
%
Delphine: I can promise you one thing. I will always work to protect you.

  --  Ease for Idle Millionaires [5.05]
%
Rachel: Hello, mother. You're looking well.
Susan: The prodigal daughter returns.

  --  Ease for Idle Millionaires [5.05]
%
Delphine: We'll learn more if we play along.

  --  Ease for Idle Millionaires [5.05]
%
The Messenger: This is not appropriate.
Cosima: It's totally appropriate.

  --  Ease for Idle Millionaires [5.05]
%
Cosima: You gave me life. I know you can take that away. But you can't take away my humanity.

  --  Ease for Idle Millionaires [5.05]
%
Krystal: She's been poisoned. By Big Cosmetics. What about that is confusing?

  --  Manacled Slim Wrists [5.06]
%
Brie: Nobody ghosts Krystal!
Scott: It's difficult at first, but you get used to it eventually.

  --  Manacled Slim Wrists [5.06]
%
Susan [about Virginia]: She is not a Neolutionist. She is a maniac. We do not need to cull segments of the population to genetically advance the human race!
Virginia: Well, it sure would speed things up.

  --  Manacled Slim Wrists [5.06]
%
Virginia [to PT Westmoreland]: She was trying to kill you.
Susan: No. I was trying to save us all.

  --  Manacled Slim Wrists [5.06]
%
Krystal: Your support just gives us the strength and courage to keep exposing the lies of Big Cosmetics.

  --  Manacled Slim Wrists [5.06]
%
Sarah: Art, what are they on about?
Krystal: She's been poisoned, okay? Probably by those Swedish Neolutionists. Like that Russian guy whose hair fell out when they put a nuclear bomb in his tea.

  --  Manacled Slim Wrists [5.06]
%
Kira: Who hurt you?
Rachel: All of them.

  --  Gag or Throttle [5.07]
%
Westmoreland [to Rachel]: I consider you my daughter.

  --  Gag or Throttle [5.07]
%
Mrs. S: They're doing it again. To another generation of women.

  --  Gag or Throttle [5.07]
%
Scott: Cosima, you're home.
Cosima: And so is our cure.

  --  Gag or Throttle [5.07]
%
Young Rachel: When I was 6 years old, I became the only Leda aware of the other clones. Dr. Leekie shows me their files so I can understand how experiences determine traits.

  --  Gag or Throttle [5.07]
%
Felix: My sister and I are orphans, you see, and we could've ended up anywhere. We could've ended up in any family. And if we had, we would've ended up being entirely different people. But my mom, Siobhan, this woman — she chose us as her own. We are who we are because she carried two little London urchins on her wings to Canada. Watching her raise my sister, watching my sister raise her own daughter, finding my biological sister, it's quite mad. It's taught me that we are all mysterious works of chance. Of choice. Of nature vs. nurture. So to my galaxy of women — thank you for the nurture.

  --  Guillotines Decide [5.08]
%
Rachel [to Ferdinand]: I told you what I wanted — you chose not to listen.

  --  Guillotines Decide [5.08]
%
Mrs. S: Oh, chickens.

  --  Guillotines Decide [5.08]
%
Mrs. S [to Rachel]: I'm willing to take a gamble on nature over nurture.

  --  Guillotines Decide [5.08]
%
Siobhan Sadler: Chickens...

  --  Guillotines Decide [5.08]
%
Felix [reading Siobhan's letter]: "Just remember, my loves — death is nothing at all. I've only slipped into the next room. You can call me by my old familiar name with no sorrow in your tone. I promise we will laugh at this difficult parting when we meet again. All my love, S."

  --  One Fettered Slave [5.09]
%
Rachel: Felix. I'm sorry for your loss.
Felix: Save your breath, you heartless bitch, and turn around.

  --  One Fettered Slave [5.09]
%
Helena [to Coady]: You are his puppy dog. Coward!

  --  One Fettered Slave [5.09]
%
Westmorland: The future is female! Haven't you heard?

  --  One Fettered Slave [5.09]
%
Mark: I'm so happy.
Coady: I know.
Mark: Goodnight, mom.
Coady: Goodbye, Mark.

  --  One Fettered Slave [5.09]
%
Helena: Dirty copies. They pervert his original. I will cleanse them from this earth.

  --  One Fettered Slave [5.09]
%
Helena: I am a copy.
Tomas: No, child. You are the original. You are so special, don't you see? They copied your body, but not your soul.
Helena: I am the original?
Tomas: You are the light.
Helena: I am the original. I am the light.

  --  One Fettered Slave [5.09]
%
Helena [to her twins, in Russian]: My babies. You deserve better than me. You will not be an experiment too. I set you free, My babies.

  --  One Fettered Slave [5.09]
%
Felix Dawkins: [points to the well-dressed driver] Who's this, then? Got a new manservant already?
Rachel Duncan: This is Youssef, my Uber driver.

  --  To Right the Wrongs of Many [5.10]
%
Detective Art Bell: You're a shitty partner, Enger.

  --  To Right the Wrongs of Many [5.10]
%
Doctor: Sir, I think it would be best if you stayed here.
P.T. Westmorland: Do you?
Doctor: In this state, yes. You're putting yourself under a lot a strain for man of your age.
P.T. Westmorland: [guns down doctor] Man my age.

  --  To Right the Wrongs of Many [5.10]
%
Cosima Niehaus: Did Camilla Torres just ask you to dinner?
Delphine Cormier: Maybe.
Cosima Niehaus: Uh-huh. Okay, well, we have to go to Brazil 'cause there's 14 more of us there.
Delphine Cormier: But you know my Portuguese is terrible.

  --  To Right the Wrongs of Many [5.10]
%
P.T. Westmorland: [on the ground and bleeding] Lucky shot for a mutation.
Sarah Manning: Yeah, I survived you... *we* survived you, me and my sisters together. This is evolution!

  --  To Right the Wrongs of Many [5.10]
%
Westmorland: How fitting you return to your cage. All lab rats do in the end.

  --  To Right the Wrongs of Many [5.10]
%
Sarah: I survived you. We survived you. Me and my sisters together. This is evolution.

  --  To Right the Wrongs of Many [5.10]
%
Sarah: How are the boys?
Helena: Dangling in their sacks.

  --  To Right the Wrongs of Many [5.10]
%
Alison: This is what we fought for, right? To be sisters! It's a good thing!
Sarah: Yeah. It's good. We just need a change. Freedom looks different to everyone.

  --  To Right the Wrongs of Many [5.10]
%
Rachel: I have a glass eye, no friends, and no identity unless I want to be found. Leaves little room for elitism.

  --  To Right the Wrongs of Many [5.10]
%
Helena: My story is an embroidery, with many beginnings and no end. But I will start with the thread of my sestra Sarah, who stepped off a train one day and met herself.

  --  To Right the Wrongs of Many [5.10]
%
Helena: I finished my book. It's a story about all my sestras. I call it "Orphan Black."
Sarah: Oy, that's weird.

  --  To Right the Wrongs of Many [5.10]
%
